Goddess Of The Luo River
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Author | : Ye Luying |
Publisher | : Astra Publishing House |
Total Pages | : 74 |
Release | : 2020-01-01 |
Genre | : Juvenile Fiction |
ISBN | : 9888341944 |
The Ode to the Goddess of the Luo River is an ancient Chinese poem created by Cao Zhi, a writer living in the state of Wei during the Three Kingdoms period (c. 220-280 CE). In his tale, Cao Zhi is returning from the capital to his own land when he stops at the Luo River for a rest, where he sees a vision of the goddess so powerful that he instantly falls in love with her. Cao sees a nymph of peerless beauty “as elegant as a startled swan and supple as a swimming dragon”. Though he’s swept away by her ethereal beauty, it’s a love that isn’t meant to be. With its high production values and amazingly-detailed-multi-page foldout spreads, this is a special book that will entice art lovers of all ages.
Author | : Wang Haiping |
Publisher | : Xlibris Corporation |
Total Pages | : 182 |
Release | : 2014-03 |
Genre | : Performing Arts |
ISBN | : 1493136925 |
Author | : Kaizhi Gu |
Publisher | : Royal Collection of Imperi |
Total Pages | : 0 |
Release | : 2020-05 |
Genre | : Art |
ISBN | : 9781487801496 |
Handscroll; Ink and color on silk; 909cm(width)*22cm(height) This scroll inspired by Cao Zhi's "Ode to the Nymph of the Luo River," a poem from the Three Kingdoms period that describes the admiration Cao held for the Nymph, and expresses the melancholy feeling caused by the insurmountable divide between the goddess and the mortal. The scroll repeatedly depicts the same group of main characters in different scenes, using rocks, trees, and streams to divide each scene. Through this approach, the painting is simultaneously segmented and continuous. Rendered in exquisite, vigorous, yet unadorned lines and color washes resembling the threads produced by silkworms in spring, the brightly colored scroll features a painting technique known as "kong gou wu cun," used mainly in depicting landscapes, especially of mountains and rocks. The technique is used here to paint mountains, streams, trees, and rocks. Later generations have commented that in the scroll, "figures and boats are disproportionately large compared to the mountains and rivers."
Author | : N. Harry Rothschild |
Publisher | : Columbia University Press |
Total Pages | : 382 |
Release | : 2015-06-16 |
Genre | : Religion |
ISBN | : 0231539185 |
Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.
Author | : Maya van der Meer |
Publisher | : Shambhala Publications |
Total Pages | : 33 |
Release | : 2021-05-04 |
Genre | : Juvenile Fiction |
ISBN | : 1611807999 |
Spirituality & Practice "Best Books of 2021" Award Winner Bank Street College of Education "The Best Children’s Books of the Year" Moonbeams Children’s Book Awards "Best Illustrator" Silver Winner Two sisters discover the power of love and the true meaning of compassion in this princess-adventure story based on an ancient Chinese tale. Miao Shan isn't your typical princess. She likes to spend her time quietly meditating with the creatures of the forest or having adventures with dragons and tigers. Miao Shan's heart is so full of love that her dream is to spread happiness throughout the land and help people endlessly. But her father has other plans for her--he intends to have her married and remain in the palace. With the help of her little sister Ling, Miao Shan escapes and begins her journey to discover the true meaning of compassion. During their adventure, Ling and Miao Shan are eventually separated. Ling must overcome doubts, fears, and loneliness in order to realize what her sister had told her all along--that love is the greatest power in the world. After the sisters' reunion, Miao Shan realizes her true calling as Kuan Yin, the goddess of compassion. A princess-adventure story like none other, this ancient Chinese tale of the world's most beloved Buddhist hero is a story of sisterhood, strength, and following your own path.
Author | : Sophie Page |
Publisher | : University of Toronto Press |
Total Pages | : 70 |
Release | : 2004-01-01 |
Genre | : History |
ISBN | : 9780802037978 |
Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts.
Author | : Angus Hyland |
Publisher | : Laurence King Publishing |
Total Pages | : 0 |
Release | : 2016-05-31 |
Genre | : Art |
ISBN | : 9781780677507 |
The Book of the Bird celebrates the bird in art with an elegant, international collection of paintings, illustrations, and photographs, featuring all kinds of birds from the smallest tits and wrens to colourful exotics. Interspersed though the illustrations are short texts giving background to the pictures and information on bird species. This is the perfect gift for all bird lovers.
Author | : John Minford |
Publisher | : Columbia University Press |
Total Pages | : 1252 |
Release | : 2002 |
Genre | : Education |
ISBN | : 9780231096775 |
Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.
Author | : Mark Harrison |
Publisher | : Collins & Brown |
Total Pages | : 132 |
Release | : 1990 |
Genre | : Architecture |
ISBN | : 9781850281320 |
A compilation of fantasy landscapes by Mark Harrison. These include his book jackets for Sherri Tepper's The Gate to Woman's Country and Barry Hughart's The Story of the Stone. Also included are his creations for writers as diverse as PD James and Isabel Allende.
Author | : Daniel Hsieh |
Publisher | : The Chinese University of Hong Kong Press |
Total Pages | : 340 |
Release | : 2009-03-02 |
Genre | : Literary Criticism |
ISBN | : 9882378846 |
In traditional China, upper-class literati were inevitably strongly influenced by Confucian doctrine and rarely touched upon such topics as love and women in their writings. It was not until the mid-Tang, a generation or two after the An Lushan rebellion, that literary circles began to engage in overt discussion of the issues of love and women, through the use of the newly emerging genres of zhiguai and chuanqi fiction. The debate was carried out with an unprecedented enthusiasm, since the topics were considered to be the key to understanding the crisis in Chinese civilization. This book examines the repertoire of chuanqi and zhiguai written during the Six Dynasties and Tang periods and analyzes the key themes, topics, and approaches found in these tales, which range from expressions of male fantasy, sympathy, fear, and anxiety, to philosophical debate on the place of the feminine in patriarchal Chinese society. Many of these stories reflect tensions between masculine and feminine aspects of civilization as seen, for example, in the conflict of male aspiration and female desire, as well as the ultimate longing for reconciliation of these divisions. These stories form a crucial chapter in the history of love in China and would provide much of the foundation for further explorations during the late imperial period, as seen in seminal works such as The Peony Pavilion and Dream of the Red Chamber.