George Perez Storyteller
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| Author | : Christopher Lawrence |
| Publisher | : Dynamite Entertainment |
| Total Pages | : 210 |
| Release | : 2015-02-11 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
Over 200 full-color pages highlight the magnificent career of artistic legend George Perez! From his early days at Marvel on such titles as Fantastic Four and The Avengers to DC Comics' landmark titles, New Teen Titans and Crisis on Infinite Earths, plus independent work for T.H.U.N.D.E.R. Agents and so many others, along with his own creations Sachs and ...
| Author | : George Pérez |
| Publisher | : DC |
| Total Pages | : 38 |
| Release | : 2016-03-08 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
Master comics storyteller George P rez (NEW TEEN TITANS) revitalized Wonder Woman in the mid-'80s with this stunning new origin for the Amazonian Princess! What terrible event led to the birth of the Amazons, and how will Wonder Woman fare as their agent against the vile Ares? Find out here!
| Author | : George Perez |
| Publisher | : DC Comics |
| Total Pages | : 356 |
| Release | : 2016-08-23 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1401271944 |
Once upon a time, the world’s greatest heroine was reimagined by a comic book legend. More than forty years after debuting in ALL STAR COMICS #8, the Wonder Woman was reshaped by the legendary George Pérez and returned to the public eye in 1986. She was met with such acclaim that Pérez’s original commitment of six months was extended, and extended, until almost five years had passed. In collaboration with co-writer Len Wein and inker Bruce Patterson, Pérez spearheaded Wonder Woman’s adventures for years, leading her to an unprecedented level of success. Now these groundbreaking tales are available in the first of a series of eBooks, collecting WONDER WOMAN #1-14 with bonus material including a Who’s Who of Wonder Woman’s world and an art gallery.
| Author | : Edgardo Miranda-Rodriguez |
| Publisher | : |
| Total Pages | : |
| Release | : 2016-12-22 |
| Genre | : |
| ISBN | : 9780692789940 |
La Borinqueña is a patriotic symbol presented in a classic superhero story. Her powers are drawn from elements and mysticism found on the island of Puerto Rico. The fictional character, Marisol Rios De La Luz, is a Columbia University Earth and Environmental Sciences Undergraduate student living with her parents Flor De La Luz Rojas and Oscar 'Chango' Rios Velez in Williamsburg, Brooklyn. She takes a semester of study abroad in collaboration with the University of Puerto Rico. There she explores the caves of Puerto Rico: Ventana, La Cueva del Indio, Las Cuevas de Camuy, La Cueva del Viento and the caves at the Julio Enrique Monagas National Park. At each of these caves she finds five similar sized crystals. Atabex, the Taino mother goddess, appears before Marisol once the crystals are united and summons her sons Yúcahu and Juracan. Yúcahu, God of the seas and the mountains gives Marisol her superhuman strength. Juracan, god of the hurricanes gives her the power of flight and control of the wind.
| Author | : Kurt Busiek |
| Publisher | : Marvel Comics Group |
| Total Pages | : 0 |
| Release | : 2006 |
| Genre | : Avengers (Fictitious characters) |
| ISBN | : 9780785121305 |
Captain America, Iron Man, Thor, and a large gathering of Avengers battle evil sorceress Morgan Le Fay in a strange medieval reality.
| Author | : Dave Grohl |
| Publisher | : HarperCollins |
| Total Pages | : 431 |
| Release | : 2021-10-05 |
| Genre | : Music |
| ISBN | : 006307611X |
The #1 New York Times Bestseller * Named one of Variety's Best Music Books of 2021 * Included in Audible's Best of The Year list * A Business Insider Best Memoirs of 2021 * One of NME's Best Music Books of 2021 So, I've written a book. Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.
| Author | : Robert C. Harvey |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 268 |
| Release | : 1994 |
| Genre | : Architecture |
| ISBN | : 9780878056743 |
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
| Author | : Ashley Hope Pérez |
| Publisher | : Carolrhoda Lab ® |
| Total Pages | : 484 |
| Release | : 2015-09-01 |
| Genre | : Young Adult Fiction |
| ISBN | : 1467776785 |
A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal
| Author | : Patrick L. Hamilton |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 116 |
| Release | : 2024-06-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496851234 |
Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954–2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and cocreated Crisis on Infinite Earths, which marked the publisher’s fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC’s Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez’s style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez’s artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez’s work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel’s The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential.
| Author | : Joe Hayes |
| Publisher | : Cinco Puntos Press |
| Total Pages | : 34 |
| Release | : 2004 |
| Genre | : Juvenile Fiction |
| ISBN | : 0938317865 |
A retelling, in parallel English and Spanish text, of the traditional tale told in the Southwest and in Mexico of how the beautiful Maria became a ghost.
