Gauguin Polynesia
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Author | : Paul Gauguin |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art, French |
ISBN | : 9783777442617 |
"The evolution of this fascinating encounter between European and Polynesian culture also focuses on the larger development of art in the Pacific in the era following its first European contact. Twelve insightful and original essays about Paul Gauguin and Polynesia, written by eminent scholars in the field of art history and ethnology, present the development of Polynesian art before and after Gauguin's stay in Polynesia at the end of the 19th century. The book presents over 60 works by Paul Gauguin, fully revealing the extent of the influence of Polynesian art and culture on his work, while also highlighting more than 60 works from the Pacific that exemplify the dynamic exchanges of Pacific Island peoples with Europeans throughout the 19th century."--Publisher's website.
Author | : Nicholas Thomas |
Publisher | : Bloomsbury Publishing |
Total Pages | : 463 |
Release | : 2024-02-01 |
Genre | : Art |
ISBN | : 1801105251 |
Paul Gauguin is commonly regarded as one of the greatest modern artists. He is renowned for resplendent, mythic imagery from Oceania, for a life of restless travel and for his supposed immersion in Polynesian life. But he has long been regarded ambivalently, and in recent years both Gauguin's sexual behaviour, and his paintings, have been considered exploitative. Gauguin and Polynesia offers a fresh view on the artist, not from the perspective of European art history, but from the contemporary vantage point of the region – Oceania – which he so famously moved to. Gauguin's art is revealed, for the first time, to be richer and more eclectic than has been recognised. The artist indeed did invent enigmatic and symbolic images, but he also depicted Polynesia's colonial modernity, acknowledging the life of the time and the dignity and power of some of the Islanders he encountered. Gauguin and Polynesia neither celebrates nor condemns an extraordinary painter, who at times denounced and at other times affirmed the French empire that shaped his own life and the places he moved between. It is a revelation, of a formative artist of modern life, and of multicultural worlds in the making.
Author | : Paul Gauguin |
Publisher | : |
Total Pages | : 184 |
Release | : 1920 |
Genre | : Polynesia |
ISBN | : |
Author | : Paul Gauguin |
Publisher | : Hatje Cantz |
Total Pages | : 202 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
This book's extensive text and accompanying photos reveal the ethnographic sources of Gaugin's fascination with the iconography of his native Tahitian tongue. Color/bandw illustrations.
Author | : George T. M. Shackelford |
Publisher | : |
Total Pages | : 384 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
"Published in conjunction with the exhibition 'Gauguin Tahiti,' organized by the Râeunion des Musâees Nationaux, the Musâee d'Orsay, Paris, and the Museum of Fine Arts, Boston."--T.p. vers
Author | : Linda Goddard |
Publisher | : Yale University Press |
Total Pages | : 210 |
Release | : 2019-09-03 |
Genre | : Art |
ISBN | : 0300240597 |
"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.
Author | : Jehanne Teilhet-Fisk |
Publisher | : |
Total Pages | : 328 |
Release | : 1983 |
Genre | : Art |
ISBN | : |
Author | : Ingo F. Walther |
Publisher | : Taschen |
Total Pages | : 104 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9783822859865 |
A Frenchman in Tahiti After starting a career as a bank broker, Paul Gauguin (born 1848) turned to painting only at age twenty-five. After initial successes within the Impressionist circle, he broke with Vincent van Gogh and subsequently, when private difficulties caused him to become restless, embarked on a peripatetic life, wandering first through Europe and finally, in the search for pristine originality and unadulterated nature, to Tahiti. The paintings created from this time to his death in 1903 brought him posthumous fame. In pictures devoid of any attempt at romantically disguising the life style of the primitive island peoples, Gauguin was able to convey the magical effect that both the landscapes and life of the natives--their body language, charm and beauty--had on him. Wearying of his reputation as a South Sea painter, Gauguin finally determined to return to France, but died of syphilis on the Marquis Islands before his departure. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Author | : |
Publisher | : |
Total Pages | : 429 |
Release | : 1977 |
Genre | : Dissertations |
ISBN | : |
Author | : Stephen Eisenman |
Publisher | : Thames & Hudson |
Total Pages | : 232 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9780500017661 |
An exploration of contemporary Tahitians and a long-dead French painter, sex today and sex in the late 19th century, and colonialism new and old. Written on the boundary between art history and anthropology, it reads like a biography and a mystery.