Gendering The Renaissance
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Author | : Anna Becker |
Publisher | : Cambridge University Press |
Total Pages | : 283 |
Release | : 2020-01-02 |
Genre | : History |
ISBN | : 110848705X |
The civic and the domestic in Aristotelian thought -- Friendship, concord, and Machiavellian subversion -- Jean Bodin and the politics of the family -- Inclusions and exclusions -- Sovereign men and subjugated women. The invention of a tradition -- Conclusion : from wives to children, from husbands to fathers.
Author | : Anna K. Becker |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2019-10-31 |
Genre | : Political Science |
ISBN | : 1108771181 |
This pioneering and innovative study challenges modern assumptions of what constitutes the political and the public in Renaissance thought. Offering gendered readings of a wide array of fifteenth- and sixteenth-century political thinkers, with a particular focus on the two prime thinkers of the early modern state, Niccolò Machiavelli and Jean Bodin, Anna K. Becker reconstructs a neglected but important classical tradition in political thought. Exploring how 'the political' was incorporated into a wide array of 'private' or 'apolitical' topics by early modern thinkers, Becker demonstrates how both republican and absolutist thinkers - the two poles which organise early modern political thought - relied on gendered justifications. In doing so, she reveals how the foundations of the modern state were significantly shaped by gendered concerns.
Author | : Meredith K. Ray |
Publisher | : Rutgers University Press |
Total Pages | : 211 |
Release | : 2023-04-14 |
Genre | : Literary Criticism |
ISBN | : 1644533065 |
The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives, what has remained marginal in the texts and contexts of early modern Italy and why. The contributors, suggesting new ways of interrogating gendered discourses of genre, identities, and sanctity, offer a complex picture of gender in early modern Italian literature and culture. Read in dialogue with one another, their pieces provide a fascinating survey of currents in gender studies and early modern Italian studies and point to exciting future directions in these fields.
Author | : Marilyn Migiel |
Publisher | : Cornell University Press |
Total Pages | : 302 |
Release | : 1991 |
Genre | : History |
ISBN | : 9780801497711 |
Refiguring Woman reassesses the significance of gender in what has been considered the bastion of gender-neutral humanist thought, the Italian Renaissance. It brings together eleven new essays that investigate key topics concerning the hermeneutics and political economy of gender and the relationship between gender and the Renaissance canon. Taken together, they call into question a host of assumptions about the period, revealing the implicit and explicit misogyny underlying many Renaissance social and discursive practices.
Author | : Clare McManus |
Publisher | : Manchester University Press |
Total Pages | : 292 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780719062506 |
Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.
Author | : Judith C. Brown |
Publisher | : Routledge |
Total Pages | : 368 |
Release | : 2014-09-25 |
Genre | : History |
ISBN | : 1317886577 |
This major new collection of essays by leading scholars of Renaissance Italy transforms many of our existing notions about Renaissance politics, economy, social life, religion, medicine, and art. All the essays are founded on original archival research and examine questions within a wide chronological and geographical framework - in fact the pan-Italian scope of the volume is one of the volume's many attractions.Gender and Society in Renaissance Italy provides a broad, comprehensive perspective on the central role that gender concepts played in Italian Renaissance society.
Author | : Barbara H. Gold |
Publisher | : SUNY Press |
Total Pages | : 348 |
Release | : 1997-03-13 |
Genre | : Literary Criticism |
ISBN | : 9780791432464 |
Examines interrelated topics in Medieval and Renaissance Latin literature: the status of women as writers, the status of women as rhetorical figures, and the status of women in society from the fifth to the early seventeenth century.
Author | : Margaret L. King |
Publisher | : University of Chicago Press |
Total Pages | : 351 |
Release | : 2008-04-10 |
Genre | : Social Science |
ISBN | : 0226436160 |
In this informative and lively volume, Margaret L. King synthesizes a large body of literature on the condition of western European women in the Renaissance centuries (1350-1650), crafting a much-needed and unified overview of women's experience in Renaissance society. Utilizing the perspectives of social, church, and intellectual history, King looks at women of all classes, in both usual and unusual settings. She first describes the familial roles filled by most women of the day—as mothers, daughters, wives, widows, and workers. She turns then to that significant fraction of women in, and acted upon, by the church: nuns, uncloistered holy women, saints, heretics, reformers,and witches, devoting special attention to the social and economic independence monastic life afforded them. The lives of exceptional women, those warriors, queens, patronesses, scholars, and visionaries who found some other place in society for their energies and strivings, are explored, with consideration given to the works and writings of those first protesting female subordination: the French Christine de Pizan, the Italian Modesta da Pozzo, the English Mary Astell. Of interest to students of European history and women's studies, King's volume will also appeal to general readers seeking an informative, engaging entrance into the Renaissance period.
Author | : Paola Tinagli |
Publisher | : Manchester University Press |
Total Pages | : 226 |
Release | : 1997-06-15 |
Genre | : Art |
ISBN | : 9780719040542 |
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Author | : Juliana Schiesari |
Publisher | : Cornell University Press |
Total Pages | : 297 |
Release | : 2018-08-06 |
Genre | : Literary Criticism |
ISBN | : 1501718371 |
The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature. The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature. Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed. The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history.