Gabriel Okara

Gabriel Okara
Author: Gabriel Okara
Publisher: U of Nebraska Press
Total Pages: 168
Release: 2016-04
Genre: Poetry
ISBN: 0803288689

Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman’s Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet’s earliest lyric verse along with poems written in response to Nigeria’s war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara’s work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa’s most revered poets.

The Voice

The Voice
Author: Gabriel Okara
Publisher:
Total Pages: 0
Release: 1970
Genre: African fiction
ISBN:

Gabriel Okara

Gabriel Okara
Author: Gabriel Okara
Publisher: U of Nebraska Press
Total Pages: 197
Release: 2016-04
Genre: Poetry
ISBN: 0803288662

Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman's Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet's earliest lyric verse along with poems written in response to Nigeria's war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara's work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa's most revered poets.

Open Secrets

Open Secrets
Author: Alice Munro
Publisher: Vintage
Total Pages: 305
Release: 2011-12-21
Genre: Fiction
ISBN: 0307814610

Eight stunning stories from Nobel Prize–winning author Alice Munro, “a true master of the form” (Salman Rushdie). “Open Secrets is a book that dazzles with its faith in language and in life.”—The New York Times Book Review In these eight tales, Alice Munro reveals entire lives with a sureness that is nothing less than breathtaking, capturing those moments in which people shrug off old truths, old selves, and what they only thought was fate. In Open Secrets, Munro evokes the devastating power of old love suddenly rekindled. She tells of vanished schoolgirls and indentured frontier brides and an eccentric recluse who, in the course of one surpassingly odd dinner party, inadvertently lands herself a wealthy suitor from exotic Australia. And Munro shows us how one woman’s romantic tale of capture and escape in the high Balkans may end up inspiring another woman who is fleeing a husband and a lover in present-day Canada. The resulting volume resonates with sorrow, humor, and wisdom, and confirms Alice Munro’s reputation as one of the most gifted writers of our time.

Long Drums & Cannons

Long Drums & Cannons
Author: Margaret Laurence
Publisher: University of Alberta
Total Pages: 340
Release: 2001
Genre: Literary Criticism
ISBN: 9780888643322

Up-to-date biographies with a list of works for each of the writers, detailed annotations to the original text and a glossary complete this edition."--BOOK JACKET.

Postcolonial African Writers

Postcolonial African Writers
Author: Siga Fatima Jagne
Publisher: Routledge
Total Pages: 560
Release: 2012-11-12
Genre: Literary Criticism
ISBN: 1136593977

This reference book surveys the richness of postcolonial African literature. The volume begins with an introductory essay on postcolonial criticism and African writing, then presents alphabetically arranged profiles of some 60 writers, including Chinua Achebe, Nadine Gordimer, Bessie Head, Doris Lessing, Tsitsi Dangarembga, Tahbar Ben Jelloun, among others. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the critical response to the author's work, and a bibliography of primary and secondary sources. These profiles are written by expert contributors and reflect many different perspectives. The volume concludes with a selected general bibliography of the most important critical works on postcolonial African literature.

Little Snake and Little Frog

Little Snake and Little Frog
Author: Gabriel Okara
Publisher: Heinemann Educational Books
Total Pages: 16
Release: 1992
Genre: Juvenile Fiction
ISBN: 9789781299056

Tells children a story about friendship. The locale is Nama-ama, the town where all of the animals lived.

Bending the Bow

Bending the Bow
Author: Frank M Chipasula
Publisher: SIU Press
Total Pages: 296
Release: 2009-08-05
Genre: Poetry
ISBN: 0809386380

From the ancient Egyptian inventors of the love lyric to contemporary poets, Bending the Bow: An Anthology of African Love Poetry gathers together both written and sung love poetry from Africa. This anthology is a work of literary archaeology that lays bare a genre of African poetry that has been overshadowed by political poetry. Frank Chipasula has assembled a historically and geographically comprehensive wealth of African love poetry that spans more than three thousand years. By collecting a continent’s celebrations and explorations of the nature of love, he expands African literature into the sublime territory of the heart. Bending the Bow traces the development of African love poetry from antiquity to modernity while establishing a cross-millennial dialogue. The anonymously written love poems fromPharaonic Egypt that open the anthology both predate Biblical love poetry and reveal the longevity of written love poetry in Africa. The middle section is devoted to sung love poetry from all regions of the continent. These great works serve as the foundation for modern poetry and testify to love poetry’s omnipresence in Africa. The final section, showcasing forty-eight modern African poets, celebrates the genre’s continuing vitality. Among those represented are Muyaka bin Hajji and Shaaban Robert,two major Swahili poets; Gabriel Okara, the innovative though underrated Nigerian poet; Léopold Sédar Senghor, the first president of Senegal and a founder of the Negritude Movement in francophone African literature; Rashidah Ismaili from Benin; Flavien Ranaivo from Madagascar; and Gabeba Baderoon from South Africa. Ranging from the subtly suggestive to the openly erotic, this collection highlights love’s endurance in a world too often riven by contention. Bending the Bow bears testimony to poetry’s role as conciliator while opening up a new area of study for scholars and students.

The Cinematic Griot

The Cinematic Griot
Author: Paul Stoller
Publisher: University of Chicago Press
Total Pages: 280
Release: 1992-06-15
Genre: Performing Arts
ISBN: 9780226775463

The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.