German Film Volume 8 1970 1979
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| Author | : Deutsche Kinemathek – Museum für Film und Fernsehen |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 300 |
| Release | : 2024-10-23 |
| Genre | : Performing Arts |
| ISBN | : 3775759735 |
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
| Author | : Deutsche Kinemathek – Museum für Film und Fernsehen |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 356 |
| Release | : 2024-10-23 |
| Genre | : Performing Arts |
| ISBN | : 3775759727 |
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
| Author | : Ian Jarvie |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 538 |
| Release | : 2012-12-06 |
| Genre | : Social Science |
| ISBN | : 9400954247 |
I. C. Jarvie was trained as a social anthropologist in the center of British social anthropology - the London School of Economics, where Bronislaw Malinowski was the object of ancestor worship. Jarvie's doctorate was in philosophy, however, under the guidance of Karl Popper and John Watkins. He changed his department not as a defector but as a rebel, attempting to exorcize the ancestral spirit. He criticized the method of participant obser vation not as useless but as not comprehensive: it is neither necessary nor sufficient for the making of certain contributions to anthropology; rather, it all depends on the problem-situation. And so Jarvie remained an anthro pologist at heart, who, in addition to some studies in rather conventional anthropological or sociological molds, also studied the tribe of social scien tists, but also critically examining their problems - especially their overall, rather philosophical problems, but not always so: a few of the studies in cluded in this volume exemplify his work on specific issues, whether of technology, or architecture, or nationalism in the academy, or moviemaking, or even movies exhibiting excessive sex and violence. These studies attract his attention both on account of their own merit and on account of their need for new and powerful research tools, such as those which he has forged in his own intellectual workshop over the last two decades.
| Author | : P. Gaal-Holmes |
| Publisher | : Springer |
| Total Pages | : 230 |
| Release | : 2015-03-17 |
| Genre | : Performing Arts |
| ISBN | : 1137369388 |
This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.
| Author | : Ashish Rajadhyaksha |
| Publisher | : Routledge |
| Total Pages | : 659 |
| Release | : 2014-07-10 |
| Genre | : Social Science |
| ISBN | : 1135943184 |
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
| Author | : Malte Hagener |
| Publisher | : Springer |
| Total Pages | : 489 |
| Release | : 2016-12-16 |
| Genre | : Performing Arts |
| ISBN | : 3476036863 |
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
| Author | : Thomas Elsaesser |
| Publisher | : Amsterdam University Press |
| Total Pages | : 404 |
| Release | : 1996 |
| Genre | : Political Science |
| ISBN | : 9789053561843 |
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
| Author | : David Welch |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2014-09-04 |
| Genre | : History |
| ISBN | : 1317620828 |
Based on a detailed examination of specific aspects of Nazi propaganda, this book (originally published in 1983) enhances the understanding of National Socialism by revealing both its power and its limitations. The work tackles aspects of Nazi propaganda which had been neglected in the past, but together they demonstrate the disproportionate role assigned to propaganda in one of the most highly politicised societies in contemporary European history.
| Author | : David Welch |
| Publisher | : Rutgers University Press |
| Total Pages | : 382 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780813527987 |
Adolf Hitler, writing in Mein Kampf, was scathing in his condemnation of German propaganda in the First World War, declaring that Germany had failed to recognize propaganda as a weapon of the first order. This despite the fact that propaganda had been regarded, arguably for the first time, as an intrinsic part of the war effort. David Welch has written the first book to fully examine German society -- politics, propaganda, public opinion, and total war -- in the Great War. Drawing on a wide range of sources -- from posters, newspapers, journals, film, parliamentary debates, police and military reports, and private papers -- Welch argues that the moral collapse of Germany was due less to the failure to disseminate propaganda than to the inability of the military authorities and the Kaiser to reinforce this propaganda, and to acknowledge the importance of public opinion in forging an effective link between leadership and the people.
| Author | : Julia Knight |
| Publisher | : Verso |
| Total Pages | : 244 |
| Release | : 1992-06-17 |
| Genre | : Performing Arts |
| ISBN | : 9780860915683 |
There were virtually no women film directors in germany until the 1970s. today there are proportionally more than in any other film-making country6, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders. In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women’s film-making in the 1970s and 1980s, in particular the role of the women’s movement, the concern with the notion of a ‘feminine aesthetic’, women’s entry into the mainstream, and the emergence of a so-called post-feminist cinema. This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.
