Gioachino Rossini's The Italian Girl in Algiers
Author | : Leonardo Vordoni |
Publisher | : |
Total Pages | : 80 |
Release | : 2014 |
Genre | : Opera programs |
ISBN | : |
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Author | : Leonardo Vordoni |
Publisher | : |
Total Pages | : 80 |
Release | : 2014 |
Genre | : Opera programs |
ISBN | : |
Author | : Gioacchino Antonio Rossini |
Publisher | : Eulenburg |
Total Pages | : 62 |
Release | : 2017-05-09 |
Genre | : Music |
ISBN | : 3795721105 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author | : Gioachino Rossini |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Gioachino Rossini Overtures,the siege of corinth,the barber of seville,the italian girl in Algiers,the silken ladder Tancredi.Semiramide.
Author | : Burton D. Fisher |
Publisher | : |
Total Pages | : |
Release | : 2019-06 |
Genre | : |
ISBN | : 9781733182034 |
A comprehensive Study Guide for Rossini's L'ITALIANA in ALGERI, featuring Brief Story Synopsis, Principal Characters, Story Narrative with Music Highlight Examples, a new Libretto translation with Italian-English in parallel format, side-by-side, and Burton D. Fisher's insightful and in depth Commentary and Analysis.
Author | : Henry Sutherland Edwards |
Publisher | : |
Total Pages | : 162 |
Release | : 1900 |
Genre | : Composers |
ISBN | : |
Author | : Larry Wolff |
Publisher | : Stanford University Press |
Total Pages | : 505 |
Release | : 2016-08-30 |
Genre | : History |
ISBN | : 0804799652 |
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.