Global Media Spectacle
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| Author | : Douglas Kellner |
| Publisher | : Routledge |
| Total Pages | : 207 |
| Release | : 2003-08-29 |
| Genre | : Social Science |
| ISBN | : 1134493959 |
During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.
| Author | : Chin-Chuan Lee |
| Publisher | : State University of New York Press |
| Total Pages | : 296 |
| Release | : 2012-02-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780791488164 |
Focusing on the global media coverage of Hong Kong's transfer from Britain to China, Global Media Spectacle explores how the world media plan, operate, compete, and produce a historical record during significant global events. The authors interviewed seventy-six print and television reporters from the United States, Britain, the People's Republic of China, Hong Kong, Taiwan, Australia, Canada, and Japan to delve into the revealing world of writing first drafts of history from reporters' vantage points. Punctuated with witty and incisive examples, the book provides a useful description of contestation and alliance, themes and variations, and convergence and divergence between and within various blocs of nations.
| Author | : Lee Artz |
| Publisher | : Routledge |
| Total Pages | : 245 |
| Release | : 2021-12-30 |
| Genre | : Political Science |
| ISBN | : 1000515230 |
This book shows how transnational media operate in the contemporary world and what their impact is on film, television, and the larger global culture. Where a company is based geographically no longer determines its outreach or output. As media consolidate and partner across national and cultural boundaries, global culture evolves. The new transnational media industry is universal in its operation, function, and social impact. It reflects a shared transnational culture of consumerism, authoritarianism, cultural diversity, and spectacle. From Wolf Warriors and Sanju to Valerian: City of 1000 Planets and Pokémon, new media combinations challenge old assumptions about cultural imperialism and reflect cross-boundary collaboration as well as boundary-breaking cultural interpretation. Intended for students of global studies and international communication at all levels, the book will appeal to a wide range of readers interested in the way transnational media work and how that shapes our culture.
| Author | : Guy Debord |
| Publisher | : Bread and Circuses Publishing |
| Total Pages | : 154 |
| Release | : 2012-10-01 |
| Genre | : Political Science |
| ISBN | : 1617508306 |
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
| Author | : Douglas Kellner |
| Publisher | : Routledge |
| Total Pages | : 288 |
| Release | : 2015-12-03 |
| Genre | : Social Science |
| ISBN | : 1317256174 |
Douglas Kellner's Media Spectacle and the Crisis of Democracy: 9/11, the War on Iraq, and Election 2004 investigates the role of the media in the momentous political events of the past four years. Beginning with the role of the media in contested election of 2000, Kellner examines how corporate media ownership and concentration, linked with a rightward shift of establishment media, have disadvantaged the Democrats and benefited George W. Bush and the Republicans. Exploring the role of media spectacle in the 9/11 attacks and subsequent Terror War in Afghanistan and Iraq, Kellner documents the centrality of media politics in advancing foreign policy agendas and militarism. Building on his analysis in Media Spectacle (Routledge 2003), Kellner demonstrates in detail how conflicting political forces ranging from Al Qaeda to the Bush administration construct media spectacles to advance their politics. Two chapters critically engage the role of the media in the buildup to the Iraq war and the media-centric nature of Bush's Iraq invasion and occupation. Final chapters delineate the role of the media in the highly contested and significant 2004 election campaign that many believe to be one of the key political struggles of the contemporary era. Criticizing Bush's unilateralism, Kellner argues for a multilateral and cosmopolitan globalization and the need for democratic media to help overcome the current crisis of democracy in the United States.
| Author | : Tony Reinke |
| Publisher | : Crossway |
| Total Pages | : 137 |
| Release | : 2019-04-17 |
| Genre | : Religion |
| ISBN | : 1433563827 |
We live in a world full of shiny distractions, faced with an onslaught of viral media constantly competing for our attention and demanding our affections. These ever-present visual “spectacles” can quickly erode our hearts, making it more difficult than ever to walk through life actively treasuring that which is most important and yet invisible: Jesus Christ. In a journalistic style, Tony Reinke shows us just how distracting these spectacles in our lives have become and calls us to ask critical questions about what we’re focusing on. The book offers us practical steps to redirect our gaze away from the addictive eye candy of the world and onto the Ultimate Spectacle—leading to the joy and rest our souls crave.
| Author | : Marco Briziarelli |
| Publisher | : University of Westminster Press |
| Total Pages | : 253 |
| Release | : 2017-12-17 |
| Genre | : Social Science |
| ISBN | : 1911534459 |
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.
| Author | : Jonathan Beller |
| Publisher | : UPNE |
| Total Pages | : 350 |
| Release | : 2012-06-12 |
| Genre | : Performing Arts |
| ISBN | : 1611683823 |
A revolutionary reconceptualization of capital and perception during the twentieth century.
| Author | : Hazel Dodge |
| Publisher | : Bristol Classical Press |
| Total Pages | : 0 |
| Release | : 2011-01-27 |
| Genre | : History |
| ISBN | : 9781853996962 |
Gladiatorial combat, animal displays, naumachiae (staged naval battles) and spectacular executions were all an important part of Roman culture. The provision of a wide range of purpose-built buildings (from theatres to amphitheatres to circuses) as venues across the empire is testimony to the popularity and significance of these displays. This book offers an introduction to the main forms of spectacle in the Roman world (human and animal combat, chariot racing, aquatic displays), their nature, context and social importance. It will explore the vast array of sources, from literary to archaeological material, that informs the subject. It will examine the spectacles with special emphasis on their physical setting, and will also consider the variation in the provision of venues and their context across the Empire. A final section will review the modern reception of Roman spectacles, especially those involving gladiators.
| Author | : Paul Grainge |
| Publisher | : Routledge |
| Total Pages | : 293 |
| Release | : 2007-10-31 |
| Genre | : Performing Arts |
| ISBN | : 1134258968 |
From the growth in merchandising and product placement to the rise of the movie franchise, branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. Outlining changes in the marketing and media environment during the 1990s and 2000s, Paul Grainge explores how the logic of branding has propelled specific kinds of approach to the status and selling of film. Analyzing the practice of branding, the poetics of corporate logos, and the industrial politics surrounding the development of branded texts, properties and spaces - including franchises ranging from Looney Tunes to Lord of the Rings and Harry Potter to The Matrix - Grainge considers the relation of branding to the emergent principle of ‘total entertainment’. Employing an interdisciplinary method drawn from film studies, cultural studies and advertising and media studies, Brand Hollywood demonstrates the complexities of selling entertainment in the global media moment, providing a fresh and engaging perspective on branding’s significance for commercial film and the industrial culture from which it is produced.
