German Immigrant Artists in America

German Immigrant Artists in America
Author: Peter C. Merrill
Publisher:
Total Pages: 360
Release: 1997
Genre: Art
ISBN:

In addition to American sources, draws from German sources not generally consulted by historians of American art. Presents biographical sketches of German and German-speaking painters, graphic artists, engravers, lithographers, sculptors, and some stained glass designers who arrived in North America from the colonial period to the 20th century. The bibliographic references are article specific. No index. Annotation copyrighted by Book News, Inc., Portland, OR

German Immigrant Artists in America

German Immigrant Artists in America
Author: Peter C. Merrill
Publisher: Scarecrow Press
Total Pages: 354
Release: 1997
Genre: Art
ISBN: 9780810832664

In addition to American sources, draws from German sources not generally consulted by historians of American art. Presents biographical sketches of German and German-speaking painters, graphic artists, engravers, lithographers, sculptors, and some stained glass designers who arrived in North America from the colonial period to the 20th century. The bibliographic references are article specific. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Exiles and Emigres

Exiles and Emigres
Author: Stephanie Barron
Publisher:
Total Pages: 440
Release: 1997-02
Genre: Art
ISBN:

Traces the lives & work of 23 well known artists exiled from Germany, including Heartfield, Schwitters, Kokoschka & Beckmann.

Encyclopedia of American Folk Art

Encyclopedia of American Folk Art
Author: Gerard C. Wertkin
Publisher: Routledge
Total Pages: 1583
Release: 2004-08-02
Genre: Reference
ISBN: 1135956146

For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.

forum for inter-american research Vol 2

forum for inter-american research Vol 2
Author: Wilfried Raussert
Publisher: BoD – Books on Demand
Total Pages: 592
Release: 2023-07-20
Genre: Social Science
ISBN: 3946507786

Volume 2 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.

The Grove Encyclopedia of American Art

The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
Total Pages: 3140
Release: 2011
Genre: Architecture
ISBN: 0195335791

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

The Great Disappearing Act

The Great Disappearing Act
Author: Christina A. Ziegler-McPherson
Publisher: Rutgers University Press
Total Pages: 173
Release: 2021-12-10
Genre: History
ISBN: 1978823207

Where did all the Germans go? How does a community of several hundred thousand people become invisible within a generation? This study examines these questions in relation to the German immigrant community in New York City between 1880-1930, and seeks to understand how German-American New Yorkers assimilated into the larger American society in the early twentieth century. By the turn of the twentieth century, New York City was one of the largest German-speaking cities in the world and was home to the largest German community in the United States. This community was socio-economically diverse and increasingly geographically dispersed, as upwardly mobile second and third generation German Americans began moving out of the Lower East Side, the location of America’s first Kleindeutschland (Little Germany), uptown to Yorkville and other neighborhoods. New York’s German American community was already in transition, geographically, socio-economically, and culturally, when the anti-German/One Hundred Percent Americanism of World War I erupted in 1917. This book examines the structure of New York City’s German community in terms of its maturity, geographic dispersal from the Lower East Side to other neighborhoods, and its ultimate assimilation to the point of invisibility in the 1920s. It argues that when confronted with the anti-German feelings of World War I, German immigrants and German Americans hid their culture – especially their language and their institutions – behind closed doors and sought to make themselves invisible while still existing as a German community. But becoming invisible did not mean being absorbed into an Anglo-American English-speaking culture and society. Instead, German Americans adopted visible behaviors of a new, more pluralistic American culture that they themselves had helped to create, although by no means dominated. Just as the meaning of “German” changed in this period, so did the meaning of “American” change as well, due to nearly 100 years of German immigration.

Saint John's Abbey Church

Saint John's Abbey Church
Author: Victoria M. Young
Publisher: U of Minnesota Press
Total Pages: 675
Release: 2014-10-01
Genre: Architecture
ISBN: 1452943486

In the 1950s the brethren at the Benedictine Abbey of Saint John the Baptist in Collegeville, Minnesota—the largest Benedictine abbey in the world—decided to expand their campus, including building a new church. From a who’s who of architectural stars—such as Walter Gropius, Richard Neutra, Pietro Belluschi, Barry Byrne, and Eero Saarinen—the Benedictines chose a former member of the Bauhaus, Marcel Breuer. In collaboration with the monks, this untested religious designer produced a work of modern sculptural concrete architecture that reenvisioned what a church could be and set a worldwide standard for midcentury religious design. Saint John’s Abbey Church documents the dialogue of the design process, as Breuer instructed the monks about architecture and they in turn guided him and his associates in the construction of a sacred space in the crucial years of liturgical reform. A reading of letters, drawings, and other archival materials shows how these conversations gave shape to design elements from the church’s floor plan to the liturgical furnishings, art, and incomparable stained glass installed within it. The book offers a rare detailed view of how a patron and architect work together in a successful building campaign—one that, in this case, lasted for two decades and resulted in designs for twelve buildings, ten of which were completed. The post–World War II years were critical in the development of religious and architectural experiences in the United States—experiences that came together in the construction of Saint John’s Abbey and University Church and that find their full expression in Victoria M. Young’s account of the process. Using the liturgy of the mid-twentieth century as a cornerstone for understanding the architecture produced to support it, her book showcases the importance of modernism in the design of sacred space, and of Marcel Breuer’s role in setting the standard.