From The Underground Busking In London Chapter2 7 July 2005 London Bombings
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Author | : Hideaki Domon |
Publisher | : 豊作パブリッシング |
Total Pages | : 59 |
Release | : 2012-11-18 |
Genre | : |
ISBN | : |
From The Underground Buskingin London CHAPTER2 7 July 2005 London bombings How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".
Author | : Hideaki Domon |
Publisher | : 豊作パブリッシング |
Total Pages | : 66 |
Release | : 2012-11-18 |
Genre | : |
ISBN | : |
How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob". Hideaki Domon
Author | : Hideaki Domon |
Publisher | : 豊作パブリッシング |
Total Pages | : 45 |
Release | : 2012-11-18 |
Genre | : |
ISBN | : |
From The Underground Buskingin London CHAPTER4 Busking of the Soul How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".
Author | : Hideaki Domon |
Publisher | : 豊作パブリッシング |
Total Pages | : 73 |
Release | : 2012-11-18 |
Genre | : |
ISBN | : |
From The Underground Buskingin London CHAPTER3 We Are The Champions! How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".
Author | : David Looseley |
Publisher | : Oxford University Press |
Total Pages | : 264 |
Release | : 2015 |
Genre | : Biography & Autobiography |
ISBN | : 1781382573 |
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
Author | : Joanna Richardson |
Publisher | : Policy Press |
Total Pages | : 273 |
Release | : 2012 |
Genre | : Political Science |
ISBN | : 1847428940 |
Now more than ever the issues of accommodation, education, health care, employment, and social exclusion for British Gypsy and Traveller communities need to be addressed. This book looks at Gypsies and Travellers in British society, touching on topics such as media and political representation, power, justice, and the impact of European initiatives for inclusion. In doing so, it offers important new insights for students, academics, policy makers, journalists, service providers, and others working with these groups.
Author | : Reed Ghazala |
Publisher | : Wiley |
Total Pages | : 450 |
Release | : 2005-08-26 |
Genre | : Technology & Engineering |
ISBN | : 9780764588877 |
Fans will get bent out of shape if they miss the first book to cover circuit-bending-"bending," for short-the method by which an electronic toy or a device such as a keyboard is short-circuited and modified to create an entirely different sound Written by the inventor of the technology, this book covers the tools of the trade, shows how to build a bending workshop, and reveals secrets that will have readers of all levels making sweet music in no time Readers learn basic bends, body contacts, and other bending skills, as well as ways to create bent instruments from a variety of popular toys and electronic devices Features some of the author's own unique creations
Author | : Tamara Ashley |
Publisher | : |
Total Pages | : 300 |
Release | : 2020-10-07 |
Genre | : |
ISBN | : 9781787357761 |
Author | : Jon Kher Kaw |
Publisher | : World Bank Publications |
Total Pages | : 518 |
Release | : 2020-02-13 |
Genre | : Business & Economics |
ISBN | : 1464814937 |
In every city, the urban spaces that form the public realm—ranging from city streets, neighborhood squares, and parks to public facilities such as libraries and markets—account for about one-third of the city’s total land area, on average. Despite this significance, the potential for these public-space assets—typically owned and managed by local governments—to transform urban life and city functioning is often overlooked for many reasons: other pressing city priorities arising from rapid urbanization, poor urban planning, and financial constraints. The resulting degradation of public spaces into congested, vehicle-centric, and polluted places often becomes a liability, creating a downward spiral that leads to a continuous drain on public resources and exacerbating various city problems. In contrast, the cities that invest in the creation of human-centered, environmentally sustainable, economically vibrant, and socially inclusive places—in partnership with government entities, communities, and other private stakeholders—perform better. They implement smart and sustainable strategies across their public space asset life cycles to yield returns on investment far exceeding monetary costs, ultimately enhancing city livability, resilience, and competitiveness. The Hidden Wealth of Cities: Creating, Financing, and Managing Public Spaces discusses the complexities that surround the creation and management of successful public spaces and draws on the analyses and experiences from city case studies from around the globe. This book identifies—through the lens of asset management—a rich palette of creative and innovative strategies that every city can undertake to plan, finance, and manage both government-owned and privately owned public spaces.
Author | : Brandon LaBelle |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 249 |
Release | : 2019-10-17 |
Genre | : Art |
ISBN | : 1501336185 |
The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries. The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.