Giotto The Legend Of St Francis As Depicted In The Assisi Frescoes And
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Author | : Donal Cooper |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art patronage |
ISBN | : 9780300195712 |
For a moment at the close of the 13th century the town of Assisi was the focus for the two greatest powers in the Latin church. The election of Nicholas IV was the catalyst for the creation of frescoes in the Basilica of San Francesco. In this book the authors investigate the particular moment the frescoes were made casting new light on their patronage and iconography.
Author | : Paul Moses |
Publisher | : NYU Press |
Total Pages | : 395 |
Release | : 2015-07-03 |
Genre | : History |
ISBN | : 1479871303 |
They came from the poorest parts of Ireland and Italy, and met as rivals on the sidewalks of New York. In the nineteenth century and for long after, the Irish and Italians fought in the Catholic Church, on the waterfront, at construction sites, and in the streets. Then they made peace through romance, marrying each other on a large scale in the years after World War II. An Unlikely Union unfolds the dramatic story of how two of America's largest ethnic groups learned to love and laugh with each other in the wake of decades of animosity. The vibrant cast of characters features saints such as
Author | : Laura Jacobus |
Publisher | : Harvey Miller |
Total Pages | : 468 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
Author | : Richard Stemp |
Publisher | : Watkins Media Limited |
Total Pages | : 224 |
Release | : 2016-07-19 |
Genre | : Religion |
ISBN | : 1780289618 |
Who is depicted in that stained glass window? What is the significance of those geometric figures? Why are there fierce-looking beasts carved amidst all that beauty? Is there a deeper purpose behind the play of light and space in the nave? Why is there a pelican on the lectern and ornate foliage on the pillars? The largely illiterate medieval audience could read the symbols of churches and cathedrals and recognise the meanings and stories deliberately encoded into them. For worshippers these were places of religious education and an awe-inspiring feast that satisfied both the senses and the soul. Today, in an age less attuned to iconography, such places of worship are often seen merely as magnificent works of architecture. This book restores the lost spiritual meaning of these fine and fascinating buildings. The Secret Language of Churches & Cathedrals provides a three-part illustrated key by which modern visitors can understand the layout, fabric and decorative symbolism of Christian sacred structures - thereby bringing back to life their original atmosphere of awe and sanctity. Part One is an analysis of structural features, outside and in, from spires and domes to clerestories and brasses. Part Two is a theme-by-theme guide, which identifies significant figures, scenes, stories, animals, flowers, and the use of numbers, letters and patterns in paintings, carvings and sculpture. Part Three is a historical decoder, revealing the evolution of styles - from basilicas through Byzantine, Romanesque, Gothic and beyond. For all those who seek to know more about Christian art and architecture, this richly illustrated book will instruct and delight in equal measure.
Author | : Edith M. Cowles |
Publisher | : |
Total Pages | : 52 |
Release | : 2013-10 |
Genre | : |
ISBN | : 9781258866532 |
This is a new release of the original 1931 edition.
Author | : Andrew Graham-Dixon |
Publisher | : Univ of California Press |
Total Pages | : 344 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9780520223752 |
A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.
Author | : Saint Francis (of Assisi) |
Publisher | : |
Total Pages | : 260 |
Release | : 1905 |
Genre | : Church history |
ISBN | : |
Author | : Lina Duff Gordon |
Publisher | : |
Total Pages | : 642 |
Release | : 1900 |
Genre | : Assisi |
ISBN | : |
Author | : Giotto |
Publisher | : |
Total Pages | : 23 |
Release | : 1931 |
Genre | : Mural painting and decoration, Medieval |
ISBN | : |
Author | : Paul Sabatier |
Publisher | : Binker North |
Total Pages | : 494 |
Release | : 1894 |
Genre | : Biography & Autobiography |
ISBN | : |
Francis of Assisi is pre-eminently the saint of the Middle Ages. Owing nothing to church or school he was truly theodidact, and if he perhaps did not perceive the revolutionary bearing of his preaching, he at least always refused to be ordained priest. He divined the superiority of the spiritual priesthood. Saint Francis of Assisi (Italian: San Francesco d'Assisi), born Giovanni di Pietro di Bernardone, informally named as Francesco (1181/1182 - 3 October 1226), was an Italian Catholic friar, deacon and preacher. He founded the men's Order of Friars Minor, the women's Order of Saint Clare, the Third Order of Saint Francis and the Custody of the Holy Land. Francis is one of the most venerated religious figures in history. Pope Gregory IX canonized Francis on 16 July 1228. Along with Saint Catherine of Siena, he was designated Patron saint of Italy. He later became associated with patronage of animals and the natural environment, and it became customary for Catholic and Anglican churches to hold ceremonies blessing animals on his feast day of 4 October. He is often remembered as the patron saint of animals. In 1219, he went to Egypt in an attempt to convert the Sultan to put an end to the conflict of the Crusades.[6] By this point, the Franciscan Order had grown to such an extent that its primitive organizational structure was no longer sufficient. He returned to Italy to organize the Order. Once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis is also known for his love of the Eucharist.[7] In 1223, Francis arranged for the first Christmas live nativity scene.[8][9][2] According to Christian tradition, in 1224 he received the stigmata during the apparition of Seraphic angels in a religious ecstasy [10] making him the first recorded person in Christian history to bear the wounds of Christ's Passion.[11] He died during the evening hours of 3 October 1226, while listening to a reading he had requested of Psalm 142.