Fuck You 2016
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| Author | : Bob A. N. Grypants |
| Publisher | : Penguin UK |
| Total Pages | : 62 |
| Release | : 2016-12-06 |
| Genre | : Reference |
| ISBN | : 1405932228 |
In the year that David Bowie died, Brexit shocked us, 'Hiddleswift' was a thing and Trump trumped, we are all asking ourselves was 2016 really the worst year ever? Find out in this special* commemorative book**. Inside this cathartic memento of the annus shitabulus that was 2016 you'll find a hilarious guide to everything that went wrong and the few - very few - things that actually went right. For example: - How was it that politics completely jumped the shark this year? - From Bowie to Prince, Ali to Cohen, we celebrate the many extraordinary artists who died rather than see Trump become President (Did Castro make it into the book? Close, but no cigar) - Compare 2016 with other terrible years in history - is it really the very worst? - Make sense of Manbuns, Pokemon Go, Hygge, Nigel Farage and other nonsense - With the aid of an electron microscope we hunt for something good that actually happened - Feel relieved about all the bad things that didn't occur - yet (there's always 2017, folks!) Featuring some really badly drawn illustrations, this comic compendium will soothe your troubled soul - before you throw it in the bin and prepare your mightily hungover self to face 2017. It has to be better, right? * i.e. hastily put together ** Warning: this book will spontaneously combust at midnight on December 31st 2016
| Author | : Geneviève Castrée |
| Publisher | : Drawn and Quarterly |
| Total Pages | : 20 |
| Release | : 2018-06-26 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1770463216 |
| Author | : Cory The Author |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 28 |
| Release | : 2016-07-11 |
| Genre | : |
| ISBN | : 9781535163989 |
With austerity, cut backs, record lay-offs of workers around the world and the power seemingly all held by employers, it's time for you to fight back and regain control. Many workers take endless abuse from big business and have no recourse when it comes to losing their jobs. So they put up with the exploitation which is driven by corporate America and do nothing about it. But what if there was a solution? What if you held more of the power so that you could simply walk away from a job when it suited you, rather than feeling that you have no choice but to remain no matter how bad the situation? Fuck You Money gives you that option. Driven by the concept of keeping a large enough amount of cash stashed away in a bank account, shares or even under your mattress, which you can then use to live on when you need it, you will be able to say "fuck you!" to an asshole boss at the time of your choosing. Regain; Power Independence Self-respect Financial control Your life Your pride Fuck You Money is the answer you've been looking for. Download it today and never worry about money again.
| Author | : Matthew Gasteier |
| Publisher | : Villard |
| Total Pages | : 242 |
| Release | : 2009-08-25 |
| Genre | : Humor |
| ISBN | : 0345518160 |
Perfect for the Scrooge in your life—a profane, hilarious takedown of all things cute and cuddly, by the author of the blog sensation of (almost) the same name Attention, all you clumsy pandas, lovable puffins, huggable bunnies, and penguins that elicit ooohs and aaahs: The jig is up! We have lived under your furry fists for too long. There is a cute and present danger lurking out there–in the wild, in the zoos, and sometimes even in our very own homes. Spurred on by the Cute Industrial Complex, these cuddly animals have taken over blockbuster films, inspirational posters, and computer desktops everywhere, further weakening the innocent civilians who are beguiled by these fuzzy frauds. But you are stronger than them, aren’t you? Those soft bellies and wet noses are no match for you–and their free ride has just come to an end. F U, Penguin is the rallying cry for those who choose to fight these power-hungry cute-mongers. Loaded with color photographs and hilarious commentary, this book will have you laughing out loud while it simultaneously saves you from the tragic fate of tossing yarn with big-eyed kittens and bottle-nursing baby pandas forever. ___________________________ "Finally, a book for the rest of us! Most animals go about our business without playing to the audience like the elitists exposed in these chapters.I wasn't sure how many more times I could hear about those great penguins and pandas and kittens before I started eating people... well, more people, anyway."—Jerry the Shark "Penguins killed my parents, and they would not hesitate to kill me. I thank the Crustacean God for Matthew Gasteier, a true saint and a decent human being in a world filled with heartless penguin accomplices."—Dennis the Krill "It's all true. We're the worst."—Anonymous Penguin "The average dolphin is far beyond this level of vulgarity, but I could see how this would be a very enjoyable book for humans. I should remember to hand these out to some of my slower relatives at the common ancestor reunion."—Edward the Dolphin "Thank you for your submission. Unfortunately, this style of book is not something we are currently looking for. However, we wish you the best of luck with your human publishers!"—Danielle the Bear, Editor-in-Chief, Random Cave Publishing
| Author | : Josh Myers |
| Publisher | : |
| Total Pages | : 162 |
| Release | : 2016-03-23 |
| Genre | : Poetry |
| ISBN | : 9780996276801 |
A book of haiku written by the Champion of haiku. Fuck you.
| Author | : Ashley Lynn Carlson |
| Publisher | : McFarland |
| Total Pages | : 221 |
| Release | : 2018-04-04 |
| Genre | : Performing Arts |
| ISBN | : 1476632804 |
Women remain woefully underrepresented in science, technology, engineering and math (STEM). Negative stereotypes about women in these fields are pervasive, rooted in the debunked claim that women have less aptitude than men in science and math. While some TV series present portrayals that challenge this generalization, others reinforce troubling biases--sometimes even as writers and producers attempt to champion women in STEM. This collection of new essays examines numerous popular series, from children's programs to primetime shows, and discusses the ways in which these narratives inform cultural ideas about women in STEM.
| Author | : Małgorzata Kowalczyk |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2023-08-31 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1009346873 |
Based on a rich range of sources, this pioneering book provides a comprehensive description of informal borrowings in American English.
| Author | : Jesse Sheidlower |
| Publisher | : Oxford University Press |
| Total Pages | : 505 |
| Release | : 2024-11-04 |
| Genre | : Education |
| ISBN | : 0197763332 |
A masterfully updated edition of The F-Word which renders a comprehensive portrait of English's most notorious and colorful word. No word has generated more uses, more creative euphemisms, and more strong opinions than fuck. Jesse Sheidlower's historical dictionary, now in print for over 25 years, charts the uses of fuck and its many permutations, from absofuckinglutely to zipless fuck. It illustrates every sense of every entry with quotations, from the earliest that can be found to a recent example, showing exactly how the word has been used throughout history. This new edition is not just a minor update but a comprehensive revision of Sheidlower's groundbreaking text for the internet age. Major new discoveries push back the known history of fuck by almost two hundred years. Sheidlower also considers rapidly changing attitudes towards the use of fuck in public discourse. The volume includes over 1,000 new quotations; over 100 antedatings (earlier examples of existing entries, improving our understanding of the word's development); and many dozens of new entries, including high-profile recent uses such as AF 'as fuck', fuckboi, and the group of expressions of the sort to give no fucks or zero fucks given.
| Author | : Iben Have |
| Publisher | : Aarhus Universitetsforlag |
| Total Pages | : 300 |
| Release | : 2018-12-31 |
| Genre | : Performing Arts |
| ISBN | : 8771847103 |
In ten original essays, Danish music and media scholars discuss aspects of music on the radio from the 1920s until today. Understanding music radio as a distributed phenomenon or as a multiplicity, the authors draw upon anthropology, cultural studies and media studies along with sociological and historiographical theory. The intention is to further develop interdisciplinary approaches that may grasp the complex interrelations between radio as an institution and as practices on the one hand and music, musical practices, and musical life on the other. The essays' examples and cases are all related to the Danish Broadcasting Corporation (DR) and offer a music radio production perspective. They span the period from when broadcast music was only live to today where almost all of it is prerecorded and digitized. Some of the essays approach broad topics like early music radio's contributions to the regulation of national centres and peripheries, the debates on music radio as mechanical music, and the general changes in music repertoires and in the status of the institution's live ensembles. Music radio's roles as gatekeeper through automatic music programming are discussed in several articles as are the many ways music genres and radio formats interact. Some of the authors turn to detailed analyses at programme level in order to explain aspects of modern music radio and to suggest analytical models. The essays come with an introduction consisting of an extended overview of international music radio studies since the 1930s, and overview of the development of Danish music radio, and a theoretical preamble.
| Author | : Mehnaaz Momen |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 329 |
| Release | : 2018-12-11 |
| Genre | : Political Science |
| ISBN | : 1498592759 |
This book attempts to grasp the recent paradigm shift in American politics through the lens of satire. It connects changes in the political and cultural landscape to corresponding shifts in the structure and organization of the media, in order to shed light on the evolution of political satire on late-night television. Satire is situated in its historical background to comprehend its movement away from the fringes of discourse to the very center of politics and the media. Beginning in the 1990s, certain trends such as technological advances, media consolidation, and the globalization of communications reinforced each other, paving the way for satire to claim a prized spot in the visual media—a tendency that only gained strength after September 11. While the Bush presidency presented itself as an apposite target for satirists, their stronghold on American television was made possible by a number of transitions in broader culture, which are encapsulated in the shrinking space available for political engagement under neoliberalism. This largely underestimated development can be understood through the framework of postmodernism, which focuses on the relationship between language, power, and the presentation of reality. These trends and transitions reached a climax in the 2016 election where President Trump was elected, embodying what can only be considered a significant turning point in American politics. The bigger narrative contains various subplots represented in the rise of the neoliberal economy, the acceptance of postmodernism as the dominant cultural code, and the role of the voyeur superseding that of the engaged citizen. It is only through understanding each of these pieces and connecting them that we can comprehend the current political transformation. The present moment may feel like a golden age of satire, and it may well be, but this book addresses the hardest questions about the realities behind such a claim: what can we conclude about when and how satire is effective, judging by the history of this genre in its various incarnations, and how can the “apolitical” postmodern media landscape be reconciled with what the best of this genre has had to offer during times of political duress?
