Goldoni In Paris
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Author | : Jessica Goodman |
Publisher | : Oxford University Press |
Total Pages | : 248 |
Release | : 2017-03-17 |
Genre | : Literary Criticism |
ISBN | : 019251668X |
The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his authorial glory, but elsewhere he dismisses his work for the Parisian Comédie-Italienne as a failure, and this view has come to dominate modern readings of his French experience. This study sets out to explore this apparent contradiction. By reading Goldoni's own contemporary and subsequent accounts through the lens of his context as a dramatic author in 1760s Paris, Jessica Goodman sheds new light on both his experience and critical reactions to that experience. A key part of this contextualisation is an examination of contemporary Comédie-Italienne archives, resulting in the most comprehensive existing account of this oft-neglected theatre and its authorial relations in the period. When material and artistic conditions at the Comédie-Italienne thwarted the self-fashioning strategies Goldoni had developed in Italy, he turned his attention to other areas of French life; notably the court and the Comédie-Française. Yet despite relative success in this regard, his career as an eclectic homme de lettres was lost in translation to posterity. In his French Mémoires, he constructed the claim of Parisian glory according to an out-dated understanding of what it meant to succeed in the French literary field, focusing predominantly on the power of Comédie-Française success. Ultimately, this construction was a failure: in modern France, Goldoni is remembered as a famous foreigner, not the consecrated French littérateur he believed he had become.
Author | : Hobart Chatfield Chatfield-Taylor |
Publisher | : |
Total Pages | : 762 |
Release | : 1913 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Daniel Heartz |
Publisher | : Pendragon Press |
Total Pages | : 360 |
Release | : 2004 |
Genre | : History |
ISBN | : 9781576470817 |
A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001
Author | : Joseph Spencer Kennard |
Publisher | : |
Total Pages | : 592 |
Release | : 1920 |
Genre | : Dramatists, Italian |
ISBN | : |
Author | : Gaetana Marrone |
Publisher | : Taylor & Francis |
Total Pages | : 2258 |
Release | : 2007 |
Genre | : Italian literature |
ISBN | : 1579583903 |
Author | : Anthony Cordingley |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2016-12-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1350006041 |
For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation. This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Günter Grass, Vladimir Nabokov and Haruki Murakami. The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers.
Author | : Francis Fisher Browne |
Publisher | : |
Total Pages | : 1068 |
Release | : 1914 |
Genre | : American literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 908 |
Release | : 1919 |
Genre | : France |
ISBN | : |
Author | : Ralf Kadler |
Publisher | : Springer |
Total Pages | : 154 |
Release | : 2013-12-11 |
Genre | : Literary Criticism |
ISBN | : 9401761256 |
The general aim of this book is to present a study of a dramatic genre which was a significant facet of French drama in the period from 1784 to 1834 and has never before been singled out or analyzed. The striking feature of the plays of this genre is that the protagonists represent French literary figures. A casual examination of a collection of late eighteenth-and early nineteenth-century plays, many of which concern literary figures, led to the initial idea for this study. Conscientious cross-checking was sub sequently done in a number of reference works and contemporary newspapers to obtain complete coverage and to draw up a list of all the plays in which French literary figures appeared as characters. From the total number of such plays, 153 have been used as the primary source of information. They were found scattered either in different collections or as separate copies in various libraries. This source has been supplemented by use of theatrical journals and almanacs giving reviews of some of the plays which were not published.
Author | : Cecilia Feilla |
Publisher | : Routledge |
Total Pages | : 274 |
Release | : 2016-03-03 |
Genre | : Performing Arts |
ISBN | : 1317016300 |
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.