Gf Watts Portraits
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Author | : Juliet Hacking |
Publisher | : Prestel Publishing |
Total Pages | : 108 |
Release | : 2000 |
Genre | : Photography |
ISBN | : |
This intimate picture of nineteenth-century artistic London is the first devoted exclusively to Wynfield's photography, and illustrates his unique contribution to the art.
Author | : Colin Trodd |
Publisher | : Routledge |
Total Pages | : 364 |
Release | : 2019-07-16 |
Genre | : Art |
ISBN | : 0429535546 |
Originally published in 2004. Once the most popular Victorian artist, G. F. Watts was also a complex and elusive figure. Influenced by evolutionary theory, he reinterpreted the tradition of the classical body, while his philanthropic and educational interests informed projects for a more affective public art. This book is the first modern account of the full range of Watts's different artistic interests and practices. Offering fresh approaches to his historical, allegorical and mythological paintings, it also traces his increasingly radical approach to portraiture and sculpture and examines the institutional and biographical factors behind his immense public profile. Together the essays present a comprehensive analysis of Watts's work and his vital relationship to the intellectual, cultural and social forces of his time.
Author | : William Loftus Hare |
Publisher | : Good Press |
Total Pages | : 50 |
Release | : 2019-12-09 |
Genre | : Fiction |
ISBN | : |
"Watts (1817-1904)" by William Loftus Hare George Frederic Watts OM RA was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. Hare personally knew Watts and decided to create a memorial for him through this book which depicted his life and career as an artist.
Author | : Marion Harry Spielmann |
Publisher | : |
Total Pages | : 42 |
Release | : 1886 |
Genre | : Painters |
ISBN | : |
Author | : Barbara Bryant |
Publisher | : Flammarion-Pere Castor |
Total Pages | : 312 |
Release | : 1997 |
Genre | : Architecture |
ISBN | : |
These key British artists predate their Continental colleagues in dealing with the characteristic themes of Symbolism. Wilton shows their close links with European centres such as Brussels and Paris, and provides a catalogue of their important works.
Author | : Julian Cox |
Publisher | : Getty Publications |
Total Pages | : 580 |
Release | : 2003-03-20 |
Genre | : Photography |
ISBN | : 0892366818 |
According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all known images by Cameron, one of the most important nineteenth-century artists in any medium, are gathered together in a catalogue raisonné. In addition to a complete catalogue of Cameron’s photographs, there is information on her life and times, initial experiments, artistic aspirations, techniques, small-format images, albums, commercial strategies, sitters, and sources of inspiration. Also provided are a selected bibliography of publications on Cameron, a list of exhibitions of her work held both in her time as well as our own, and a summary of important collections where her pictures can be found.
Author | : Veronica Franklin Gould |
Publisher | : Paul Mellon Ctr for Studies |
Total Pages | : 458 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780300105773 |
George Frederic Watts (1817–1904) was a titanic figure in nineteenth-century British art. The father of British Symbolism and portrait painter of his age, he forged a controversial career that spanned the reign of Queen Victoria. This book, the first in-depth biography of Watts, sheds new light on the pioneering spirit and breadth of mind of the artist. Drawing on Watts’s abundant personal correspondence and diaries and an array of other contemporary documents, the book chronicles the artist’s career and personal life, including his friendships with Edward Burne-Jones, Frederic Leighton, William Gladstone, and Alfred Tennyson and his relationships with a series of singular women. The book also examines Watts’s wide reforming zeal and political agenda as well as his role and dealings in the Victorian art world.
Author | : Nicholas Tromans |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art, Victorian |
ISBN | : 9781911300076 |
A lively and engaging introduction to one of the most charismatic figures in the history of British art, G.F. Watts. Covering all aspects of Watts's career, it places him back at the centre of the visual culture of the 19th century. Published to celebrate the 200th anniversary of his birth.
Author | : Frances Spalding |
Publisher | : National Portrait Gallery |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art |
ISBN | : 9781855144811 |
Published to accompany the exhibition of the same name at the National Portrait Gallery, London, 10 July to 26 October 2014.
Author | : Louise Campbell |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Architecture |
ISBN | : 9781848223134 |
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.