Further Studies In Romanesque Sculpture
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Author | : George Zarnecki |
Publisher | : |
Total Pages | : 522 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
This collection contains 22 of George Zarnecki's studies, produced within the last 12 years, which provide a guide to recent research on English Romanesque sculpture. The articles include discussions of the links between English and Norman sculpture, iconographical problems, Romanesque sculpture in England, Norman art in Britain, English art around 1180 and a consideration of the Eadwine psalter and the patronage of Henry of Blois.
Author | : George Zarnecki |
Publisher | : Pindar Press |
Total Pages | : 460 |
Release | : 1979 |
Genre | : Art |
ISBN | : |
Professor Zarnecki is the leading authority on English medieval sculpture. The present volume has assembled his major articles on Romanesque art published before 1979. These studies are primarily concerned with the changes that took place in English sculpture during the eleventh and twelfth centuries, and attempt to set developments in English art over this period within a European context. The volume also deals with Romanesque sculpture in France and Italy, together with metalwork and woodcarving in England, and includes a number of important iconographical studies. The author has up-dated his earlier studies to incorporate the results of subsequent research, and has augmented several studies with added bibliographical notes or references to more recent discoveries. Additional illustrations have been added where necessary, including photographs of a number of monuments which were previously unpublished.
Author | : Neil Stratford |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : Sculpture, French |
ISBN | : |
Author | : Meyer Schapiro |
Publisher | : New York : G. Braziller |
Total Pages | : 464 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
"This long-awaited volume, which includes much valuable material on Romanesque Art that has been unavailable for many years, will be of interest not only to students of the history of art or of medieval history and culture in general, but also to all readers concerned with the broadest problems of aesthetics, the history of ideas, and the sociology of art and religion. The first in a four-volume series of Meyer Schapiro's Selected Papers (future volumes will range from Modern Art to Early Christian and Byzantine art forms and will include papers on the Theory and Philosophy of Art), this publication embodies a number of Professor Schapiro's seminal studies of Romanesque sculptures, together with articles on manuscript art linked to those sculptures. Of particular relevance is the richly illustrated study of the sculptures of the cloister and portal in the French abbey of Moissac, which was one of the first approaches to those master works from an artistic point of view. This classic analysis is complemented by a consideration of Mozarabic and Romanesque styles in manuscript paintings and some sculptures from the Castilian abbey of Silos - a study of artistic innovation as an historical process in the context of changes in religious, social, and political life. Still another chapter treats the aesthetic response of individuals during the eleventh and twelfth centuries to Romanesque Art through a series of translated texts of that period which have an extraordinarily modern flavor. These papers are wide-ranging studies of many aspects of Romanesque Art: the forms, the expressive character, the content, the social roots, the historical moment and situation - all investigated in a searching but also imaginative way. Artistic structures are approached with the same objectivity as the documents and the archaeological data. With that graceful scholarship for which he is justly honored and admired, the author applies evidence from literature, religious texts, folklore, social and political history, epigraphy, and paleography in reconstructing and interpreting the contents of the works of art." --
Author | : Millard Fillmore Hearn |
Publisher | : Cornell University Press |
Total Pages | : 244 |
Release | : 1985 |
Genre | : Architecture |
ISBN | : 9780801493041 |
Author | : Conrad Rudolph |
Publisher | : John Wiley & Sons |
Total Pages | : 1040 |
Release | : 2019-05-07 |
Genre | : Art |
ISBN | : 1119077729 |
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author | : Flavio Conti |
Publisher | : Routledge |
Total Pages | : 169 |
Release | : 2014-09-19 |
Genre | : Social Science |
ISBN | : 113594878X |
Understanding Art is a two-volume, fully illustrated work that strives to explain and discuss four important periods in the history of western art--the Romanesque, Gothic, Renaissance, and Baroque. It aims to create a sense of understanding, recognition, and appreciation of art by analysing, within the four periods, three distinct artistic genres: painting; sculpture; and architecture. Besides the excellence of the illustrations, one of the great virtues of this book is its clear and concise explanations. It is truly an excellent first stop for anyone embarking on a serious study of art--or anyone wishing to refresh his or her memory of the facts about the art history of the western world.
Author | : John McNeill |
Publisher | : Taylor & Francis |
Total Pages | : 631 |
Release | : 2024-11-01 |
Genre | : Social Science |
ISBN | : 1040279457 |
The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.
Author | : Susan Marcus |
Publisher | : FriesenPress |
Total Pages | : 309 |
Release | : 2014-05-21 |
Genre | : Architecture |
ISBN | : 1460234979 |
Architectural sculpture, virtually abandoned for five hundred years following the demise of the Roman Empire, was revivified on the portals of Romanesque churches in eleventh and twelfth-century France and Spain. Long overdue is a reappraisal of those images whose aesthetic of rendering the invisible visible establish them as valuable witnesses to the culture of Europe in the Middle Ages. Countless losses, mutilation through wilful destruction, centuries of accumulated grime, and a dearth of studies in English have impeded the deserved realization and appreciation of these magnificent works of art. Through illustration and illuminative interpretation, Romanesque Sculpture An Ecstatic Art fills the void by tracing the beginnings, maturation, and efflorescence of monumental sculptured facades in the short-lived Romanesque era. Depictions on them are mirrors of the age: sophisticated theological messages, monastic life, the cult of relics, pilgrimages, crusades and politics. The survey considers too the sculptors, mostly anonymous, who in adapting models from several media - both antique and current - created a unique visual vocabulary. The beauty of the sculptures comes to the fore. The stones live!
Author | : Neil Stratford |
Publisher | : |
Total Pages | : 344 |
Release | : 1998 |
Genre | : Sculpture, French |
ISBN | : |