Goldsmiths Essays
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Creative Writing and Education
Author | : Graeme Harper |
Publisher | : Multilingual Matters |
Total Pages | : 356 |
Release | : 2015-04-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1783093552 |
This book explores creative writing and its various relationships to education through a number of short, evocative chapters written by key players in the field. At times controversial, the book presents issues, ideas and pedagogic practices related to creative writing in and around education, with a focus on higher education. The volume aims to give the reader a sense of contemporary thinking and to provide some alternative points of view, offering examples of how those involved feel about the relationship between creative writing and education. Many of the contributors play notable roles in national and international organizations concerned with creative writing and education. The book also includes a Foreword by Philip Gross, who won the 2009 TS Eliot Prize for poetry.
Uncreative Writing
Author | : Kenneth Goldsmith |
Publisher | : Columbia University Press |
Total Pages | : 272 |
Release | : 2011-09-20 |
Genre | : Literary Criticism |
ISBN | : 0231504543 |
Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist. In addition to explaining his concept of uncreative writing, which is also the name of his popular course at the University of Pennsylvania, Goldsmith reads the work of writers who have taken up this challenge. Examining a wide range of texts and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics, Goldsmith joins this recent work to practices that date back to the early twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text was just as important as the resultant text itself. By extending this tradition into the digital realm, uncreative writing offers new ways of thinking about identity and the making of meaning.
Collected Essays of Joel S. Goldsmith
Author | : Joel S. Goldsmith |
Publisher | : Devorss Publications |
Total Pages | : 0 |
Release | : 1986 |
Genre | : New Thought |
ISBN | : 9780875165790 |
An anthology of his smaller works and booklets that weave the Infinite Way philosophy into a variety of topics while giving the reader a diverse sampling of his spiritual wisdom. CONTENTS INCLUDE: Supply: Metaphysical Healing, Meditation, Prayer, Business, Salesmanship, Ye Are the Light, The Real Teacher, The Seven Steps, Truth, Love, Gratitude, The Secret of the 23rd Psalm, The Easter of Our Lives, I am the Vine, The Deep Silence of My Peace, Contemplative Meditation with Scripture, The Fourth Dimension of Life, A Lesson to Sam.
Wasting Time on the Internet
Author | : Kenneth Goldsmith |
Publisher | : HarperCollins |
Total Pages | : 147 |
Release | : 2016-08-23 |
Genre | : Social Science |
ISBN | : 0062416480 |
Using clear, readable prose, conceptual artist and poet Kenneth Goldsmith’s manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context. Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
Metaphysical Healing
Author | : Joel S. Goldsmith |
Publisher | : Mockingbird Press |
Total Pages | : 0 |
Release | : 2022-06-02 |
Genre | : Literary Criticism |
ISBN | : 9781684930807 |
Metaphysical Healing is a short work by the healer, mystic, and educator Joel S. Goldsmith. It explores the true nature of self as an infinite spiritual consciousness that brings forth health, peace, and joy. Goldsmith was born in 1892 in New York City. His experiences as a Marine in World War I, and the great suffering and pain he observed on his business travels led him to ask fundamental questions about humanity and God. He began a course of inquiry, searching for universal truth. As a spiritual scholar, he studied writings from ancient Greek, Sanskrit, and Aramaic cultures. On a return trip from Europe in the 1920s, Goldsmith developed pneumonia. A Christian Science practitioner who was on board ship with him was able to heal him of this illness. He soon found, after his recovery, that he too had a healing gift. Strangers began to approach him, requesting relief and prayers. While Goldsmith had no religious training, he is said to have healed many of these people. Still looking for answers to his spiritual questions, he joined the Christian Science Church, where he remained for 16 years. In 1945, he left the church, as he felt that organized religion was a hindrance rather than a help to spiritual growth. After leaving the church, he began to write, espousing his own philosophy on the nature of humanity and God. His pamphlet, Metaphysical Healing, was one of his earlier works. This short guidebook explains that truth is to be found within, not without. Rather than turning to an external God, Goldsmith proclaims that, "The truth is that God is the Mind and Life of the individual. God is the only 'I'. When we understand this, we can transcend the limitations that we have placed on our minds and spirits. Instead, a free-flowing mind can dispel the illusions of illness, hate, and evil. They do not exist. They are mere unrealities accepted as realities, illusion accepted as condition, the misinterpretation of what actually is." Rather than viewing the outside world as a power that we must struggle with, the truth is that all power is within us. Because that power comes from the infinite source, flowing through us as water flows from a lake into a river, that power is always good. With correct knowledge of God and the nature of man, Goldsmith believes that we can see what is. When we reject the unreality of illness, we are able to heal ourselves. "Whenever you are faced with a problem," he writes, "regardless of its nature, seek the solution within your own consciousness. In the quiet and calm of your own mind, let the answer to your problem unfold itself." Joel Goldsmith's philosophy was later referred to as The Infinite Way, named for his 1948 book of the same name. After its release, people began to seek him out for further education and guidance. A reluctant teacher at first, he found that there were many eager to hear his message. He went on to teach in Boston and California, and later traveled throughout the world delivering lectures. As he had learned through his experience in the Christian Science Church, Goldsmith was insistent that his teachings never be "organized" into a formal church-like structure. He felt that this kind of rigidity would obscure the teachings. While there are still many adherents to Goldsmith's philosophies, there is no formal organization or leadership for his followers.
Fandom as Methodology
Author | : Catherine Grant |
Publisher | : MIT Press |
Total Pages | : 299 |
Release | : 2019-12-03 |
Genre | : Art |
ISBN | : 1912685132 |
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang