Georgia Humor And Humorists
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Author | : Georgia Pritchett |
Publisher | : HarperCollins |
Total Pages | : 288 |
Release | : 2022-02-08 |
Genre | : Biography & Autobiography |
ISBN | : 0063206390 |
“Georgia Pritchett is a singularly hilarious person. Her book is a delightful and perfect reflection of her. Its tenderness sneaks up on you and really packs a punch. What a magnificent read!”—Julia Louis Dreyfus Jenny Lawson meets Nora Ephron in this joyful memoir-in-vignettes on living—and thriving—with anxiety from a multiple Emmy Award-winning comedy writer whose credits include Succession and Veep. When Georgia Pritchett found herself lost for words—a bit of a predicament for a comedy writer—she turned to a therapist, who suggested she try writing down some of the things that worried her. But instead of a grocery list of concerns, Georgia wrote this book. A natural born worrywart, Georgia’s life has been defined by her quirky anxiety. During childhood, she was agitated about the monsters under her bed (Were they comfy enough?). Going into labor, she fretted about making a fuss (“Sorry to interrupt, but the baby is coming out of my body,” I said politely). Winning a prestigious award, she agonized over receiving free gifts after the ceremony (It was an excruciating experience. Mortifying). Soul-baring yet lighthearted, poignant yet written with a healthy dose of self-deprecation, My Mess Is a Bit of a Life is a tour through the carnival funhouse of Georgia’s life, from her anxiety-ridden early childhood where disaster loomed around every corner (When I was little I used to think that sheep were clouds that had fallen to earth. On cloudy days I used to worry that I would be squashed by a sheep), through the challenges of breaking into an industry dominated by male writers, to the exquisite terror (and incomparable joy) of raising children. Delightfully offbeat, painfully honest, full of surprising wonders, and delivering plenty of hilarious, laugh-out-loud moments, My Mess Is a Bit of a Life reveals a talented, vulnerable, and strong woman in all her wisecracking weirdness, and makes us love it—and her—too.
Author | : Augustus Baldwin Longstreet |
Publisher | : |
Total Pages | : 202 |
Release | : 1847 |
Genre | : American wit and humor |
ISBN | : |
Author | : M. Thomas Inge |
Publisher | : University Press of Kentucky |
Total Pages | : 484 |
Release | : 2021-10-21 |
Genre | : Humor |
ISBN | : 0813185459 |
The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.
Author | : Mike Sacks |
Publisher | : Penguin |
Total Pages | : 475 |
Release | : 2014-06-24 |
Genre | : Humor |
ISBN | : 1101613270 |
A NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY NPR Amy Poehler, Mel Brooks, Adam McKay, George Saunders, Bill Hader, Patton Oswalt, and many more take us deep inside the mysterious world of comedy in this fascinating, laugh-out-loud-funny book. Packed with behind-the-scenes stories—from a day in the writers’ room at The Onion to why a sketch does or doesn’t make it onto Saturday Night Live to how the BBC nearly erased the entire first season of Monty Python’s Flying Circus—Poking a Dead Frog is a must-read for comedy buffs, writers and pop culture junkies alike.
Author | : |
Publisher | : Greenwood |
Total Pages | : 250 |
Release | : 1989-11-16 |
Genre | : Humor |
ISBN | : |
During the early part of the nineteenth century, the Southwestern frontier moved from North Carolina, South Carolina, and Georgia, through Alabama, Tennessee, and Mississippi, to Missouri, Arkansas and Louisiana. Using a variety of styles and subjects, humorists in the frontier states of the Southwest wrote tall tales and humorous stories that made use of dialect and emphasized cruelty, violence, and depravity, in rebellion against the sentimental morality of conventional literature. Such tales flourished from 1835 through 1861 and helped buffer the pioneers during their everyday hardships. The humorists' stories, though exaggerated, were often rooted in the real characters and incidents of the frontier and as such serve as a social history of the period. Many of these stories were originally published in local newspapers and reprinted in William T. Porter's Spirit of the Times. Although the popularity of this type of humor died out with the beginning of the Civil War, its influences can be seen in the works of Mark Twain, William Faulkner, Flannery O'Connor, and Thomas Wolfe. The bibliography lists works about Southwest humor in general and by and about nine major humorists including David Crockett, Joseph Glover Baldwin, George Washington Harris, Johnson Jones Hooper, Henry Clay Lewis, Augustus Baldwin Longstreeet, Charles Fenton Mercer Noland, William Tappan Thompson, and Thomas Bangs Thorpe. These two main sections are supplemented by author and general subject indices. As the first book-length bibliography in this field, Humor of the Old Southwest will make a useful tool in academic libraries and will find a place in collections of folklore, American literature, and humor.
Author | : Edward Piacentino |
Publisher | : LSU Press |
Total Pages | : 344 |
Release | : 2006-02-01 |
Genre | : Literary Criticism |
ISBN | : 9780807130865 |
The Old Southwest flourished between 1830 and 1860, but its brand of humor lives on in the writings of Mark Twain, the novels of William Faulkner, the television series The Beverly Hillbillies, the material of comedian Jeff Foxworthy, and even cyberspace, where nonsoutherners can come up to speed on subjects like hickphonics. The first book on its subject, The Enduring Legacy of Old Southwest Humor engages topics ranging from folklore to feminism to the Internet as it pays tribute to a distinctly American comic style that has continued to reinvent itself. The book begins by examining frontier southern humor as manifested in works of Faulkner, Erskine Caldwell, Flannery O’Connor, Eudora Welty, Woody Guthrie, Harry Crews, William Price Fox, Fred Chappell, Barry Hannah, Cormac McCarthy, and African American writers Zora Neale Hurston, Ralph Ellison, Alice Walker, Ishmael Reed, and Yusef Komunyakaa. It then explores southwestern humor’s legacy in popular culture—including comic strips, comedians, and sitcoms—and on the Internet. Many of the trademark themes of modern and contemporary southern wit appeared in stories that circulated in the antebellum Southwest. Often taking the form of tall tales, those stories have served and continue to serve as rich, reusable material for southern writers and entertainers in the twentieth century and beyond. The Enduring Legacy of Old Southwest Humor is an innovative collaboration that delves into jokes about hunting, drinking, boasting, and gambling as it studies, among other things, the styles of comedians Andy Griffith, Dave Gardner, and Justin Wilson. It gives splendid demonstration that through the centuries southern humor has continued to be a powerful tool for disarming hypocrites and opening up sensitive issues for discussion.
Author | : Hennig Cohen |
Publisher | : University of Georgia Press |
Total Pages | : 540 |
Release | : 1994 |
Genre | : Literary Collections |
ISBN | : 9780820316055 |
One of the most entertaining genres of American literature is the bold, masculine, wildly exaggerated, and highly imaginative frontier humor of the Old Southwest, produced between 1835 and 1861 in an area that extended from Virginia, the Carolinas, and Georgia westward to Lousiana, Arkansas, Missouri, and Texas. Hennig Cohen and William B. Dillingham have tapped the wealth of this region to produce a collection that over the last three decades has become the standard anthology of Old Southwestern humor. This new, extensively revised edition includes an expanded introduction, a dozen replacement sections, an updated bibliography, and works by three new writers--Phillip B. January, Matthew C. Field, and John Gorman Barr. Most generously represented are George Washington Harris, Augustus Baldwin Longstreet, Johnson Jones Hooper, and Thomas Bangs Thorpe. Selections from twenty-five authors are featured along with brief biographical essays that combine historical and political analysis with perceptive literary criticism. These selections document important facets of antebellum American culture and provide the background of the literary achievement of Mark Twain and William Faulkner.
Author | : Isaac Wheeler Avery |
Publisher | : |
Total Pages | : 882 |
Release | : 1881 |
Genre | : Georgia |
ISBN | : |
Author | : Ed Piacentino |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 246 |
Release | : 2013-05-06 |
Genre | : Literary Criticism |
ISBN | : 1617037699 |
Since its inception in the early 1830s, southern frontier humor (also known as the humor of the Old Southwest) has had enduring appeal. The onset of the new millennium precipitated an impressive rejuvenation of scholarly interest. Southern Frontier Humor: New Approaches represents the next step in this revival, providing a series of essays with fresh perspectives and contexts. First, the book shows the importance of Henry Junius Nott, a virtually unknown and forgotten writer who mined many of the principal subjects, themes, tropes, and character types associated with southern frontier humor, followed by an essay addressing how this humor genre and its ideological impact helped to stimulate a national cultural revolution. Several essays focus on the genre's legacy to the post-Civil War era, exploring intersections between southern frontier humor and southern local color writers--Joel Chandler Harris, Charles W. Chesnutt, and Sherwood Bonner. Mark Twain's African American dialect piece "A True Story," though employing some of the conventions of southern frontier humor, is reexamined as a transitional text, showing his shift to broader concerns, particularly in race portraiture. Essays also examine the evolution of the trickster from the Jack Tales to Hooper's Simon Suggs to similar mountebanks in novels of John Kennedy Toole, Mark Childress, and Clyde Edgerton and transnational contexts, the latter exploring parallels between southern frontier humor and the Jamaican Anansi tales. Finally, the genre is situated contextually, using contemporary critical discourses, which are applied to G. W. Harris's Sut Lovingood and to various frontier hunting stories.
Author | : Lewis Grizzard |
Publisher | : NewSouth Books |
Total Pages | : 418 |
Release | : 2012-01-01 |
Genre | : Humor |
ISBN | : 1588382737 |
Lewis Grizzard got his first newspaper job when he was ten years old. Thirty-odd years later (thirty-very-odd years) he's still in the newspaper business--and he's still infuriated by it, still tickled by it, and still very much in love with it. If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground is all about that anger, that great humor and that even greater passion for something that affects every single one of us: the daily newspaper. Grizzard begins with his first writing job (covering a Boy's Church League team in Newman, Georgia), and continues through his college years in Athens, Georgia, where he learned how to do such things as prepare a front-page headline and layout in case Jesus Christ ever returned to earth. (Headline: HE'S BACK!) He examines the great Atlanta years and the cold Chicago winters--as sports editor of the Sun-Times, during which Grizzard lost his second wife, his cool, and very nearly his sanity, but also learned an awful lot about life, liberty, and the pursuit of happiness. This is Grizzard's funniest--and his best--book yet.