Good Bye Samizdat
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Author | : Marketa Goetz-Stankiewicz |
Publisher | : Northwestern University Press |
Total Pages | : 360 |
Release | : 1992 |
Genre | : Fiction |
ISBN | : 9780810110106 |
Good-by, Samizdat offers the first collection of some of the best of underground texts. Divided into three sections, it includes fiction, cultural and political writing, and philosophical essays. The writings reflect the creative thought of some of the best minds of modern times, from the well-known - Ivan Klima, Ludvik Vaculik, Vaclav Havel - to writers who are as yet unknown in the West.
Author | : Friederike Kind-Kovács |
Publisher | : Berghahn Books |
Total Pages | : 380 |
Release | : 2013-03-01 |
Genre | : History |
ISBN | : 0857455869 |
In many ways what is identified today as “cultural globalization” in Eastern Europe has its roots in the Cold War phenomena of samizdat (“do-it-yourself” underground publishing) and tamizdat (publishing abroad). This volume offers a new understanding of how information flowed between East and West during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions of samizdat and tamizdat from explicitly political print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media, and the use of new media in countries like China, Iran, and the former Yugoslavia.
Author | : Tomáš Glanc |
Publisher | : Charles University in Prague, Karolinum Press |
Total Pages | : 245 |
Release | : 2019-02-01 |
Genre | : Literary Criticism |
ISBN | : 8024640333 |
This anthology of texts by Czech literary scientists presents the phenomenon of the samizdat and its historical transformation. The chapters primarily focus on the definition of the samizdat itself as well as the extensive controversy over the concept of unofficial literature. The scholars also pay attention to the origin, development and characteristics of the various samizdat editions; individual chapters are devoted to underground production and censorship. One chapter deals with the relationship between domestic samizdat production and exile literature. In the final chapters of the publication, samizdat is covered also in the international context, in particular in the Polish and Russian contexts. This book, Samizdat Past and Present, is a representative publication presenting the diverse forms of samizdat and has the potential to become a basic guide on the issue.
Author | : Michelle Woods |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 197 |
Release | : 2012-05-10 |
Genre | : Literary Criticism |
ISBN | : 1441187189 |
A play is written, faces censorship and is banned in its native country. There is strong international interest; the play is translated into English, it is adapted, and it is not performed. Censoring Translation questions the role of textual translation practices in shaping the circulation and reception of foreign censored theatre. It examines three forms of censorship in relation to translation: ideological censorship; gender censorship; and market censorship. This examination of censorship is informed by extensive archival evidence from the previously unseen archives of Václav Havel's main theatre translator, Vera Blackwell, which includes drafts of playscripts, legal negotiations, reviews, interviews, notes and previously unseen correspondence over thirty years with Havel and central figures of the theatre world, such as Kenneth Tynan, Martin Esslin, and Tom Stoppard. Michelle Woods uses this previously unresearched archive to explore broader questions on censorship, asking why texts are translated at a given time, who translates them, how their identity may affect the translation, and how the constituents of success in a target culture may involve elements of censorship.
Author | : Jiri Holy |
Publisher | : Liverpool University Press |
Total Pages | : 374 |
Release | : 2010-08-09 |
Genre | : Literary Criticism |
ISBN | : 1836241402 |
An history that presents a canvas of post-war Czech literary developments within the cultural and political context of the times. It provides information about the many English-language translations from Czech literature, and the circumstances in which these translations came about.
Author | : Mary Zirin |
Publisher | : Routledge |
Total Pages | : 2121 |
Release | : 2015-03-26 |
Genre | : Political Science |
ISBN | : 131745197X |
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Author | : Michael D Gubser |
Publisher | : Stanford University Press |
Total Pages | : 359 |
Release | : 2014-07-30 |
Genre | : Philosophy |
ISBN | : 0804792607 |
“By restoring morality to phenomenology, and phenomenology to East European politics, Gubser has rewritten the intellectual history of the twentieth century.” —Samuel Moyn, author of Liberalism Against Itself When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl’s epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology’s wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. The Far Reaches challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patocka, Karol Wojtyla (Pope John Paul II), and Václav Havel. “In his fascinating and elegantly written book, Michael Gubser leads us away from intellectual history’s traditional stomping grounds in France, Germany, and the United States, and focuses on the understudied Eastern bloc.” —Edward Baring, Modern Intellectual History
Author | : Costica Bradatan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 196 |
Release | : 2015-02-26 |
Genre | : Philosophy |
ISBN | : 1472525825 |
What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A "death for ideas" is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time. Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can use is their own dying bodies and the public spectacle of their death. The book tells the story of the philosopher's encounter with death as seen from several angles: the tradition of philosophy as an art of living; the body as the site of self-transcending; death as a classical philosophical topic; taming death and self-fashioning; finally, the philosophers' scapegoating and their live performance of a martyr's death, followed by apotheosis and disappearance into myth. While rooted in the history of philosophy, Dying for Ideas is an exercise in breaking disciplinary boundaries. This is a book about Socrates and Heidegger, but also about Gandhi's "fasting unto death" and self-immolation; about Girard and Passolini, and self-fashioning and the art of the essay.
Author | : Harold B. Segel |
Publisher | : Columbia University Press |
Total Pages | : 692 |
Release | : 2003 |
Genre | : Education |
ISBN | : 9780231114042 |
The Iron Curtain concealed from western eyes a vital group of national and regional writers. Marked by not only geographical proximity but also by the shared experience of communism and its collapse, the countries of Eastern Europe--Poland, Hungary, Albania, Romania, Bulgaria, and the former states of Yugoslavia, Czechoslovakia, and East Germany--share literatures that reveal many common themes when examined together. Compiled by a leading scholar, the guide includes an overview of literary trends in historical context; a listing of some 700 authors by country; and an A-to-Z section of articles on the most influential writers.
Author | : Grzegorz Ziółkowski |
Publisher | : Routledge |
Total Pages | : 320 |
Release | : 2020-02-13 |
Genre | : Art |
ISBN | : 0429602227 |
A Cruel Theatre of Self-Immolations investigates contemporary protest self-burnings and their echoes across culture. The book provides a conceptual frame for the phenomenon and an annotated, comprehensive timeline of suicide protests by fire, supplemented with notes on artworks inspired by or devoted to individual cases. The core of the publication consists of six case studies of these ultimate acts, augmented with analyses and interpretations hailing from the visual arts, film, theatre, architecture, and literature. By examining responses to these events within an interdisciplinary frame, Ziółkowski highlights the phenomenon’s global reach and creates a broad, yet in-depth, exploration of the problems that most often prompt these self-burnings, such as religious discrimination and harassment, war and its horrors, the brutality and indoctrination of authoritarian regimes and the apathy they produce, as well as the exploitation of the so-called "subalterns" and their exclusion from mainstream economic systems. Of interest to scholars from an array of fields, from theatre and performance, to visual art, to religion and politics, A Cruel Theatre of Self-Immolations offers a unique look at voluntary, demonstrative, and radical performances of shock and subversion.