The Christ: A Critical Review and Analysis of the Evidences of his Existence

The Christ: A Critical Review and Analysis of the Evidences of his Existence
Author: John Eleazer Remsburg
Publisher: Library of Alexandria
Total Pages: 614
Release:
Genre: Religion
ISBN: 1465554319

The reader who accepts as divine the prevailing religion of our land may consider this criticism on “The Christ” irreverent and unjust. And yet for man’s true saviors I have no lack of reverence. For him who lives and labors to uplift his fellow men I have the deepest reverence and respect, and at the grave of him who upon the altar of immortal truth has sacrificed his life I would gladly pay the sincere tribute of a mourner’s tears. It is not against the man Jesus that I write, but against the Christ Jesus of theology; a being in whose name an Atlantic of innocent blood has been shed; a being in whose name the whole black catalogue of crime has been exhausted; a being in whose name five hundred thousand priests are now enlisted to keep “Truth forever on the scaffold, Wrong forever on the throne.” Jesus of Nazareth, the Jesus of humanity, the pathetic story of whose humble life and tragic death has awakened the sympathies of millions, is a possible character and may have existed; but the Jesus of Bethlehem, the Christ of Christianity, is an impossible character and does not exist. From the beginning to the end of this Christ’s earthly career he is represented by his alleged biographers as a supernatural being endowed with superhuman powers. He is conceived without a natural father: “Now the birth of Jesus Christ was on this wise: When, as his mother Mary was espoused to Joseph, before they came together, she was found with child of the Holy Ghost” (Matt. i, 18). His ministry is a succession of miracles. With a few loaves and fishes he feeds a multitude: “And when he had taken the five loaves and the two fishes, he looked up to heaven, and blessed and brake the loaves, and gave them to his disciples to set before them; and the two fishes divided he among them all. And they did all eat, and were filled. And they took up twelve baskets full of the fragments, and of the fishes. And they that did eat of the loaves were about five thousand men” (Mark vi, 41–44). He walks for miles upon the waters of the sea: “And straightway Jesus constrained his disciples to get into a ship, and to go before him unto the other side, while he sent the multitudes away. And when he had sent the multitudes away, he went up into a mountain apart to pray; and when the evening was come, he was there alone. But the ship was now in the midst of the sea, tossed with waves; for the wind was contrary. And in the fourth watch of the night Jesus went unto them, walking on the sea” (Matt. xiv, 22–25). He bids a raging tempest cease and it obeys him: “And there arose a great storm of wind, and the waves beat into the ship, so that it was now full.... And he arose, and rebuked the wind, and said unto the sea, Peace, be still. And the wind ceased, and there was a great calm” (Mark, iv, 37–39). He withers with a curse the barren fig tree: “And when he saw a fig tree in the way, he came to it, and found nothing thereon, but leaves only, and said unto it, Let no fruit grow on thee, henceforth, forever. And presently the fig tree withered away” (Matt. xxi, 19).

Esoteric Christianity

Esoteric Christianity
Author: Annie Besant
Publisher: BoD – Books on Demand
Total Pages: 190
Release: 2020-07-30
Genre: Fiction
ISBN: 3752374160

Reproduction of the original: Esoteric Christianity by Annie Besant

Clothing Sacred Scriptures

Clothing Sacred Scriptures
Author: David Ganz
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 322
Release: 2018-12-03
Genre: Religion
ISBN: 3110558602

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.