Goethes Faust The Second Part
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Author | : Robert Milch |
Publisher | : John Wiley & Sons |
Total Pages | : 76 |
Release | : 1965 |
Genre | : Drama |
ISBN | : 9780822004790 |
Includes an introduction to the life of Johann Wolfgang von Goethe, and includes notes on principla characters, summaries and commentaries, and more.
Author | : Johann Wolfgang von Goethe |
Publisher | : |
Total Pages | : 294 |
Release | : 1889 |
Genre | : |
ISBN | : |
Author | : Alice Raphael |
Publisher | : Routledge |
Total Pages | : 267 |
Release | : 2020-01-31 |
Genre | : Literary Collections |
ISBN | : 1000768317 |
Originally published in 1965, this study examines the concealed meanings in the second part of Faust, often considered obscure. It is of value not only to students of literature but also comparative religions, as it deals with Goethe’s knowledge of ancient myths, mysteries and Hellenistic religions. It is of value too, to those interested in alchemy as it traces the many alchemical references in Faust. The book gives a psychological interpretation of elements of Goethe’s personal life and work, which succeeds in making the man and the veiled references in his most profound work accessible to the modern reader.
Author | : Johann Wolfgang von Goethe |
Publisher | : |
Total Pages | : |
Release | : 1955-01-01 |
Genre | : |
ISBN | : 9780669288520 |
Author | : Christopher Marlowe |
Publisher | : |
Total Pages | : 108 |
Release | : 2017-02-16 |
Genre | : |
ISBN | : 9781543146431 |
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them-that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.
Author | : Johann Wolfgang von Goethe |
Publisher | : Oxford University Press, USA |
Total Pages | : 412 |
Release | : 1994 |
Genre | : Drama |
ISBN | : |
Goethe's classic, enlivened by Randall Jarrell's fine translation and Peter Sis's dark, dreamy illustrations Randall Jarrell's translation of "Faust "is one of his most important achievements. In 1957 he inscribed Goethe's motto on the first page of his notebook--"Ohne Hast aber ohne Rast" ("Without haste but without rest")--and from then until his death in 1965 he worked on the masterpiece of his "own favorite daemon, dear good great Goethe." His intent was to make the German poetry free, unrhymed poetry in English. He all but finished the job before he died, and the few lines that remained untouched--"Gretchen's Room"--were rendered into English by Robert Lowell. This elegant new edition features numerous beautiful line drawings and jacket lettering by the renowned Czech artist Peter Sis, author of the award-winning books "Starry Messenger: Galileo Galilei" and "Tibet: Through the Red Box."
Author | : Johann Wolfgang von Goethe |
Publisher | : |
Total Pages | : 296 |
Release | : 1839 |
Genre | : English poetry |
ISBN | : |
Author | : Johann Wolfgang von Goethe |
Publisher | : |
Total Pages | : 564 |
Release | : 1897 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 462 |
Release | : 1882 |
Genre | : Bibliography |
ISBN | : |
Author | : Andre von Gronicka |
Publisher | : University of Pennsylvania Press |
Total Pages | : 280 |
Release | : 2016-11-11 |
Genre | : Literary Criticism |
ISBN | : 1512808245 |
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.