Geschichte Des Musik Und Concertwesens In Hamburg Vom 14 Jahrhundert Bis Auf Die Gegenwart
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Geschichte Des Musik- und Concertwesens in Hamburg Vom 14. Jahrhundert Bis Auf Die Gegenwart - Primary Source Edition
Author | : Josef Sittard |
Publisher | : Nabu Press |
Total Pages | : 428 |
Release | : 2013-11 |
Genre | : |
ISBN | : 9781294267966 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Geschichte des Musik und Konzertwesens in Hamburg vom 14. Jahrhundert bis auf die Gegenwart
Author | : Josef Sittard |
Publisher | : |
Total Pages | : 408 |
Release | : 2016-02-02 |
Genre | : |
ISBN | : 9783741102219 |
Geschichte des Musik und Konzertwesens in Hamburg vom 14. Jahrhundert bis auf die Gegenwart ist ein unveranderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1890. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ernahrung, Medizin und weiteren Genres.Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur.Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquitaten erhaltlich. Hansebooks verlegt diese Bucher neu und tragt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch fur die Zukunft bei."
Geschichte des Musik-und Concertwesens in Hamburg vom 14. Jahrhundert bis auf die Gegenwart (Classic Reprint)
Author | : Josef Sittard |
Publisher | : Forgotten Books |
Total Pages | : 410 |
Release | : 2018-01-06 |
Genre | : History |
ISBN | : 9780428134730 |
Excerpt from Geschichte des Musik-und Concertwesens in Hamburg vom 14. Jahrhundert bis auf die Gegenwart Meine 2lrbeit war uberhaupt eine recht muhevolle, unb ber tiefer moge es mir freunblich nachfehen, wenn ich hierauf in Kur3e eingehe; es gefchieht bies nur um nachsuweifen' ba ich nichts verfaumt habe, um meine 2lrbeit 3u einer moglichft voll= ftanbigen 5u machen. Wenn mir bies in ben beiben erften Kapiteln, bie gleichfam nur ein Dralubium aber ein recht intereffantes, 5n ben ubrigen hiloeu nicht uberall fo gelungen ift, wie ich es gerne gewollt hatte, fo liegt bie llrfache in ber fo uberaus fehwierigen Befchaffung bes materials. Durch ben Branb von (842 finb leiber bie wichtigften llrl'unben verloren gegangen, 'welche es mir ermoglicht hatten, eine eingehenbe unb erfchopfenbe (5efchichte bes hamburgifchen Illufilwefens vom [q. - 18. Jahrhunbert 5u fchreiben. Kleine hauptaufgabe founte baher nur bie fein, bie kammerei=rechnungen unb bie vorhanbenen alten About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Late Baroque Era: Vol 4. From The 1680s To 1740
Author | : George J Buelow |
Publisher | : Springer |
Total Pages | : 531 |
Release | : 2016-03-04 |
Genre | : Architecture |
ISBN | : 1349113034 |
Covers the development of musical life in the great centres of European music - Paris, Vienna, London and the courts of Italy and Germany. The contributions of Handel and Bach, and their lesser colleagues are set in their historical and sociological context.
A History of the Oratorio
Author | : Howard E. Smither |
Publisher | : UNC Press Books |
Total Pages | : 854 |
Release | : 2012-09-01 |
Genre | : Music |
ISBN | : 0807837784 |
With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France. Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criticism, treats libretto and music in general, and offers detailed analyses of the librettos and music of specific oratorios (thirty-one in all) that are of special importance to the history of the genre. As a synthesis of specialized literature as well as an investigation of primary sources, this work will serve as both a springboard for further research and an essential reference for choral conductors, soloists, choral singers, and others interested in the history of the oratorio. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
A History of the Oratorio: The oratorio in the classical era
Author | : Howard E. Smither |
Publisher | : UNC Press Books |
Total Pages | : 748 |
Release | : 1977 |
Genre | : History |
ISBN | : 9780807817315 |
The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Nineteenth-century Choral Music
Author | : Donna Marie Di Grazia |
Publisher | : Routledge |
Total Pages | : 543 |
Release | : 2013 |
Genre | : Music |
ISBN | : 0415988527 |
Nineteenth-Century Choral Music is a collection of essays studying choral music making as a cultural phenomenon, one that had an impact on multiple parts of society. Rather than merely offering a collection of raw descriptions of works, the contributors focus their discussions on what these pieces reveal about their composers as craftsmen/women. Major works as well as other equally rich parts of the repertoire are discussed, including smaller choral works and contributions by composers such as Fanny Mendelssohn, Amy Beach, Charles Stanford,