Goa and the Great Mughal
Author | : Fundação Calouste Gulbenkian |
Publisher | : Scala Books |
Total Pages | : 246 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
A sumptuous display of Mughal and Portuguese art from some of
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Author | : Fundação Calouste Gulbenkian |
Publisher | : Scala Books |
Total Pages | : 246 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
A sumptuous display of Mughal and Portuguese art from some of
Author | : Dirk Collier |
Publisher | : Hay House, Inc |
Total Pages | : 517 |
Release | : 2016-03-01 |
Genre | : History |
ISBN | : 9384544981 |
A definitive, comprehensive and engrossing chronicle of one of the greatest dynasties of the world – the Mughal – from its founder Babur to Bahadur Shah Zafar, the last of the clan. The magnificent Mughal legacy – the world-famous Taj Mahal being the most prominent among countless other examples – is an inexhaustible source of inspiration to historians, writers, moviemakers, artists and ordinary mortals alike. Mughal history abounds with all the ingredients of classical drama: ambition and frustration, hope and despair, grandeur and decline, love and hate, and loyalty and betrayal. In other words: it is great to read and offers ample food for thought on the human condition. Much more importantly, Mughal history deserves to be widely read and reflected upon, because of its lasting cultural and socio-political relevance to today’s world in general and the Indian subcontinent in particular. The Mughals have left us with a legacy that cannot be erased. With regard to the eventful reigns of Babur, Humayun, Akbar, Jahangir, Shah Jahan, Aurangzeb and their successors, crucial questions arise: Where did they succeed? Where did they fail? And more importantly, what should we learn from their triumphs and failures? The author believes that history books should be accurate, informative and entertaining. In The Great Mughals and Their India, he has kept these objectives in mind in an attempt to narrate Mughal history from their perspective. At the same time, he does not shy away from dealing with controversial issues. Here is a fascinating and riveting saga that brings alive a spectacular bygone era – authentically and convincingly.
Author | : Vincent Arthur Smith |
Publisher | : |
Total Pages | : 562 |
Release | : 1917 |
Genre | : India |
ISBN | : |
Akbar the Great Mogul, 1542-1605 is a biography of Akbar I (reigned, 1556-1605), the third and greatest of the Mughal emperors of India. The author, Vincent Arthur Smith, was an Irish-born historian and antiquary who served in the Indian Civil Service before turning to full-time research and scholarship. After assuming the throne while still a youth, Akbar succeeded in consolidating and enlarging the Mughal Empire. He instituted reforms of the tax structure, the organization and control of the military, and the religious establishment and its relationship to the state. He was also a patron of culture and the arts, and he had a keen interest in religion and the possible sources of religious knowledge. The book traces Akbar's ancestry and early years; his accession to the throne and his regency under Bayram Khan; his many conquests, including Bihar, the Afghan kingdom of Bengal, Malwa, Gujarat, Kashmir, Sind, parts of Orissa, and parts of the Deccan Plateau; and his annexation of other territories through diplomacy, including Baluchistan and Kandahar. The book devotes considerable attention to Akbar's religious beliefs and interests. On several occasions Akbar requested that the Portuguese authorities in Goa send priests to his court to teach him about Christianity, and the book recounts the stories of the three Jesuit missions organized in response to these requests. By origin a Sunni Muslim, Akbar also sought to learn from Shiʻite scholars, Sufi mystics, and Hindus, Jains, and Parsis. The last four chapters of the book are not chronological but deal with the Akbar's personal characteristics, civil and military institutions in the empire, the social and economic conditions of the people, and literature and art. The book contains a detailed chronology of the life and reign of Akbar and an annotated bibliography. Also included are maps and illustrations. Maps of India in 1561 and India in 1605 show the extent of Akbar's conquests, and sketch maps illustrate his main military campaigns.
Author | : Jorge Flores |
Publisher | : Oxford University Press |
Total Pages | : 283 |
Release | : 2018-06-05 |
Genre | : Social Science |
ISBN | : 0199093687 |
In December 1572 the Mughal emperor Akbar arrived in the port city of Khambayat. Having been raised in distant Kabul, Akbar, in his thirty years, had never been to the ocean. Presumably anxious with the news about the Mughal military campaign in Gujarat, several Portuguese merchants in Khambayat rushed to Akbar’s presence. This encounter marked the beginning of a long, complex, and unequal relationship between a continental Muslim empire that was expanding into south India, often looking back to Central Asia, and a European Christian maritime empire whose rulers considered themselves ‘kings of the sea’. By the middle of the seventeenth century, these two empires faced each other across thousands of kilometres from Sind to Bijapur, with a supplementary eastern arm in faraway Bengal. Focusing on borderland management, imperial projects, and cross-cultural circulation, this volume delves into the ways in which, between c. 1570 and c. 1640, the Portuguese understood and dealt with their undesirably close neighbours—the Mughals.
Author | : Jeremiah P. Losty |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art, Mogul |
ISBN | : 9780712358705 |
"At its peak, the Mughal Empire stretched from Kabul in the northwest and covered most of the South Asian subcontinent. Descendants of Timur (Tamerlane), the Mughal emperors ruled over the land from the 16th century through to the late 17th century and are credited with producing some of the most beautiful artefacts and architecture in India. During this period, the rulers encouraged artistry, reformed government and accelerated the development of Indian transport and communications. The Mughals were a Muslim dynasty descended from the famous Mongol ruler Genghis Khan. The dynasty was founded when a ruler from Turkestan, known as Babur, defeated the Sultan of Delhi in 1526 and began to expand his influence. His grandson Akbar further secured the throne and encouraged greater unity between Muslims, Hindus and Christians, while also promoting the arts and education. It was during Akbar's reign that India began its relationship with Britain, a relationship that still exists today and has contributed to both countries immeasurably. The influence of the Mughals began to dwindle in the early 17th century following intolerance between religious groups and numerous rebellions. By the 18th century, large portions of India were under the control of the British. The British Library's Mughal India exhibition is the first to document the entire period, from the 16th to the 19th centuries, through more than 200 exquisite objects. Visitors can see authentic artefacts from the period and gain an insight into the arts and culture of the empire."--Publisher's website.
Author | : Mika Natif |
Publisher | : BRILL |
Total Pages | : 332 |
Release | : 2018-08-13 |
Genre | : History |
ISBN | : 900437499X |
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
Author | : Mohammad Gharipour |
Publisher | : Penn State Press |
Total Pages | : 273 |
Release | : 2017-11-16 |
Genre | : Architecture |
ISBN | : 0271080698 |
The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.
Author | : Antonio Monserrate |
Publisher | : |
Total Pages | : 342 |
Release | : 1993 |
Genre | : Mogul empire |
ISBN | : |
Author | : Vishvesh Prabhakar Kandolkar |
Publisher | : Taylor & Francis |
Total Pages | : 186 |
Release | : 2024-11-27 |
Genre | : Architecture |
ISBN | : 1040251986 |
This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era. In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St. Francis Xavier and is emblematic of Goa Dourada or Golden Goa. Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa. Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time. Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter. By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity. In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity. Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies. Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture. At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.
Author | : Rosemary Crill |
Publisher | : Mapin Publishing Pvt Ltd |
Total Pages | : 184 |
Release | : 2010 |
Genre | : Portrait painting, Indic |
ISBN | : 9788189995379 |
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.