The Folktale

The Folktale
Author: Stith Thompson
Publisher: Univ of California Press
Total Pages: 532
Release: 1977
Genre: Social Science
ISBN: 9780520035379

As interest in folklore increases, the folktale acquires greater significance for students and teachers of literature. The material is massive and scattered; thus, few students or teachers have accessibility to other than small segments or singular tales or material they find buried in archives. Stith Thompson has divided his book into four sections which permit both the novice and the teacher to examine oral tradition and its manifestation in folklore. The introductory section discusses the nature and forms of the folktale. A comprehensive second part traces the folktale geographically from Ireland to India, giving culturally diverse examples of the forms presented in the first part. The examples are followed by the analysis of several themes in such tales from North American Indian cultures. The concluding section treats theories of the folktale, the collection and classification of folk narrative, and then analyzes the living folklore process. This work will appeal to students of the sociology of literature, professors of comparative literature, and general readers interested in folklore.

Georgian Folk Tales

Georgian Folk Tales
Author: Marjory Wardrop
Publisher: BoD – Books on Demand
Total Pages: 206
Release: 2018-04-05
Genre: Fiction
ISBN: 3732643409

Reproduction of the original: Georgian Folk Tales by Marjory Wardrop

Ancient Fiction (Routledge Revivals)

Ancient Fiction (Routledge Revivals)
Author: Graham Anderson
Publisher: Routledge
Total Pages: 261
Release: 2014-06-23
Genre: Foreign Language Study
ISBN: 1317747321

A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage. Ancient Fiction, first published in 1984, examines the tales retold by these novelists in light of more recently discovered Near Eastern texts, and in this way offers a tentative solution to Rohde’s celebrated problem about the origins of the Greek novel. Among the surprises that emerge are an ancient stratum of the Arabian Nights and a possible Tristan-Romance, as well as an animal Satyricon and a human Golden Ass. This new framework is, however, incidental to an examination of the achievements of ancient novelists in their own right. In presenting character, structuring narrative, imposing a veneer of sophistication or contriving a religious ethos, these writers demonstrate that their work is worthy of sympathetic study, rather dismissal as the pulp fiction of the ancient world.