German Colonialism Visual Culture And Modern Memory
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| Author | : Volker Langbehn |
| Publisher | : Routledge |
| Total Pages | : 649 |
| Release | : 2010-07-01 |
| Genre | : History |
| ISBN | : 1135153345 |
There is no overarching master narrative in understanding the history of German colonialism, and over the past decade, the study of Germany’s colonial past has experienced a dramatic transformation in its scope of inquiry. Influenced by new theoretical and methodological approaches to the study of race, nationalism, and globalization, these new studies initiate a process of reevaluating and redefining the parameters within which German Colonialism is understood. The role of visual materials, in particular, is ideal for exploring the porousness of disciplinary boundaries, though visual culture studies pertaining to German history – and especially German colonialism – have previously been almost completely neglected. Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, German Colonialism, Visual Culture, and Modern Memory offers compelling evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous – and at times contradictory – cultures of colonialism. This collection of new essays illustrates the dramatic changes and vast array of perspectives that have recently emerged in the study of German colonialism. In documenting the latest cutting-edge research of German colonial history, the contributors to this volume prove wrong the persistent assumptions that the creation of Germany’s colonial empire did not have any lasting impact on German political and cultural life. Their essays document how colonialism in its various forms was entwined with the inner workings of modern German life and society, especially through the cultural and technical innovations of its time. In contrast to existing research, these studies show that colonial Germany played a significant role in shaping German perceptions of racial difference, influenced German support for World War I, and facilitated the construction of German nationalism. German Colonialism, Visual Culture, and Modern Memory uniquely demonstrates that the visual culture of colonialism is closely linked to the fascination with new modes of seeing and the enigma of visual experience that have become trademarks of modernity.
| Author | : Volker Max Langbehn |
| Publisher | : Columbia University Press |
| Total Pages | : 364 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 0231149727 |
Mohammad Salama teaches Arabic in the Department of Foreign Languages and Literatures at San Francisco State University. --Book Jacket.
| Author | : Wolfgang Fuhrmann |
| Publisher | : |
| Total Pages | : 309 |
| Release | : 2015 |
| Genre | : Performing Arts |
| ISBN | : 9781782386971 |
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era.
| Author | : Janne Lahti |
| Publisher | : Springer Nature |
| Total Pages | : 327 |
| Release | : 2021-01-28 |
| Genre | : History |
| ISBN | : 3030532062 |
This book contributes to global history by examining the connected histories of German and United States colonial empires from the early nineteenth century to the Nazi era. It looks at multiple and multidirectional flows, transfers, and circulations of ideas, people, and practices as Germany and the US were embedded in, and created by, an interconnected world of empires. This relationship was not exceptional, but emblematic of the diverse entanglements that created colonial globality. Colonial entanglements between Germany and the United States took on many forms, but these shared and intersecting histories have been underanalyzed. Traditionally, Germany and the United States have been understood to have taken, respectively, an authoritarian and liberal path into modernity. But there is no neat dichotomy, as the contributors to this book illustrate. There are many more similarities than have previously been appreciated – and they are the result of multilayered entanglements made visible via conquest, settler societies, racialization, and rule of difference. Building on present historiographies of empires, colonialism, and globalization, this book introduces new analytical possibilities for examining these two relatively understudied empires alongside each other, as well as at their intersections. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
| Author | : Itohan Osayimwese |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2023-02-23 |
| Genre | : Art |
| ISBN | : 1350326186 |
Germany developed a large colonial empire over the last thirty years of the 19th century, spanning regions of the west coast of Africa to its east coast and beyond. Largely forgotten for many years, recent intense debates about Africa's cultural heritage in European museums have brought this period of African and German history back into the spotlight. German Colonialism in Africa and its Legacies brings much-needed context to these debates, exploring perspectives on the architecture, art, urbanism, and visual culture of German colonialism in Africa, and its legacies in postcolonial and present-day Namibia, Cameroon, and Germany. The first in-depth exploration of the designed and visual aspects of German colonialism, the book presents a series of essays combining formal analyses of painting, photography, performance art, buildings, and space with the discourse analysis approach associated with postcolonial theory. Covering the entire period from the build-up to colonialism in the early-19th century to the present, subjects covered range from late-19th-century German colonial paintings of African landscapes and people to German land appropriation through planning and architectural mechanisms, and from indigenous African responses to colonial architecture, to explorations of the legacies of German colonialism by contemporary artists today. This powerful and revealing collection of essays will encourage new research on this under-explored topic, and demonstrate the importance of historical research to the present, especially with regards to ongoing debates about the presence of material legacies of colonialism in Western culture, museum collections, and immigration policies.
| Author | : Nina Berman |
| Publisher | : University of Michigan Press |
| Total Pages | : 357 |
| Release | : 2018-07-19 |
| Genre | : History |
| ISBN | : 0472037277 |
The first collection of interdisciplinary and comparative studies focusing on diverse interactions among African, Asian, and Oceanic peoples and German colonizers
| Author | : Klaus Mühlhahn |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 204 |
| Release | : 2017-06-12 |
| Genre | : Political Science |
| ISBN | : 3110525623 |
This edited volume explores social, economic, political, and cultural practices generated by African, Asian, and Oceanic individuals and groups within the context and aftermath of German colonialism. The volume contributes to current debates on transnational and intercultural processes while highlighting the ways in which the colonial period is embedded in larger processes of globalization.
| Author | : Andrekos Varnava |
| Publisher | : Manchester University Press |
| Total Pages | : 253 |
| Release | : 2015-09-01 |
| Genre | : History |
| ISBN | : 1784996475 |
A wide-ranging edited collection that interrogates colonial expansion, and the mismatch between intention, perception and hype, and the actual realities.
| Author | : Martin Jay |
| Publisher | : Duke University Press |
| Total Pages | : 686 |
| Release | : 2014-03-14 |
| Genre | : Art |
| ISBN | : 0822378973 |
Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson
| Author | : Axel Stähler |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 510 |
| Release | : 2018-11-05 |
| Genre | : History |
| ISBN | : 3110586037 |
Zionism, the German Empire, and Africa explores the impact on the self-perception and culture of early Zionism of contemporary constructions of racial difference and of the experience of colonialism in imperial Germany. More specifically, interrogating in a comparative analysis material ranging from mainstream satirical magazines and cartoons to literary, aesthetic, and journalistic texts, advertisements, postcards and photographs, monuments and campaign medals, ethnographic exhibitions and publications, popular entertainment, political speeches, and parliamentary reports, the book situates the short-lived but influential Zionist satirical magazine Schlemiel (1903–07) in an extensive network of nodal clusters of varying and shifting significance and with differently developed strains of cohesion or juncture that roughly encompasses the three decades from 1890 to 1920.
