Good Girls And Wicked Witches
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| Author | : Amy M. Davis |
| Publisher | : JOHN LIBBEY PUBLISHING |
| Total Pages | : 284 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : |
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.
| Author | : Amy M. Davis |
| Publisher | : Indiana University Press |
| Total Pages | : 281 |
| Release | : 2007-02-20 |
| Genre | : Social Science |
| ISBN | : 0861969014 |
An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters
| Author | : Amy M. Davis |
| Publisher | : Indiana University Press |
| Total Pages | : 281 |
| Release | : 2014-01-31 |
| Genre | : Performing Arts |
| ISBN | : 0861969073 |
From dwarves to princes, heroes to heartbreakers, the Disney treatment of male characters in the studio’s animated features. One of PopSugar’s Best Books for Women (2013) From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film’s release. “Within her idealism and love for the House of the Mouse, it seems Davis is on to something. Whether idealistic or delusional, the Disney she talks about seems to be a thing that’s waiting just around the corner.” —PopMatters
| Author | : Jessica Spotswood |
| Publisher | : Penguin UK |
| Total Pages | : 287 |
| Release | : 2013-02-07 |
| Genre | : Juvenile Fiction |
| ISBN | : 0141342129 |
Romance, magic and an age-old prophecy - the first novel in a stunning new paranormal young adult series. Born Wicked is to witches what Twilight is to vampires! Our mother was a witch too, but she hid it better. I miss her. To me, the magic feels like a curse. According to the Brothers, it's devil-sent. Women who can do magic-they're either mad or wicked. So I will do everything in my power to protect myself and my sisters. Even if it means giving up my life - and my true love. Because if the Brothers discover our secret, we're destined for the asylum, or prison . . . or death. Praise for BORN WICKED: 'A tale so captivating, you don't want it to end' - Andrea Cremer, New York Times bestselling author of the Nightshade series Jessica Spotswood is a debut US author. She grew up in a tiny one-stoplight town in Pennsylvania. Now she lives in a gentrifying hipster neighbourhood in Washington, D.C. with her playwright husband and a cuddly cat named Monkey. She's never happier than when she's immersed in a good story, and swoony kissing scenes are her favourite. Born Wicked is her debut novel for teens. Check out the stunning trailer here www.youtube.com/watch?v=KZztqxA58iw @jessica_shea www.jessicaspotswood.com
| Author | : Nancy Holder |
| Publisher | : Simon and Schuster |
| Total Pages | : 373 |
| Release | : 2002 |
| Genre | : Magic |
| ISBN | : 0743426967 |
When her parents are killed in an accident, high school senior Holly Cather is sent to Seattle to live with an aunt, uncle and cousins who are descendants, she discovers, from a powerful line of witches locked in battle with a dynasty of warlocks, represented in the modern world by a boy to whom Holly is strangely attracted.
| Author | : Danielle Paige |
| Publisher | : HarperCollins |
| Total Pages | : 169 |
| Release | : 2016-03-15 |
| Genre | : Young Adult Fiction |
| ISBN | : 0062280759 |
In this action-packed third book in the New York Times bestselling Dorothy Must Die series, new girl from Kansas Amy Gumm is caught between her home—and Oz. My name is Amy Gumm. Tornadoes must have a thing about girls from Kansas, because—just like Dorothy—I got swept away on one too. I landed in Oz, where Good is Wicked, Wicked is Good, and the Wicked Witches clued me in to my true calling: Assassin. The only way to stop Dorothy from destroying Oz—and Kansas—is to kill her. But I failed. Others died for my mistakes. Because of me, the portal between the worlds has been opened. And if I don’t find a way to close it? Dorothy will make sure I never go home again. Now it’s up to me to: join the Witches, fight for Oz, save Kansas, and stop Dorothy once and for all. Perfect for fans of Marissa Meyer’s Lunar Chronicles and Gregory Maguire’s Wicked, Danielle Paige delivers a dark, high-octane reimagining of L. Frank Baum’s The Wonderful Wizard of Oz.
| Author | : Amanda M Lee |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 2020-11 |
| Genre | : |
| ISBN | : |
Bay Winchester is living the high life. She's engaged, owns her own business, and is undergoing a magical transformation, complete with growing powers at every turn. All that changes when a local teenager goes missing at a festival and nobody knows who took her.The girl's friends saw the abduction but the description they provide doesn't match anybody in town. The only other witness is Marcus, her cousin Thistle's boyfriend, and he was seriously injured in the attack and can't provide additional information.Bay is determined to solve the case, although she's not sure where to look. On top of that, her normal partner in crime is otherwise engaged, which means her mother has decided to tag along for the ride.Bay is the sort of witch who is willing to put herself on the line to save those who need saving. Unfortunately, this time around, the answers she finds only lead to more questions. On top of that, her great-aunt Willa and cousin Rosemary have arrived in town out of nowhere and they seem to be harboring their own secrets, and it's something that could change the entire trajectory of Bay's life.The Winchesters are loyal, and it's going to take all of them working together to solve this one. It seems new magic is afoot, and whoever is wielding it is deadly.Magic, mystery and mayhem are about to collide. Batten down the hatches. The Winchesters are about to take you on a wild ride.
| Author | : Benjamin Lefebvre |
| Publisher | : Routledge |
| Total Pages | : 230 |
| Release | : 2013-01-04 |
| Genre | : Literary Criticism |
| ISBN | : 1136227164 |
This book offers new critical approaches for the study of adaptations, abridgments, translations, parodies, and mash-ups that occur internationally in contemporary children’s culture. It follows recent shifts in adaptation studies that call for a move beyond fidelity criticism, a paradigm that measures the success of an adaptation by the level of fidelity to the "original" text, toward a methodology that considers the adaptation to be always already in conversation with the adapted text. This book visits children’s literature and culture in order to consider the generic, pedagogical, and ideological underpinnings that drive both the process and the product. Focusing on novels as well as folktales, films, graphic novels, and anime, the authors consider the challenges inherent in transforming the work of authors such as William Shakespeare, Charles Perrault, L.M. Montgomery, Laura Ingalls Wilder, and A.A. Milne into new forms that are palatable for later audiences particularly when—for perceived ideological or political reasons—the textual transformation is not only unavoidable but entirely necessary. Contributors consider the challenges inherent in transforming stories and characters from one type of text to another, across genres, languages, and time, offering a range of new models that will inform future scholarship.
| Author | : Eleanor Estes |
| Publisher | : HMH |
| Total Pages | : 241 |
| Release | : 2018-04-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 0547546777 |
This story of two girls trying to banish a witch is “full of wonderful fun, excitement, and humor” (Library Journal). Old Witch likes nothing better than to fly around on her broomstick, crying “Heh-heh!” and casting abracadabras. But now she has been sent away . . . by two young girls. Amy and Clarissa have decided that Old Witch is just too mean and wicked. So, drawing a rickety old house upon a barren glass hill, they exile Old Witch there with a warning: She better be good, or else no Halloween! But to give Old Witch some company, they draw her a Little Witch Girl and a Weeny Witch Baby . . . Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill. And Amy and Clarissa are about to find that out, when Old Witch magics them into her world of make-believe-made-real, in “a very special book that is certain to give boundless pleasure—at any time of the year” (The Horn Book). “A classic for Halloween.” —Library Journal
| Author | : Sharon Packer MD |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 874 |
| Release | : 2014-07-15 |
| Genre | : Social Science |
| ISBN | : 0313397716 |
Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on the determination of their status as "evil" or "insane." This book examines the many manifestations of "evil" in modern media, making it clear how this idea pervades nearly all aspects of life and helping us to reconsider some of the notions about evil that pop culture perpetuates and promotes. Covering screen media such as film, television, and video games; print media that include novels and poetry; visual media like art and comics; music; and political polemics, the essays in this book address an eclectic range of topics. The diverse authors include Americans who left the United States during the Vietnam War era, conservative Christian political pundits, rock musicians, classical linguists, Disney fans, scholars of American slavery, and experts on Holocaust literature and films. From portrayals of evil in the television shows The Wire and 24 to the violent lyrics of the rap duo Insane Clown Posse to the storylines of the Lord of the Rings and Harry Potter books, readers will find themselves rethinking what evil is—and how they came to hold their beliefs.
