Gestures Of Seeing In Film Video And Drawing
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| Author | : Asbjørn Grønstad |
| Publisher | : Routledge |
| Total Pages | : 199 |
| Release | : 2016-06-23 |
| Genre | : Art |
| ISBN | : 1317202023 |
The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.
| Author | : Asbjørn Grønstad |
| Publisher | : Routledge |
| Total Pages | : 176 |
| Release | : 2016-06-23 |
| Genre | : Art |
| ISBN | : 1317202031 |
The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.
| Author | : Nadja Rottner |
| Publisher | : Taylor & Francis |
| Total Pages | : 317 |
| Release | : 2023-11-10 |
| Genre | : Art |
| ISBN | : 1000998894 |
In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.
| Author | : Paul Crowther |
| Publisher | : Taylor & Francis |
| Total Pages | : 189 |
| Release | : 2017-04-21 |
| Genre | : Art |
| ISBN | : 1315311844 |
Drawings and paintings are made, and the process of making creates unique meanings that transform our perception of space-time and our sense of finitude. By using a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced.
| Author | : Lene M. Johannessen |
| Publisher | : BRILL |
| Total Pages | : 184 |
| Release | : 2020-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 9004438009 |
Site-Seeing Aesthetics: California Sojourns in Five Installations draws on multiple disciplines for a regional deep mapping and aesthetic analyses that in a kind of “literary chorography” read and write sites as multilayered scripts and performances.
| Author | : Patrizia Lombardo |
| Publisher | : Aarhus Universitetsforlag |
| Total Pages | : 560 |
| Release | : 2018-12-31 |
| Genre | : Social Science |
| ISBN | : 8771845828 |
Exploring Text, Media and Memory investigates the link between memory and media by asking a series of questions pertinent to our time: How do individual and collective memories blend? How do traumatic experiences from past events and catastrophic projections of the future reveal the human condition in the epoch of frenetic technological reproduction of works of art? How is the human body tied to narrations - and why? A group of international scholars tackle questions like these across art forms, media, and cultural history. In nineteen essays they argue that modern and contemporary literary texts and visual arts show how photography, film, tape recording, television, and internet are not just means of storing memory and information, but objects that we interact with every day - challenging static visions of places and the linear notions of past, present and future.
| Author | : Sam Woolfe |
| Publisher | : John Hunt Publishing |
| Total Pages | : 287 |
| Release | : 2024-12-10 |
| Genre | : Philosophy |
| ISBN | : 1803416521 |
This collection of essays delves into some of the strangest and most profound aspects of the psychedelic experience, such as seeing the self as an illusion, feelings of deep insight, the sublime (fear mixed with wonder), encounters with DMT entities, déjà vu, and existential joy. Drawing on research and theories from a variety of disciplines, Sam Woolfe reflects on the ways that altered states may inform our understanding of consciousness, the self, and reality. Particular attention is paid to the philosophy of psychedelics, with the aim of clarifying altered states through the lenses of metaphysics, philosophy of mind, epistemology, aesthetics, existentialism, and Buddhism. In these essays, Woolfe balances open-mindedness with a critical and sceptical perspective - he believes that this approach is necessary when examining psychedelic consciousness.
| Author | : Jiri Anger |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 233 |
| Release | : 2024-05-30 |
| Genre | : Social Science |
| ISBN | : |
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.
| Author | : Elizabeth Sutton |
| Publisher | : Taylor & Francis |
| Total Pages | : 159 |
| Release | : 2017-04-21 |
| Genre | : Art |
| ISBN | : 1315279444 |
Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Color Plates -- Acknowledgments -- 1 Relational Ethics and Aesthetics -- Being and Thinking with Art and Animals -- Between Presence and Absence -- An Ethical Art History -- 2 Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 -- Real and Represented Dogs -- Rembrandt's Three R's: Radical, Reflective, Revelatory -- The Rhetoric of Etching -- Fleshly Experience -- Past Made Present -- 3 Glances with Wolves: Encounters with Little John and Joseph Beuys -- Entangled Encounters -- Seeing and Being with Little John -- Presencing Other Worlds -- Imaginative Empathy -- Gathering Together in the Gap -- 4 Glimpse into the Unknown: Contemporary Taxidermy and Photography -- Spaces Between: Yellow and Taza -- Respecting Unknowns -- Dominance, Submission, and Freedom: Inert and Progression of Regression -- Death and the Object (Ars longa vita brevis est) -- From Hierarchy to Horizontality -- 5 "We Are All Connected": Experiencing Art and Nature at Horseshoe Canyon -- Guided by Dogs and Children -- "We Are All Connected"--Dwelling with Dogs and Earth -- Accessing Histories with Attentive Care -- Art and Earth as Places of Emergence -- 6 Caring for Art and Animals -- Bibliography -- Index
| Author | : Camille C Baker |
| Publisher | : Taylor & Francis |
| Total Pages | : 243 |
| Release | : 2016-12-19 |
| Genre | : Performing Arts |
| ISBN | : 1317390156 |
This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.
