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| Author | : Sara J. Brenneis |
| Publisher | : Purdue University Press |
| Total Pages | : 252 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 1557536783 |
" Genre Fusion demonstrates how Spanish authors accurately represent the lived experience of Spain's history and collective memory by overlapping the genres of fiction and historiography."
| Author | : William Forde Thompson |
| Publisher | : SAGE Publications |
| Total Pages | : 2364 |
| Release | : 2014-07-18 |
| Genre | : Reference |
| ISBN | : 1483365581 |
This definitive reference resource examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader′s Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections. Key Themes: Aesthetics and Emotion Business and Technology Communities and Society Culture and Environment Elements of Musical Examination Evolutionary Psychology Media and Communication Musicianship and Expertise Neuroscience Perception, Memory, Cognition Politics, Economics, Law Therapy, Health, Wellbeing
| Author | : Kathleen M. Wheeler |
| Publisher | : CUP Archive |
| Total Pages | : 276 |
| Release | : 1984-09-13 |
| Genre | : Business & Economics |
| ISBN | : 9780521280877 |
An overview of the immensely rich literary criticism of the late eighteenth century and early nineteenth century in Germany
| Author | : Leo W. Jeffres |
| Publisher | : Taylor & Francis |
| Total Pages | : 214 |
| Release | : 2022-12-05 |
| Genre | : Social Science |
| ISBN | : 1000771326 |
This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses. Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance. They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment. The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization, and variety seeking, and a new stage of genre development, genre bending. It is an ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres.
| Author | : Fabian Holt |
| Publisher | : University of Chicago Press |
| Total Pages | : 238 |
| Release | : 2007-10 |
| Genre | : Music |
| ISBN | : 0226350398 |
Publisher description
| Author | : Art Silverblatt |
| Publisher | : M.E. Sharpe |
| Total Pages | : 278 |
| Release | : 2015-05-18 |
| Genre | : Political Science |
| ISBN | : 9780765628244 |
The study of various types of programming is essential for critical analysis of the media and also offers revealing perspectives on society's cultural values, preoccupations, behavior, and myths. This handbook provides a systematic, in-depth approach to the study of media genres - including reality programs, game shows, situation comedies, soap operas, film noir, news programs, and more. The author addresses such questions as: Have there been shifts in the formula of particular genres over time? What do these shifts reveal about changes in culture? How and why do new genres - such as reality TV shows - appear? Are there differences in genres from one country to another? Combining theoretical approaches with concrete examples, the book reinforces one's understanding of the importance of genre to the creation, evolution, and consumption of media content. Each chapter in this reader-friendly book contains a detailed discussion of one of the theoretical approaches to genre studies, followed by Lines of Inquiry, which summarizes the major points of the discussion and suggests directions for analysis and further study. Each chapter also includes an example that illustrates how the particular theoretical approach can be applied in the analysis of genre. The author's careful linkage of different genres to the real world makes the book widely useful for those interested in genre study as well as media and culture, television studies, film studies, and media literacy.
| Author | : Matthew Gelbart |
| Publisher | : Oxford University Press |
| Total Pages | : 553 |
| Release | : 2022-09-30 |
| Genre | : History |
| ISBN | : 0190646926 |
European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.
| Author | : Janet Giltrow |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 311 |
| Release | : 2009 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027254338 |
This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this volume meet on common ground staked by Internet communication: an arena challenging to traditional ideas of genre which assume a conventional stability at odds with the unceasing innovations of online discourse. Drawing on and developing new ideas of genre, the research reported in this volume shows, on the contrary, that genre study is a powerful means of testing commonplaces about the Internet world and, in turn, that the Internet is a fertile field for theorising genre.
| Author | : David Fishelov |
| Publisher | : Penn State Press |
| Total Pages | : 189 |
| Release | : 2010-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 0271038810 |
