Gold & Enamel Bibelots. Fans & Other Objects de Vertu
Author | : Parke-Bernet Galleries |
Publisher | : |
Total Pages | : 120 |
Release | : 1952 |
Genre | : Art objects, Chinese |
ISBN | : |
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Author | : Parke-Bernet Galleries |
Publisher | : |
Total Pages | : 120 |
Release | : 1952 |
Genre | : Art objects, Chinese |
ISBN | : |
Author | : Arthur Swann |
Publisher | : |
Total Pages | : 114 |
Release | : 1956 |
Genre | : American literature |
ISBN | : |
Author | : Riva Castleman |
Publisher | : ABRAMS |
Total Pages | : 0 |
Release | : 1997-09 |
Genre | : |
ISBN | : 9780810961814 |
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author | : Harvard University. Fine Arts Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 700 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
Author | : Daniëlle O. Kisluk-Grosheide, |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 300 |
Release | : 2006-05-30 |
Genre | : Design |
ISBN | : 0300104847 |
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.
Author | : Meyer Schapiro |
Publisher | : George Braziller Publishers |
Total Pages | : 366 |
Release | : 1997 |
Genre | : Antiques & Collectibles |
ISBN | : |
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Author | : Arthur Symons |
Publisher | : |
Total Pages | : 448 |
Release | : 1919 |
Genre | : French literature |
ISBN | : |
Author | : Paul Mattick |
Publisher | : Psychology Press |
Total Pages | : 202 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780415239202 |
This is an exciting exploration of the role art plays in our lives. Mattick takes the question "What is art?" as a basis for a discussion of the nature of art, he asks what meaning art can have and to whom in the present order.
Author | : Matei Călinescu |
Publisher | : Duke University Press |
Total Pages | : 416 |
Release | : 1987 |
Genre | : Avant-Garde (Aesthetics) |
ISBN | : 9780822307679 |
Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise. Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.