Gnedich
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Author | : Cornwell |
Publisher | : BRILL |
Total Pages | : 299 |
Release | : 2023-12-18 |
Genre | : Literary Criticism |
ISBN | : 9004652949 |
From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).
Author | : Rudolf Neuhäuser |
Publisher | : Springer |
Total Pages | : 260 |
Release | : 2013-10-14 |
Genre | : Social Science |
ISBN | : 9401746990 |
Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Karamzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.
Author | : Murray Frame |
Publisher | : McFarland |
Total Pages | : 225 |
Release | : 2015-07-11 |
Genre | : Performing Arts |
ISBN | : 1476608059 |
The opulent St. Petersburg Imperial Theaters were subsidized and administered by the Russian court from the eighteenth century until the collapse of the tsarist order in 1917. This close association raises many questions about the uses of these theaters and where their loyalties lay in early twentieth century Russia. This history begins in 1900 with the theater flourishing but undergoing change, then chronicles the impact of war and revolution, as well as audience and administration, leading up to the effective re-establishment of state control over the theaters by the Bolsheviks in 1920. While the theaters were often allied with the forces of change, their grandeur harked back to the age of the tsars, creating an irony that is explored here in depth. Photographs and diagrams of the theaters are included, along with photographs of the central historical figures, and contemporary cartoons referring to the theaters.
Author | : Marinus Antony Wes |
Publisher | : BRILL |
Total Pages | : 390 |
Release | : 1992 |
Genre | : History |
ISBN | : 9789004096646 |
What role did classical Graeco-Roman culture play in eighteenth- and nineteenth-century Russian society, on the institutional level as well as in the lives of individual Russian intellectuals? Through a series of case-studies of classics-in-action the book illustrates the tension between aims and results, expectations and achievements.
Author | : Zara Martirosova Torlone |
Publisher | : John Wiley & Sons |
Total Pages | : 687 |
Release | : 2017-02-06 |
Genre | : Literary Criticism |
ISBN | : 111883268X |
A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity
Author | : T.J. Binyon |
Publisher | : Vintage |
Total Pages | : 786 |
Release | : 2007-12-18 |
Genre | : Biography & Autobiography |
ISBN | : 0307427374 |
In the course of his short, dramatic life, Aleksandr Pushkin gave Russia not only its greatest poetry–including the novel-in-verse Eugene Onegin–but a new literary language. He also gave it a figure of enduring romantic allure–fiery, restless, extravagant, a prodigal gambler and inveterate seducer of women. Having forged a dazzling, controversial career that cost him the enmity of one tsar and won him the patronage of another, he died at the age of thirty-eight, following a duel with a French officer who was paying unscrupulous attention to his wife. In his magnificent, prizewinning Pushkin, T. J. Binyon lifts the veil of the iconic poet’s myth to reveal the complexity and pathos of his life while brilliantly evoking Russia in all its nineteenth-century splendor. Combining exemplary scholarship with the pace and detail of a great novel, Pushkin elevates biography to a work of art.
Author | : Daria Khitrova |
Publisher | : University of Wisconsin Press |
Total Pages | : 309 |
Release | : 2019-07-16 |
Genre | : Literary Criticism |
ISBN | : 0299322106 |
For many nineteenth-century Russians, poetry was woven into everyday life—in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how poetry lovers of the period all became nodes in a vast network of literary appreciation and constructed meaning. Poetry during the Golden Age was not a one-way avenue from author to reader. Rather, it was participatory, interactive, and performative. Lyric Complicity helps modern readers recover Russian poetry’s former uses and functions—life situations that moved people to quote or perform a specific passage from a poem or a forgotten occasion that created unforgettable verse.
Author | : Alessandra Tosi |
Publisher | : BRILL |
Total Pages | : 429 |
Release | : 2006-01-01 |
Genre | : Literary Criticism |
ISBN | : 9401202192 |
Waiting for Pushkin provides the only modern history of Russian fiction in the early nineteenth century to appear in over thirty years. Prose fiction has a more prominent position in the literature of Russia than in that of any other great country. Although nineteenth-century fiction in particular occupies a privileged place in Russian and world literature alike, the early stages of this development have so far been overlooked. By combining a broad historical survey with close textual analysis the book provides a unique overview of a key phase in Russian literary history. Drawing on a wide range of sources, including rare editions and literary journals, Alessandra Tosi reconstructs the literary activities occurring at the time, introduces neglected but fascinating narratives, many of which have never been studied before and demonstrates the long-term influence of this body of works on the ensuing “golden age” of the Russian novel. Waiting for Pushkin provides an indispensable source for scholars and students of nineteenth-century Russian fiction. The volume is also relevant to those interested in women’s writing, comparative studies and Russian literature in general.
Author | : Michael Wachtel |
Publisher | : University of Wisconsin Pres |
Total Pages | : 430 |
Release | : 2012-01-25 |
Genre | : Literary Criticism |
ISBN | : 029928543X |
Alexander Pushkin’s lyric poetry—much of it known to Russians by heart—is the cornerstone of the Russian literary tradition, yet until now there has been no detailed commentary of it in any language. Michael Wachtel’s book, designed for those who can read Russian comfortably but not natively, provides the historical, biographical, and cultural context needed to appreciate the work of Russia’s greatest poet. Each entry begins with a concise summary highlighting the key information about the poem’s origin, subtexts, and poetic form (meter, stanzaic structure, and rhyme scheme). In line-by-line fashion, Wachtel then elucidates aspects most likely to challenge non-native readers: archaic language, colloquialisms, and unusual diction or syntax. Where relevant, he addresses political, religious, and folkloric issues. Pushkin’s verse has attracted generations of brilliant interpreters. The purpose of this commentary is not to offer a new interpretation, but to give sufficient linguistic and cultural contextualization to make informed interpretation possible.
Author | : Efim Etkind |
Publisher | : Academic Studies PRess |
Total Pages | : 274 |
Release | : 2022-05-17 |
Genre | : Biography & Autobiography |
ISBN | : 1644697939 |
Barcelona Prose is a collection of autobiographical essays by the gifted translator, literary scholar, and dissident, Efim Etkind. These engaging, deeply psychological vignettes capture the reality of daily life and work in the Soviet Union. Unlike other memoirists who have faced hardships, Etkind's tone is never cruel or embittered. Told through the lens of a practiced scholar, he captures the absurdity of a cultural-political experiment that destroyed his family’s life, his own career, and that of many of his colleagues. By the time of Etkind’s death, he did not rework these essays into a continuous narrative. Originally published in Russian, this first-ever English translation prepared by Etkind’s daughter presents his memoirs as a document of his time, without any changes or abridgements. The editors’ additions are limited to several notes, proofreading of quotes, and checking or inserting the full forms of the characters’ names.