Gothic Legacies
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| Author | : Laura Cleaver |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 315 |
| Release | : 2012-03-15 |
| Genre | : Art |
| ISBN | : 1443838160 |
As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of “Gothic” art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what “Gothic” could mean in particular contexts, and how it was used across different periods, cultures, and media. The book’s twelve essays are divided into thematic sections, which identify recurring themes in discussions of the “Gothic”. The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between “Gothic” art and literature, and the invocation of concepts of the “Gothic” in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.
| Author | : Deborah D. Rogers |
| Publisher | : Peter Lang |
| Total Pages | : 182 |
| Release | : 2007 |
| Genre | : Foreign Language Study |
| ISBN | : 9781433100451 |
Although in recent years maternity has become a contested site of political discourse, the matrophobia that characterizes many mother-daughter bonds has hardly been theorized. This book defines matrophobia as fear of mothers, as fear of becoming a mother, and as fear of identification with and separation from the maternal body. Deborah D. Rogers argues that matrophobia is the central metaphor for women's relationships with each other within a patriarchal culture. Analyzing different contexts in which matrophobia problematizes feminism, this book begins with matrophobic discourse in eighteenth-century England. Significantly, the self-sacrificing construction of motherhood emerges at the same time as the novel, a genre that develops as a locus for the radical displacement of matrophobia. Coining the term «Matrophobic Gothic» to describe works in which inadequately mothered heroines reconcile with maternal figures that the narrative has repressed, Rogers focuses on this phenomenon in the works of Ann Radcliffe and Jane Austen. Her consideration of matrophobia extends to early modern male-authored texts, including Samuel Richardson's representation of maternity and Sir Walter Scott's exploration of gender roles and identity. These issues continue unabated in televised serial drama. All told, this book powerfully argues for the necessity of confronting the matrophobia at the heart of feminism.
| Author | : Lynne Z. Bassett |
| Publisher | : WADSWORTH ATHENEUM |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Clothing and dress |
| ISBN | : 9780918333285 |
The Romantic aesthetic of the 1810 1860 period embraced the imagination combining history, nature, religion, and terror into a fascinating melange expressed in the clothing of the era and influencing fashion design to the present day"
| Author | : Katarzyna Więckowska |
| Publisher | : BRILL |
| Total Pages | : 166 |
| Release | : 2020-04-14 |
| Genre | : Social Science |
| ISBN | : 1848880995 |
The Gothic: Studies in History, Identity and Space is a collection of articles critically examining numerous aspects of the genre in a variety of texts, such as fiction, film and popular culture artefacts, and in various times and places, starting from the classic gothic novels and ending with contemporary gothicised cultural practices.
| Author | : Benjamin Franklin Fisher IV |
| Publisher | : Routledge |
| Total Pages | : 510 |
| Release | : 2016-05-05 |
| Genre | : History |
| ISBN | : 1317206592 |
First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.
| Author | : Silvia Moreno-Garcia |
| Publisher | : Del Rey |
| Total Pages | : 361 |
| Release | : 2020-06-30 |
| Genre | : Fiction |
| ISBN | : 0525620796 |
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly
| Author | : David Punter |
| Publisher | : Edinburgh University Press |
| Total Pages | : 520 |
| Release | : 2019-08-05 |
| Genre | : Art, Gothic |
| ISBN | : 1474432379 |
The Gothic is a contested and complicated phenomenon, extending over many centuries and across all the arts. In The Edinburgh Companion to the Gothic and the Arts, the range of essays run from medieval architecture and design to contemporary gaming and internet fiction; from classical painting to the modern novel; from ballet and dance to contemporary Goth music. The contributors include many of the best-known critics of the Gothic (e.g., Hogle, Punter, Spooner, Bruhm) as well as newer names such as Kirk and Round. The editor has put all these contributors in touch with each other in the preparation of their essays in order to ensure the maximum benefit to the reader by producing a well-integrated book which will prove much more than a collection of disparate essays, but rather a distinctive contribution to a field.
| Author | : Tammy Andresen |
| Publisher | : Swift Romance Publishing |
| Total Pages | : 467 |
| Release | : |
| Genre | : Fiction |
| ISBN | : |
Meet the Wicked Whites, sons of the Dark Duke, they bend to no man. But the right woman... Her Wicked White Benedict White is the new Duke of Whitehaven but he's inherited a whole set of old problems right along with his dukedom. Warring siblings. A mysterious clause within his father’s will. And swirling questions about his father’s death. He’s a man who lives his life alone. How can he untangle himself from this mess? Still, he’ll do what’s best for the dukedom no matter how much he hates the task. And when he meets his sister’s companion, Miss Chloe Fairly, he can’t deny that he’s tempted. As lovely as she is sweet, he’d keep her for himself if he were a different sort or if there were a heart still in his chest. But he’s pretty sure he lost his years ago. And he’s got enough problems without adding a temptress to the list. Her Willful White Is she a French spy or the woman of his dreams? Lord Destrian White, brother to the Duke of Whitehaven is a man who prides himself on self-reliance and perseverance. He doesn’t need anyone and if life doesn’t give him what he requires, he takes what he needs. But when Miss Fleur Dupont enters his life, everything turns upside down. His Wallflower White He’ll keep her safe no matter the cost… When The Honourable Patrick Cranston is hired by the White family to guard a duke’s sister, he’s relieved. Watching one debutante is a fair sight easier than bareknuckle boxing, at least that’s how it seems. At first. But as trouble swirls about Lady Millicent, threatening the delicate beauty, he realizes her circumstances are far more dangerous than he first imagined. Her life is at risk and it’s his job to protect her. But that isn’t what scares him the most. The more time he spends with her, the more he realizes, his heart in peril as well and that frightens the hell out of him. Still, he’ll do anything to save them both. Boxed set Regency romance Regency romance collection
| Author | : Kathleen Hudson |
| Publisher | : University of Wales Press |
| Total Pages | : 290 |
| Release | : 2020-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 1786836114 |
This edited collection examines Gothic works written by women authors in the late eighteenth and early nineteenth centuries, with a specific focus on the novels and chapbooks produced by less widely commercially and critically popular writers. Bringing these authors to the forefront of contemporary critical examinations of the Gothic, chapters in this collection examine how these works impacted the development of ‘women’s writing’ and Gothic writing during this time. Offering readers an original look at the literary landscape of the period and the roles of the creative women who defined it, the collection argues that such works reflected a female-centred literary subculture defined by creative exchange and innovation, one that still shapes perceptions of the Gothic mode today. This collection, then, presents an alternative understanding of the legacy of women Gothic authors, anchoring this understanding in complex historical and social contexts and providing a new world of Gothic literature for readers to explore.
| Author | : Michel Feith |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 210 |
| Release | : 2015-09-18 |
| Genre | : American fiction |
| ISBN | : 1443883530 |
What is being passed on? The questions of heritage and inheritance are crucial to American minority literatures. Some inheritances are claimed; some are imposed and become stifling; others still are impossible, like the memories of oppression or alienation. Heritage is not only patrimony, however; it is also a process in a state of constant reconfiguration. The body – its semiotics, its genealogy, its pressure points – figures prominently as inevitable referent for the minority racial/ethnic subject, the performance, and the writing of difference. This collection of essays analyzes contemporary novels from major African American writers, such as Gayl Jones, Phyllis Alesia Perry, Percival Everett, John Edgar Wideman, and Colson Whitehead, and ethnic American novelists like Jeffrey Eugenides, Philip Roth, Gish Jen, and Sergio Troncoso. It also includes the study of a painting by African American artist Robert Colescott. The first section of the book examines the inscription of African American writers’ relation to the nation’s past: the trauma of slavery, the burden of foundational discourses, or the legacy of the classical philosophical canon. The second part of the text is an assessment of the postmodern aesthetics of contemporary black fiction in the construction of history, unveiling the modalities of the palimpsest, fragmentation, intermediality, mises en abyme, in a complex grammar of haunting and denial. Gathering essays on Greek-American, Jewish-American, Chinese-American and Mexican-American fiction, the final section delineates new conceptions of ethnicity based on fluidity, hybridity, and performativity. Cross-ethnic experimentations in “super-diversity,” according to which identities become optional, an array of choices rather than forced belonging, seem to be pointing the way to the next stage, that of a “post-racial,” “post-ethnic” society. Yet the conjugated strictures of “race” and class still limit these choices to a significant degree, and the works discussed in this volume often playfully or sarcastically question the validity of the “post.” They ultimately ask: who shall inherit America?
