Gender And Werewolf Cinema
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| Author | : Jason Barr |
| Publisher | : McFarland |
| Total Pages | : 177 |
| Release | : 2020-05-07 |
| Genre | : Performing Arts |
| ISBN | : 1476666385 |
It all begins with a howl, the unsettling sound which tells audiences that someone will soon become a werewolf. But the changes that occur during that transformation aren't just physical; they are psychological as well. Unremarkable men become domineering leaders. Innocuous men become violent and overtly sexual. In films from The Wolf Man and An American Werewolf in London to Ginger Snaps, when the protagonists become werewolves, their perceptions of their gender and their masculinity or femininity change dramatically. This volume explores how werewolves in cinema have provided an avenue for frank and often enlightening conversations about gender roles and masculinity. Werewolves are indeed a harbinger of change, but the genre of werewolf cinema itself has changed over time in how different styles of masculinity and different gender identities are portrayed.
| Author | : Jason Barr |
| Publisher | : McFarland |
| Total Pages | : 177 |
| Release | : 2020-04-24 |
| Genre | : Performing Arts |
| ISBN | : 1476639906 |
It all begins with a howl, the unsettling sound which tells audiences that someone will soon become a werewolf. But the changes that occur during that transformation aren't just physical; they are psychological as well. Unremarkable men become domineering leaders. Innocuous men become violent and overtly sexual. In films from The Wolf Man and An American Werewolf in London to Ginger Snaps, when the protagonists become werewolves, their perceptions of their gender and their masculinity or femininity change dramatically. This volume explores how werewolves in cinema have provided an avenue for frank and often enlightening conversations about gender roles and masculinity. Werewolves are indeed a harbinger of change, but the genre of werewolf cinema itself has changed over time in how different styles of masculinity and different gender identities are portrayed.
| Author | : Craig Ian Mann |
| Publisher | : Edinburgh University Press |
| Total Pages | : 331 |
| Release | : 2020-09-21 |
| Genre | : Performing Arts |
| ISBN | : 1474441149 |
Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural momentIdentifies the cinematic werewolf's most common metaphorical dimensionsHorror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.
| Author | : Samantha Holland |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 272 |
| Release | : 2019-03-13 |
| Genre | : Social Science |
| ISBN | : 1787698971 |
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
| Author | : Hannah Priest |
| Publisher | : Manchester University Press |
| Total Pages | : 237 |
| Release | : 2018-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 071909819X |
She-wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. The book includes contributors from various disciplines, and offers a cross-period, interdisciplinary exploration of a perennially popular cultural production. The book covers material from the Middle Ages to the present day with chapters on folklore, history, witch trials, Victorian literature, young adult literature, film and gaming. Considering issues such as religious and social contexts, colonialism, constructions of racial and gendered identities, corporeality and subjectivity – as well as female body hair, sexuality and violence – She-wolf reveals the varied ways in which the female werewolf is a manifestation of complex cultural anxieties, as well as a site of continued fascination.
| Author | : R. Howard Bloch |
| Publisher | : Univ of California Press |
| Total Pages | : 230 |
| Release | : 2023-04-28 |
| Genre | : Literary Criticism |
| ISBN | : 0520327306 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
| Author | : L. Ramey |
| Publisher | : Springer |
| Total Pages | : 228 |
| Release | : 2007-02-19 |
| Genre | : History |
| ISBN | : 0230603564 |
The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normally be considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to explore modern preoccupations with human identity.
| Author | : Samantha Holland |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 295 |
| Release | : 2019-03-13 |
| Genre | : Social Science |
| ISBN | : 1787698998 |
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
| Author | : Carol J. Clover |
| Publisher | : Princeton University Press |
| Total Pages | : 276 |
| Release | : 2015-05-26 |
| Genre | : Performing Arts |
| ISBN | : 0691166293 |
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
| Author | : David Martin-Jones |
| Publisher | : Edinburgh University Press |
| Total Pages | : 266 |
| Release | : 2010-08-18 |
| Genre | : Social Science |
| ISBN | : 0748686541 |
Scotland: Global Cinema focuses on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world who braved the weather to shoot in Scotla
