Nothin' But a Good Time

Nothin' But a Good Time
Author: Justin Quirk
Publisher: Unbound Publishing
Total Pages: 226
Release: 2020-09-03
Genre: Music
ISBN: 1789651360

From 1983 until 1991, Glam Metal was the sound of American culture. Big hair, massive amplifiers, drugs, alcohol, piles of money and life-threatening pyrotechnics. This was the world stalked by Bon Jovi, Kiss, W.A.S.P., Skid Row, Dokken, Motley Crue, Cinderella, Ratt and many more. Armed with hairspray, spandex and strangely shaped guitars, they marked the last great era of supersize bands. Where did Glam Metal come from? How did it spread? What killed it off? And why does nobody admit to having been a Glam Metaller anymore?

The Big Book of Hair Metal

The Big Book of Hair Metal
Author: Martin Popoff
Publisher: Voyageur Press (MN)
Total Pages: 227
Release: 2014-08-15
Genre: Biography & Autobiography
ISBN: 0760345465

"An oral history and timeline of the popular 1980s heavy metal subgenre, including its prehistory and decline, profusely illustrated with relevant photographs and memorabilia"--

American Hair Metal

American Hair Metal
Author: Steven Blush
Publisher: Feral House
Total Pages: 178
Release: 2006
Genre: Biography & Autobiography
ISBN: 193259518X

Extravagant visual tribute to the spandex, rouge and eyeliner days of 80s glam rock glory. Colour photographs, interviews, lyrics and keepsakes of the uninhibited teased-hair days of sex, drugs and rock 'n' roll. Steven Blush edited the successful punk rock history American Hardcore (Feral House) and also wrote the screenplay to the feature-length documentary of the same name that debuted at Sundance and will be distributed by Sony Pictures Classics.

The Big Book of Hair Metal

The Big Book of Hair Metal
Author: Martin Popoff
Publisher: Quarto Publishing Group USA
Total Pages: 227
Release: 2014-08-15
Genre: Music
ISBN: 1627883754

Music journalist Martin Popoff celebrates a decade of heavy metal debauchery in this illustrated history of Hair Metal bands. In the 1980s, heavy metal went mainstream. The dark themes and brain-busting riffage of bands like Black Sabbath and Deep Purple suddenly fell out of favor—replaced by a new legion of metalheads whose themes of girls, partying, girls, drugs, and girls were presented amid shredding solos and power ballads and who were somehow more acceptable to the masses. In this ultimate guide to the subgenre, acclaimed heavy-metal journalist Martin Popoff examines hair metal in an all-encompassing oral history jacked up by a kaleidoscope of outrageous and previously unpublished quotes, anecdotes, photos, and memorabilia. The Big Book of Hair Metal features the observations of dozens of musicians, producers, promoters, label execs, and hangers-on in examining hair metal’s rise and fall as well as all the bands that kept Aqua Net in business through the Reagan recession: Twisted Sister, Bon Jovi, Poison, Mötley Crüe, Ratt, Warrant, Great White, Whitesnake, Cinderella, Vixen, Skid Row, L.A. Guns, Guns N’ Roses, and dozens more. In crafting a narrative of hair metal, Popoff also examines the factors that contributed to the movement’s rise (including MTV, Reagan’s “morning in America,” and a general move toward prudish morals); the bands that inspired it (the Sweet, New York Dolls, Alice Cooper, and KISS, for a start); and the scenes that nurtured it (the Sunset Strip, anyone?). The ride finally ended circa 1991, when hair metal was replaced by grunge, but what a ride it was. Here it is in all of its primped-up glory.

Nöthin' But a Good Time

Nöthin' But a Good Time
Author: Tom Beaujour
Publisher: St. Martin's Press
Total Pages: 401
Release: 2021-03-16
Genre: Music
ISBN: 1250195764

Soon to be a Paramount+ exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It,” Mötley Crüe’s “Girls, Girls, Girls,” and Guns N’ Roses’ “Welcome to the Jungle” are as inextricably linked to the era as Reaganomics, PAC-MAN, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-Platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over two hundred author interviews with members of Van Halen, Mötley Crüe, Poison, Guns N’ Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford, and many more, this is the ultimate, uncensored, and often unhinged, chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era—one in which the bands and their fans went looking for nothin’ but a good time...and found it.

Fargo Rock City

Fargo Rock City
Author: Chuck Klosterman
Publisher: Simon and Schuster
Total Pages: 312
Release: 2012-12-11
Genre: Biography & Autobiography
ISBN: 1471104508

The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.

They Just Seem a Little Weird

They Just Seem a Little Weird
Author: Doug Brod
Publisher: Hachette Books
Total Pages: 320
Release: 2020-12-01
Genre: Biography & Autobiography
ISBN: 0306845210

A veteran music journalist explores how four legendary rock bands—KISS, Cheap Trick, Aerosmith, and Starz—laid the foundation for two diametrically opposed subgenres: hair metal in the '80s and grunge in the '90s. It was the age when heavy-footed, humorless dinosaurs roamed the hard-rock landscape. But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on. In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.

Mötley Hüerd, the Pony Glam Metal Band (Poniworld Chronicles #5)

Mötley Hüerd, the Pony Glam Metal Band (Poniworld Chronicles #5)
Author: Lotus Rose
Publisher: Death Pout
Total Pages: 107
Release: 2013-09-21
Genre: Music
ISBN:

Would you sell your soul for Glam Metal? Mötley Hüerd did. This bare-all autobiography follows their journey from Doo-wop band Moxie Scamps to their discovery of Glam Metal and their rise to fame, with all the debauchery and groupies that came with it. Warning: contains hard candy use, foul language, pony nudity and rough cuddling. By the author of SinEaster. Keywords: Motley Crue books, Nikki Sixx, Tommy Lee, Heavy Metal, Vince Neil, Slash, rock stars The Poniworld Chronicles MachoPoni: A Prance With Death Mein Poni-Kampf: A Biography of the Leader of the Nazi Ponies My Brootal Poni: A Very Butch Poni Tale Dust in Your Eyes: An Erotic Poni Tale Mötley Hüerd, the Pony Glam Metal Band Dust on the Wind: Journey to Redemption Octopony How the Alien Pony Princess Fell in Love

Subcultures, Bodies and Spaces

Subcultures, Bodies and Spaces
Author: Samantha Holland
Publisher: Emerald Group Publishing
Total Pages: 273
Release: 2018-09-28
Genre: Social Science
ISBN: 1787565114

This edited collection provides sociological and cultural research that expands our understanding of the alternative, liminal or transgressive; theorizing the status of the alternative in contemporary culture and society.