German Aesthetic Literary Criticism

German Aesthetic Literary Criticism
Author: Simpson
Publisher: Cambridge University Press
Total Pages: 312
Release: 1984-05-24
Genre: Literary Criticism
ISBN: 9780521236300

The volume comprises selections from the major work of Kant, Schopenhauer, and Hegel, as well as from Fichte and Schelling, some of whose writings are translated here for the first time. The volume comprises selections from the major work of Kant, Schopenhauer, and Hegel, as well as from Fichte and Schelling, some of whose writings are translated here for the first time. It thus provides a much fuller context for the German Idealist movement than has been hitherto available in any comparable form in English. The texts reveal aesthetic philosophy and literary criticism not as abstract of peripheral disciplines but as absolutely central topics in the mainstream of German Idealist thought. Dr Simpson's introduction places the writers and their work in an appropriate intellectual context, and his extensive annotation seeks to clarify and render more accessible their complex and often elusive ideas.

German Aesthetics

German Aesthetics
Author: J. D. Mininger
Publisher: Bloomsbury Publishing USA
Total Pages: 240
Release: 2016-09-22
Genre: Literary Criticism
ISBN: 1501321501

German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.

Classic and Romantic German Aesthetics

Classic and Romantic German Aesthetics
Author: J. M. Bernstein
Publisher: Cambridge University Press
Total Pages: 362
Release: 2003
Genre: Philosophy
ISBN: 9780521001113

This 2002 volume offers translations of major works of classic and romantic German aesthetics.

Literature and Weather

Literature and Weather
Author: Johannes Ungelenk
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 584
Release: 2018-02-19
Genre: Literary Criticism
ISBN: 3110559706

"Literature and Weather. Shakespeare – Goethe – Zola" is dedicated to the relation between literature and weather, i.e. a cultural practice and an everyday phenomenon that has played very different epistemic roles in the history of the world. The study undertakes an archaeology of literature’s affinity to the weather which tells the story of literature’s weathery self-reflection and its creative reinventions as a medium in different epistemic and social circumstances. The book undertakes extensive close readings of three exemplary literary texts: Shakespeare’s The Tempest, Goethe’s The Sufferings of Young Werther and Zola’s The Rougon-Macquarts. These readings provide the basis for reconstructing three distinct formations, negotiating the relationship between literature and weather in the 17th, the 18th and the 19th centuries. The study is a pioneering contribution to the recent debates of literature’s indebtedness to the environment. It initiates a rewriting of literary history that is weather-sensitive; the question of literature’s agency, its power to affect, cannot be raised without understanding the way the weather works in a certain cultural formation.

Hamann and the Tradition

Hamann and the Tradition
Author: Lisa Marie Anderson
Publisher: Northwestern University Press
Total Pages: 226
Release: 2012-04-30
Genre: Philosophy
ISBN: 0810166089

Recent years have witnessed a resurgence of scholarly interest in the work of Johann Georg Hamann (1730–1788), across disciplines. New translations of work by and about Hamann are appearing, as are a number of books and articles on Hamann’s aesthetics, theories of language and sexuality, and unique place in Enlightenment and counter-Enlightenment thought. Edited by Lisa Marie Anderson, Hamann and the Tradition gathers established and emerging scholars to examine the full range of Hamann’s impact—be it on German Romanticism or on the very practice of theology. Of particular interest to those not familiar with Hamann will be a chapter devoted to examining—or in some cases, placing—Hamann in dialogue with other important thinkers, such as Socrates, David Hume, Friedrich Nietzsche, Martin Buber, Franz Rosenzweig, and Ludwig Wittgenstein.

Three Critics of the Enlightenment

Three Critics of the Enlightenment
Author: Isaiah Berlin
Publisher: Princeton University Press
Total Pages: 571
Release: 2013-11-10
Genre: Philosophy
ISBN: 1400848520

Isaiah Berlin was deeply admired during his life, but his full contribution was perhaps underestimated because of his preference for the long essay form. The efforts of Henry Hardy to edit Berlin's work and reintroduce it to a broad, eager readership have gone far to remedy this. Now, Princeton is pleased to return to print, under one cover, Berlin's essays on these celebrated and captivating intellectual portraits: Vico, Hamann, and Herder. These essays on three relatively uncelebrated thinkers are not marginal ruminations, but rather among Berlin's most important studies in the history of ideas. They are integral to his central project: the critical recovery of the ideas of the Counter-Enlightenment and the explanation of its appeal and consequences--both positive and (often) tragic. Giambattista Vico was the anachronistic and impoverished Neapolitan philosopher sometimes credited with founding the human sciences. He opposed Enlightenment methods as cold and fallacious. J. G. Hamann was a pious, cranky dilettante in a peripheral German city. But he was brilliant enough to gain the audience of Kant, Goethe, and Moses Mendelssohn. In Hamann's chaotic and long-ignored writings, Berlin finds the first strong attack on Enlightenment rationalism and a wholly original source of the coming swell of romanticism. Johann Gottfried Herder, the progenitor of populism and European nationalism, rejected universalism and rationalism but championed cultural pluralism. Individually, these fascinating intellectual biographies reveal Berlin's own great intelligence, learning, and generosity, as well as the passionate genius of his subjects. Together, they constitute an arresting interpretation of romanticism's precursors. In Hamann's railings and the more considered writings of Vico and Herder, Berlin finds critics of the Enlightenment worthy of our careful attention. But he identifies much that is misguided in their rejection of universal values, rationalism, and science. With his customary emphasis on the frightening power of ideas, Berlin traces much of the next centuries' irrationalism and suffering to the historicism and particularism they advocated. What Berlin has to say about these long-dead thinkers--in appreciation and dissent--is remarkably timely in a day when Enlightenment beliefs are being challenged not just by academics but by politicians and by powerful nationalist and fundamentalist movements. The study of J. G. Hamann was originally published under the title The Magus of the North: J. G. Hamann and the Origins of Modern Irrationalism. The essays on Vico and Herder were originally published as Vico and Herder: Two Studies in the History of Ideas. Both are out of print. This new edition includes a number of previously uncollected pieces on Vico and Herder, two interesting passages excluded from the first edition of the essay on Hamann, and Berlin's thoughtful responses to two reviewers of that same edition.

Rethinking Lessing's Laocoon

Rethinking Lessing's Laocoon
Author: Michael Squire
Publisher: Oxford University Press
Total Pages: 446
Release: 2017
Genre: Art
ISBN: 0198802226

Gotthold Ephraim Lessing first published Laokoon, oder uber die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.