Fromental Halevy And His Operas 1799 1841
Download Fromental Halevy And His Operas 1799 1841 full books in PDF, epub, and Kindle. Read online free Fromental Halevy And His Operas 1799 1841 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Robert Ignatius Letellier |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 684 |
Release | : 2021-04-20 |
Genre | : Music |
ISBN | : 1527568776 |
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.
Author | : Robert Ignatius Letellier |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 754 |
Release | : 2021-04-20 |
Genre | : Music |
ISBN | : 1527568768 |
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (1835). Halévy, a native of Paris, was active when the French capital was at the centre of the operatic world. His 30 operas worked within established genres of grand opéra and opéra-comique, and many of them attained considerable popularity across Europe and the wider world (such as La Reine de Chypre 1841, Charles VI 1843, Les Mousquetaires de la reine 1846, and Le Val d’Andorre 1848). Although acclaimed in their day, most have not been staged for decades. This study throws light on this shadowy figure, looking at his life, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The book provides musical examples and something of the rich iconography that accompanied the creation of his works.
Author | : F. Halévy |
Publisher | : |
Total Pages | : 44 |
Release | : 1864 |
Genre | : Operas |
ISBN | : |
Author | : F. Halévy |
Publisher | : |
Total Pages | : 24 |
Release | : 187? |
Genre | : Operas |
ISBN | : |
Author | : Fromentin Halévy |
Publisher | : |
Total Pages | : 23 |
Release | : |
Genre | : |
ISBN | : |
Author | : Michael Burden |
Publisher | : Taylor & Francis |
Total Pages | : 455 |
Release | : 2024-08-01 |
Genre | : History |
ISBN | : 1040246958 |
The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Author | : Michael Burden |
Publisher | : Taylor & Francis |
Total Pages | : 1819 |
Release | : 2024-07-31 |
Genre | : Music |
ISBN | : 1040156118 |
The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Author | : Franklin Mesa |
Publisher | : McFarland |
Total Pages | : 477 |
Release | : 2015-05-07 |
Genre | : Music |
ISBN | : 1476605378 |
This encyclopedia includes entries for 1,153 world premiere (and other significant) performances of operas in Europe, the United States, Latin America and Russia. Entries offer details about key persons, arias, interesting facts, and date and location of each premiere. There is a biographical dictionary with 1,288 entries on historical and modern operatic singers, composers, librettists, and conductors. Fully indexed and with a bibliography.
Author | : Augustin Eugène Scribe |
Publisher | : |
Total Pages | : 120 |
Release | : 2009 |
Genre | : |
ISBN | : 9789050821957 |
Libretto en toelichting bij de opera van de Franse componist Fromental Halévy (1799-1862).
Author | : David Charlton |
Publisher | : Cambridge University Press |
Total Pages | : 524 |
Release | : 2003-09-04 |
Genre | : Music |
ISBN | : 1139825895 |
This 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.