George Orwell On Screen
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| Author | : David Ryan |
| Publisher | : McFarland |
| Total Pages | : 256 |
| Release | : 2018-09-26 |
| Genre | : Performing Arts |
| ISBN | : 1476673691 |
British author and essayist George Orwell shot to fame with two iconic novels: the anti-Stalinist satire Animal Farm and the dystopian masterpiece Nineteen Eighty-Four. A few years after his death in 1950, the CIA bankrolled screen adaptations of both novels as Cold War propaganda. Orwell's depiction of a totalitarian police state captivated the media in the 1980s. Today, mounting anxieties about digital surveillance and globalization have made him a hot property in Hollywood. Drawing on interviews with actors, writers, directors and producers, this book presents the first comprehensive study of Orwell on film and television. Beginning with CBS's 1953 live production of Nineteen Eighty-Four that mirrored the McCarthy witch hunts, the author covers 20 wide-ranging adaptations, documentaries and biopics, including two lost BBC dramatizations from 1965.
| Author | : George Orwell |
| Publisher | : DigiCat |
| Total Pages | : 265 |
| Release | : 2022-11-22 |
| Genre | : Fiction |
| ISBN | : |
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.
| Author | : George Orwell |
| Publisher | : Penguin UK |
| Total Pages | : 102 |
| Release | : 2014-10-30 |
| Genre | : Literary Collections |
| ISBN | : 0141980583 |
Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell’s entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
| Author | : Dennis Glover |
| Publisher | : Abrams |
| Total Pages | : 189 |
| Release | : 2017-11-14 |
| Genre | : Fiction |
| ISBN | : 1468315927 |
This “riveting novel about Orwell’s last days” takes readers inside the renowned author’s mind as he creates his final dystopian masterpiece (New Statesman). April, 1947. In a run-down farmhouse on a remote Scottish island, George Orwell begins his last and greatest work, Nineteen Eighty-Four. Forty-three years old and suffering from the tuberculosis that within three winters will take his life, Orwell comes to see the book as his legacy—the culmination of a career spent fighting to preserve the freedoms which the wars and upheavals of the twentieth century have threatened. Completing the book is an urgent challenge, a race against death. In this masterful novel, Dennis Glover explores the creation of Orwell’s classic work which defined the twentieth century for millions of readers worldwide—and has continued to prove its unnerving relevance in the twenty-first. Simultaneously a captivating drama, a unique literary excavation, and an unflinching portrait of a writer, The Last Man in Europe will change the way we understand both our enduringly Orwellian times and Orwell’s timeless masterpiece.
| Author | : Robin Bunce |
| Publisher | : Open Court Publishing |
| Total Pages | : 243 |
| Release | : 2019-08-20 |
| Genre | : Philosophy |
| ISBN | : 0812694759 |
Blade Runner 2049 is a 2017 sequel to the 1982 movie Blade Runner, about a world in which some human-looking replicants have become dangerous, so that other human-looking replicants, as well as humans, have the job of hunting down the dangerous models and “retiring” (destroying) them. Both films have been widely hailed as among the greatest science-fiction movies of all time, and Ridley Scott, director of the original Blade Runner, has announced that there will be a third Blade Runner movie. Blade Runner 2049 and Philosophy is a collection of entertaining articles on both Blade Runner movies (and on the spin-off short films and Blade Runner novels) by twenty philosophers representing diverse backgrounds and philosophical perspectives. Among the issues addressed in the book: What does Blade Runner 2049 tell us about the interactions of state power and corporate power? Can machines ever become truly conscious, or will they always lack some essential human qualities? The most popular theory of personhood says that a person is defined by their memories, so what happens when memories can be manufactured and inserted at will? We already interact with non-human decision-makers via the Internet. When embodied AI becomes reality, how can we know what is human and what is simulation? Does it matter? Do AI-endowed human-looking replicants have civil and political rights, or can they be destroyed whenever “real” humans decide they are inconvenient? The blade runner Deckard (Harrison Ford) appears in both movies, and is generally assumed to be human, but some claim he may be a replicant. What’s the evidence on both sides? Is Niander Wallace (the-mad-scientist-cum-evil-corporate-CEO in Blade Runner 2049) himself a replicant? What motivates him? What are the impacts of decision-making AI entities on the world of business? Both Blade Runner and Blade Runner 2049 have been praised for their hauntingly beautiful depictions of a bleak future, but the two futures are very different (and the 2019 future imagined in the original Blade Runner is considerably different from the actual world of 2019). How have our expectations and visions of the future changed between the two movies? The “dream maker” character Ana Stelline in Blade Runner 2049 has a small but pivotal role. What are the implications of a person whose dedicated mission and task is to invent and install false memories? What are the social and psychological implications of human-AI sexual relations?
| Author | : Sebastien Lefait |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 253 |
| Release | : 2013 |
| Genre | : Performing Arts |
| ISBN | : 0810885905 |
The theme of surveillance has become an increasingly common element in movies and television shows, perhaps as a response to the sense that the world is now virtually under watch. But the recent surge of this filmic device calls for an explanation that transcends the basic assumption that media illustrates the changes of society. The persistent and growing presence of surveillance in cinematic productions is not merely a reflection of the advent of surveillance societies, but rather an aesthetic adaptation to the evolution of watching patterns. In Surveillance on Screen: Monitoring Contemporary Films and Television Programs, S bastien Lefait examines this ever-increasing phenomenon. Drawing on the rapidly developing field of surveillance studies, Lefait offers an in-depth analysis of television shows and films, which complement current theoretical approaches to those subjects. This unique combination of surveillance theories with the latest concepts of film, television, and Internet studies is based on a large and diversified range of popular series and films, including the shows 24, Lost, and Survivor as well as such films as Minority Report, Paranormal Activity, The Truman Show, and the on-screen version of George Orwell's Nineteen Eighty-Four. Written from a perspective that does not limit itself to a "reflection-of-society" approach, this book explores both how cinema shapes our experience of surveillance and how surveillance influences our viewing of cinema. Lefait follows the various identifiable stages in cinema's experimental use of surveillance, studying the impact of technology on both the watcher and the watched. In addition to film and media studies, this book will be of interest to those engaged in information technology, sociology, and, of course, surveillance studies.
| Author | : Daniel J. Leab |
| Publisher | : Penn State Press |
| Total Pages | : 230 |
| Release | : 2008-05-28 |
| Genre | : Performing Arts |
| ISBN | : 0271045140 |
| Author | : Dorian Lynskey |
| Publisher | : Anchor |
| Total Pages | : 386 |
| Release | : 2019-06-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 0385544065 |
"Rich and compelling. . .Lynskey’s account of the reach of 1984 is revelatory.” --George Packer, The Atlantic An authoritative, wide-ranging, and incredibly timely history of 1984--its literary sources, its composition by Orwell, its deep and lasting effect on the Cold War, and its vast influence throughout world culture at every level, from high to pop. 1984 isn't just a novel; it's a key to understanding the modern world. George Orwell's final work is a treasure chest of ideas and memes--Big Brother, the Thought Police, Doublethink, Newspeak, 2+2=5--that gain potency with every year. Particularly in 2016, when the election of Donald Trump made it a bestseller ("Ministry of Alternative Facts," anyone?). Its influence has morphed endlessly into novels (The Handmaid's Tale), films (Brazil), television shows (V for Vendetta), rock albums (Diamond Dogs), commercials (Apple), even reality TV (Big Brother). The Ministry of Truth is the first book that fully examines the epochal and cultural event that is 1984 in all its aspects: its roots in the utopian and dystopian literature that preceded it; the personal experiences in wartime Great Britain that Orwell drew on as he struggled to finish his masterpiece in his dying days; and the political and cultural phenomena that the novel ignited at once upon publication and that far from subsiding, have only grown over the decades. It explains how fiction history informs fiction and how fiction explains history.
| Author | : Alyssa Goldstein Sepinwall |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 337 |
| Release | : 2021-05-28 |
| Genre | : Social Science |
| ISBN | : 1496833120 |
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
| Author | : Neil Postman |
| Publisher | : Penguin |
| Total Pages | : 250 |
| Release | : 2005-12-27 |
| Genre | : Social Science |
| ISBN | : 9780143036531 |
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World
