Furious Observations Of A Blue Eyed Ojibway
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Author | : Drew Hayden Taylor |
Publisher | : Penticton, B.C. : Theytus Books, l998. |
Total Pages | : 156 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : |
Funny, You Don't Look Like One is the first book in what became a series of four by Drew Hayden Taylor. The articles, essays and columns in this volume cover many issues pertaining to Aboriginal life and often give a humorous take on each subject. Taylor describes his collection as "simply the ideas and observations of a Native person living in this country we call Canada--the good, the bad and the ugly."
Author | : Drew Hayden Taylor |
Publisher | : Penticton, B.C. : Theytus Books |
Total Pages | : 0 |
Release | : 2002 |
Genre | : Canadian wit and humor |
ISBN | : 9781894778039 |
Furious Observations of a Blue-Eyed Ojibway is the third volume of short stories and articles by playwright and author Drew Hayden Taylor. The books in this series of humorous and anecdotal observations are his bestsellers. This follow-up to Funny, You Don't Look Like One and Two will delight and enlighten readers with more real-life stories and perspectives on contemporary Aboriginal life.
Author | : Drew Hayden Taylor |
Publisher | : D & M Publishers |
Total Pages | : 181 |
Release | : 2016-10-08 |
Genre | : Fiction |
ISBN | : 177162132X |
A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective. The nine stories in this collection span all traditional topics of science fiction--from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space mission. Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.
Author | : Eva Gruber |
Publisher | : Camden House |
Total Pages | : 278 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 9781571132574 |
Encompassing view of humor in recent Native North American literature, with particular focus on Native self-image and identity. In contrast to the popular cliché of the "stoic Indian," humor has always been important in Native North American cultures. Recent Native literature testifies to the centrality of this tradition. Yet literary criticism has so farlargely neglected these humorous aspects, instead frequently choosing to concentrate on representations of trauma and cultural disruption, at the risk of reducing Native characters and Native cultures to the position of the tragicvictim. This first comprehensive study explores the use of humor in today's Native writing, focusing on a wide variety of texts spanning all genres. It combines concepts from cultural studies and humor studies with approaches byNative thinkers and critics, analyzing the possible effects of humorous forms of representation on the self-image and identity formation of Native individuals and Native cultures. Humor emerges as an indispensable tool for engaging with existing stereotypes: Native writers subvert degrading clichés of "the Indian" from within, reimagining Nativeness in a celebration of laughing survivors, "decolonizing" the minds of both Native and non-native readers, andcontributing to a renewal of Native cultural identity. This book will be of interest to scholars and students of Native Studies both literary and cultural. Due to its encompassing approach, it will also provide a point of entry for the wider readership interested in contemporary Native writing. Eva Gruber is Assistant Professor in the American Studies section of the Department of Literature at the University of Konstanz, Germany.
Author | : Drew Hayden Taylor |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Fiction |
ISBN | : 9780889225978 |
These stories challenge clichés of interracial and intercultural relations, all with the emotional empathy of a master storyteller.
Author | : Jo-Ann Episkenew |
Publisher | : Univ. of Manitoba Press |
Total Pages | : 353 |
Release | : 2009-05-01 |
Genre | : Social Science |
ISBN | : 0887559913 |
From the earliest settler policies to deal with the “Indian problem,” to contemporary government-run programs ostensibly designed to help Indigenous people, public policy has played a major role in creating the historical trauma that so greatly impacts the lives of Canada’s Aboriginal peoples. Taking Back Our Spirits traces the link between Canadian public policies, the injuries they have inflicted on Indigenous people, and Indigenous literature’s ability to heal individuals and communities. Episkenew examines contemporary autobiography, fiction, and drama to reveal how these texts respond to and critique public policy, and how literature functions as “medicine” to help cure the colonial contagion.
Author | : Mandy Suhr-Sytsma |
Publisher | : MSU Press |
Total Pages | : 311 |
Release | : 2018-11-01 |
Genre | : Literary Criticism |
ISBN | : 162895342X |
The first book of its kind, Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature reads Indigenous-authored YA—from school stories to speculative fiction— not only as a vital challenge to stereotypes but also as a rich intellectual resource for theorizing Indigenous sovereignty in the contemporary era. Building on scholarship from Indigenous studies, children’s literature, and cultural studies, Suhr-Sytsma delves deep in close readings of works by Sherman Alexie, Jeannette Armstrong, Joseph Bruchac, Drew Hayden Taylor, Susan Power, Cynthia Leitich Smith, and Melissa Tantaquidgeon Zobel. Together, Suhr-Sytsma contends, these works constitute a unique Indigenous YA genre. This genre radically revises typical YA conventions while offering a fresh portrayal of Indigenous self-determination and a fresh critique of multiculturalism, heteropatriarchy, and hybridity. This literature, moreover, imagines compelling alternative ways to navigate cultural dynamism, intersectionality, and alliance-formation. Self-Determined Stories invites readers from a range of contexts to engage with Indigenous YA and convincingly demonstrates the centrality of Indigenous stories, Indigenous knowledge, and Indigenous people to the flourishing of everyone in every place.
Author | : Drew Hayden Taylor |
Publisher | : McClelland & Stewart |
Total Pages | : 369 |
Release | : 2024-01-09 |
Genre | : Fiction |
ISBN | : 0771002890 |
A tragic plane crash that leaves two women stranded and fighting for their lives kicks off this sweeping and hilarious novel from award-winning writer Drew Hayden Taylor that blends thriller, murder mystery, and horror with humour and spectacle. Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book. What starts off as a series of subtle connections between isolated characters quickly takes a menacing turn, as it becomes increasingly clear that someone—or something—is hunting them all. Taking tropes from the murder mystery, police procedural, thriller, and horror genres, Drew Hayden Taylor weaves a pulse-pounding and propulsive narrative with an intricate cast of characters, while never losing the ability to make you laugh.
Author | : |
Publisher | : D & M Publishers |
Total Pages | : 202 |
Release | : 2012-01-06 |
Genre | : Humor |
ISBN | : 1926685725 |
Humor has always been an essential part of North American aboriginal culture. This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.
Author | : Wendy Gay Pearson |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 388 |
Release | : 2015-01-15 |
Genre | : Performing Arts |
ISBN | : 1554584256 |
From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity. The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway.