Galleria Darte Ferrari
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Web Gallery of Art: Ferrari, Gregorio de
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Features a picture and description of the painting "Summer," by Italian painter of the Genoese school Gregorio de Ferrari (1647-1726), presented as part of the Web Gallery of Art site of Emil Kren and Daniel Marx.
Genoa
Author | : Carmen Bambach |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 98 |
Release | : 1996 |
Genre | : Drawing |
ISBN | : 0870997726 |
This publication is a study of technically masterful, even boldly experimental, graphic art that illustrates Genoa's growth by the seventeenth century into an important regional art school. -- Metropolitan Museum of Art website.
Sironi
Author | : Mario Sironi |
Publisher | : |
Total Pages | : 180 |
Release | : 2002 |
Genre | : Art |
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"The paintings reproduced here, meticulously and systematically chosen by Claudia Gian Ferrari, represent, with the exception of the futurist period, his entire artistic career; from his extraordinary urban landscapes to his monumental figures of the late twenties, form his compositions of the thirties, born at the same time as his great wall painting project, up to the explosions of elaborate multiple compositions of the forties and fifties."--BOOK JACKET.
Tangled Alphabets
Author | : León Ferrari |
Publisher | : The Museum of Modern Art |
Total Pages | : 208 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780870707506 |
This exhibition presents new insights into these artists' visual deconstructions of language and examines the connections and collisions among visual art, the word and the social world.
Mark Dion
Author | : Ruth Erickson |
Publisher | : Yale University Press |
Total Pages | : 217 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 0300224079 |
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist's pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions offer novel approaches to questioning institutional power, which he sees as connected to the control and representation of nature. Generously illustrated, this publication introduces new insights and features more than seventy-five artworks. Essays address topics ranging from Dion's ecological activism to his loving critique of museums. A diverse group of contributors explores his work as a teacher, his public artworks such as Neukom Vivarium in Seattle, and his intricate curiosity cabinets installed throughout the world. They reveal how Dion's practice and formal investigations--which are rooted in history--connect to contemporary questions of disciplinary boundaries and the acquisition of knowledge in the age of the Anthropocene.