Controlling Hollywood

Controlling Hollywood
Author: Matthew Bernstein
Publisher: A&C Black
Total Pages: 314
Release: 2000-01-01
Genre: Social Science
ISBN: 9780485300925

Explaining the major forces at play behind the making of Hollywood films, this text assesses how changing values have influenced censorship in Hollywood. The text also analyses the major cultural, social, legal and religious changes and their effect on Hollywood.

Hollywood's America

Hollywood's America
Author: Steven Mintz
Publisher: John Wiley & Sons
Total Pages: 417
Release: 2010-03
Genre: History
ISBN: 1405190035

Fully revised, updated, and extended, this compilation of interpretive essays and primary documents teaches students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history Ten new articles which consider recently released films, as well as issues of gender and ethnicity Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film Fourth edition includes completely new images throughout

One World, Big Screen

One World, Big Screen
Author: M. Todd Bennett
Publisher: UNC Press Books
Total Pages: 379
Release: 2012-11-01
Genre: History
ISBN: 0807837466

World War II coincided with cinema's golden age. Movies now considered classics were created at a time when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, One World, Big Screen reveals how the Grand Alliance--Britain, China, the Soviet Union, and the United States--tapped Hollywood's impressive power to shrink the distance and bridge the differences that separated them. The Allies, M. Todd Bennett shows, strategically manipulated cinema in an effort to promote the idea that the United Nations was a family of nations joined by blood and affection. Bennett revisits Casablanca, Mrs. Miniver, Flying Tigers, and other familiar movies that, he argues, helped win the war and the peace by improving Allied solidarity and transforming the American worldview. Closely analyzing film, diplomatic correspondence, propagandists' logs, and movie studio records found in the United States, the United Kingdom, and the former Soviet Union, Bennett rethinks traditional scholarship on World War II diplomacy by examining the ways that Hollywood and the Allies worked together to prepare for and enact the war effort.

EIGA

EIGA
Author: Nick Deocampo
Publisher: Anvil Publishing, Inc.
Total Pages: 696
Release: 2017-11-09
Genre: History
ISBN: 6214200839

Nick Deocampo’s continuing film saga investigates on its third volume how World War II affected the growth of cinema in the Philippines (1942-1945). Revealed in the book is a vast wealth of information about Japanese wartime manipulation of motion pictures that would only lead to the inglorious end of the colonial film cycle at war’s conclusion. This valuable construction of the country’s wartime film history uncovers significant intellectual efforts made by Japanese film critics and film artists who formed the Propaganda Corps assigned to the country. They conceived for Filipinos a “national” identity for their cinema, even while this was wrapped in a fascist, colonial, and militaristic context. Seventy years after the end of World War II, Deocampo triumphs over trauma and forgetfulness as he revisits the wartime period and its cinema. He provides a landmark contribution to historical memory as he uncovers one of the bleakest moments in Philippine film history.

Animation and the American Imagination

Animation and the American Imagination
Author: Gordon B. Arnold
Publisher: Bloomsbury Publishing USA
Total Pages: 294
Release: 2016-11-28
Genre: Art
ISBN: 1440833605

Providing a detailed historical overview of animated film and television in the United States over more than a century, this book examines animation within the U.S. film and television industry as well as in the broader sociocultural context. From the early 1900s onwards, animated cartoons have always had a wide, enthusiastic audience. Not only did viewers delight in seeing drawn images come to life, tell fantastic stories, and depict impossible gags, but animation artists also relished working in a visual art form largely free from the constraints of the real world. This book takes a fresh look at the big picture of U.S. animation, both on and behind the screen. It reveals a range of fascinating animated cartoons and the colorful personalities, technological innovations, cultural influences and political agendas, and shifting audience expectations that shaped not only what appeared on screen but also how audiences reacted to thousands of productions. Animation and the American Imagination: A Brief History presents a concise, unified picture that brings together divergent strands of the story so readers can make sense of the flow of animation history in the United States. The book emphasizes the overall shape of animation history by identifying how key developments emerged from what came before and from the culture at large. It covers the major persons and studios of the various eras; identifies important social factors, including the Great Depression, World War II, the counterculture of the 1960s and 1970s, and the struggles for civil rights and women's rights; addresses the critical role of technological and aesthetic changes; and discusses major works of animation and the responses to them.

Hollywood's Censor

Hollywood's Censor
Author: Thomas Doherty
Publisher: Columbia University Press
Total Pages: 441
Release: 2009-03-31
Genre: Performing Arts
ISBN: 0231512848

From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.

Islands of Empire

Islands of Empire
Author: Camilla Fojas
Publisher: University of Texas Press
Total Pages: 323
Release: 2014-03-01
Genre: Performing Arts
ISBN: 0292756321

Camilla Fojas explores a broad range of popular culture media—film, television, journalism, advertisements, travel writing, and literature—with an eye toward how the United States as an empire imagined its own military and economic projects. Impressive in its scope, Islands of Empire looks to Cuba, Guam, Hawai‘i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the continent throughout the twentieth century. Through deep textual readings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai‘i); and West Side Story, Fame, and El Cantante (Puerto Rico), Fojas demonstrates how popular texts are inseparable from U.S. imperialist ideology. Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas’s textual readings deftly move from location to location, exploring each island’s relationship to the United States and its complementary role in popular culture. Tracing each outpost’s varied and even contradictory political status, Fojas demonstrates that these works of popular culture mirror each location’s shifting alignment to the U.S. empire, from coveted object to possession to enemy state.

The Defeated and the Dead

The Defeated and the Dead
Author: Mark Pearcy
Publisher: IAP
Total Pages: 166
Release: 2024-07-01
Genre: History
ISBN:

How do we teach about war? How can social studies teachers empower students to understand how wars are started, how they are fought, and how they are ended? Films about war are featured in nearly all social studies classrooms across the US, with practically every American teenager watching at least one “historical” film during their time in middle and high school. Without the mandatory class viewing, most of these movies would not have been seen by them otherwise. Film is the medium through which most Americans learn about their national past. But a passive viewing of a movie about war does little to help students learn to be critical thinkers about their country’s choices. In The Defeated and the Dead: Teaching About War Through Film, Dr. Mark Pearcy outlines strategies and resources for teachers to incorporate movies about war into their classes in an effective, thoughtful manner. Employing elements of the “Just War” doctrine (the basis for most international law and treaties), this book highlights how teachers can make use of widely-used films like Saving Private Ryan, Platoon, and Glory, as well as other movies that span our nation’s history, from the American Revolution to modern conflicts. By focusing on critical frameworks like Just War, as well as featuring films both about war and the avoidance of war, The Defeated and the Dead offers social studies teachers a valuable tool to approach difficult, contentious topics in their classrooms.

America Ascendant

America Ascendant
Author: Dennis M. Spragg
Publisher: U of Nebraska Press
Total Pages: 523
Release: 2019-12-01
Genre: History
ISBN: 1640122621

America Ascendant 'vividly portrays the global crisis that brought the media and the government into an alliance that changed the course of American and world history. President Franklin D. Roosevelt organized an extraordinary partnership between the U.S. government and America's media outlets to communicate to the reluctant and isolationist American public the nature of the threat that World War II posed to the nation and the world. The coalition's aim was to promote the concept of American exceptionalism and use it to galvanize the public for the government's cause.America Ascendant 'details the efforts of many prominent individuals and officials to harness the collective energy of the nation and guide the United States throughout World War II then describes its aftermath and the Cold War period. Dennis M. Spragg demonstrates how the news and entertainment of American broadcasters such as David Sarnoff, William Paley, and Elmer Davis helped rally the American people to fashion a new liberal democratic order to stop the global spread of Communism.This media-government alliance, however, was not achieved without difficulty. Spragg highlights the competing visions and personalities that clashed, as media and government leaders tried to develop the paradigm that ultimately shifted American cultural and political thought. Throughout this searching history he sheds light on the underappreciated coordination between the media and the government to establish a liberal democratic world order and demonstrates why American exceptionalism still matters.''