Gascoignes Princely Pleasures With The Masque
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The Imprint of Gender
Author | : Wendy Wall |
Publisher | : Cornell University Press |
Total Pages | : 396 |
Release | : 1993 |
Genre | : History |
ISBN | : 9780801480478 |
What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.
Gascoigne's Princely Pleasures With the Masque, Intended to Have Been Presented Before Queen Elizabeth, at Kenilworth Castle in 1575
Author | : George Gascoigne |
Publisher | : |
Total Pages | : 148 |
Release | : 2017-07-13 |
Genre | : Biography & Autobiography |
ISBN | : 9780259821274 |
Excerpt from Gascoigne's Princely Pleasures With the Masque, Intended to Have Been Presented Before Queen Elizabeth, at Kenilworth Castle in 1575: With an Introductory Memoir and NotesThe incompleteness of Laneham, And these being thus collected, says he, I have for th commodity, gentle reader, now published, the rather use of a report thereof lately imprinted the name of the Pan times ofthe Progress; which in ccd doth nothing touch the particularity of every commendable action, but gene rally rehearseth her Majesty's cheerful entertainment in.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.