From The New Criticism To Deconstruction
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| Author | : Art Berman |
| Publisher | : University of Illinois Press |
| Total Pages | : 348 |
| Release | : 1988 |
| Genre | : History |
| ISBN | : 9780252060021 |
From the New Criticism to Deconstruction traces the transitions in American critical theory and practice from the 1950s to the 1980s. It focuses on the influence of French structuralism and post-structuralism on American deconstruction within a wide-ranging context that includes literary criticism, philosophy, psychology, technology, and politics.
| Author | : Peter V. Zima |
| Publisher | : A&C Black |
| Total Pages | : 240 |
| Release | : 2002-06-01 |
| Genre | : Philosophy |
| ISBN | : 1847140386 |
This book surveys the main schools and theorists of deconstruction, establishing their philosophical roots and tracing their intellectual development. It analyses their contribution to the understanding of literature and ideology, comparing their critical value and exploring the critical reaction to deconstruction and its limitations. The text is designed for students who wish to understand how and why deconstruction has become the dominant tool of the humanities. Deconstruction and Critical Theory marks a new stage in the reception history of Derrida's work and in the wider philosophical debate around deconstruction. Zima's study makes a strikingly original contribution to our better understanding of deconstruction and its various philosophic sources. Christopher Norris, University of Wales at Cardiff. Deconstruction And Critical Theory: surveys the main schools and theorists of deconstruction; establishes their philosophical roots; traces their intellectual development; analyses their contribution to the understanding of literature and ideology; compares their critical value; explores the critical reaction to deconstruction and its limitations. This is the ideal text for students who wish to understand how and why deconstruction has become the dominant tool of the Humanities.
| Author | : Harold Bloom |
| Publisher | : A&C Black |
| Total Pages | : 228 |
| Release | : 2004-12-23 |
| Genre | : Philosophy |
| ISBN | : 9780826476920 |
Five essential and challenging essays by leading post-modern theorists on the art and nature of interpretation: Jacques Derrida, Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller.
| Author | : George Douglas Atkins |
| Publisher | : University Press of Kentucky |
| Total Pages | : 172 |
| Release | : 2014-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 0813158346 |
Deconstruction—a mode of close reading associated with the contemporary philosopher Jacques Derrida and other members of the "Yale School"—is the current critical rage, and is likely to remain so for some time. Reading Deconstruction / Deconstructive Reading offers a unique, informed, and badly needed introduction to this important movement, written by one of its most sensitive and lucid practitioners. More than an introduction, this book makes a significant addition to the current debate in critical theory. G. Douglas Atkins first analyzes and explains deconstruction theory and practice. Focusing on such major critics and theorists as Derrida, J. Hillis Miller, and Geoffrey Hartman, he brings to the fore issues previously scanted in accounts of deconstruction, especially its religious implications. Then, through close readings of such texts as Religio Laici, A Tale of a Tub, and An Epistle to Dr. Arbuthnot, he proceeds to demonstrate and exemplify a mode of deconstruction indebted to both Derrida and Paul de Man. This skillfully organized book, designed to reflect the "both/ and" nature of deconstruction, thus makes its own contribution to deconstructive practice. The important readings provided of Dryden, Swift, and Pope are among the first to treat major Augustan texts from a deconstructive point of view and make the book a valuable addition to the study of that period. Well versed in deconstruction, the variety of texts he treats, and major issues of current concern in literary study, Atkins offers in this book a balanced and judicious defense of deconstruction that avoids being polemical, dogmatic, or narrowly ideological. Whereas much previous work on and in deconstruction has been notable for its thick prose, jargon, and general obfuscation, this book will be appreciated for its clarity and grace, as well as for its command of an impressively wide range of texts and issues. Without taming it as an instrument of analysis and potential change, Atkins makes deconstruction comprehensible to the general reader. His efforts will interest all those concerned with literary theory and criticism, Augustan literature, and the relation of literature and religion.
| Author | : John Martin Ellis |
| Publisher | : Princeton University Press |
| Total Pages | : 180 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : 0691014841 |
"The focus of any genuinely new piece of criticism or interpretation must be on the creative act of finding the new, but deconstruction puts the matter the other way around: its emphasis is on debunking the old. But aside from the fact that this program is inherently uninteresting, it is, in fact, not at all clear that it is possible. . . . [T]he naïvetê of the crowd is deconstruction's very starting point, and its subsequent move is as much an emotional as an intellectual leap to a position that feels different as much in the one way as the other. . . ." --From the book
| Author | : A. Rajnath |
| Publisher | : Springer |
| Total Pages | : 290 |
| Release | : 1989-06-18 |
| Genre | : Literary Criticism |
| ISBN | : 1349103357 |
This collection of essays examines a wide range of topics relating to deconstruction, which emerged in France as a reaction to structuralism but has found its greatest response in America, where literary critics have built on its basic assumptions to create a new critical movement.
| Author | : Jonathan Culler |
| Publisher | : Cornell University Press |
| Total Pages | : 332 |
| Release | : 2014-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 0801455928 |
With an emphasis on readers and reading, Jonathan Culler considered deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. On Deconstruction is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relation between his philosophical writings and the work of literary critics. Culler's book is an indispensable guide for anyone interested in understanding modern critical thought. This edition marks the twenty-fifth anniversary of the first publication of this landmark work and includes a new preface by the author that surveys deconstruction's history since the 1980s and assesses its place within cultural theory today.
| Author | : Gregory Jones-Katz |
| Publisher | : University of Chicago Press |
| Total Pages | : 379 |
| Release | : 2021-09-03 |
| Genre | : Philosophy |
| ISBN | : 022653619X |
The basic story of the rise, reign, and fall of deconstruction as a literary and philosophical groundswell is well known among scholars. In this intellectual history, Gregory Jones-Katz aims to transform the broader understanding of a movement that has been frequently misunderstood, mischaracterized, and left for dead—even as its principles and influence transformed literary studies and a host of other fields in the humanities. ? Deconstruction begins well before Jacques Derrida’s initial American presentation of his deconstructive work in a famed lecture at Johns Hopkins University in 1966 and continues through several decades of theoretic growth and tumult. While much of the subsequent story remains focused, inevitably, on Yale University and the personalities and curriculum that came to be lumped under the “Yale school” umbrella, Deconstruction makes clear how crucial feminism, queer theory, and gender studies also were to the lifeblood of this mode of thought. Ultimately, Jones-Katz shows that deconstruction in the United States—so often caricatured as a French infection—was truly an American phenomenon, rooted in our preexisting political and intellectual tensions, that eventually came to influence unexpected corners of scholarship, politics, and culture.
| Author | : Frank Lentricchia |
| Publisher | : University of Chicago Press |
| Total Pages | : 406 |
| Release | : 1980 |
| Genre | : Literary Criticism |
| ISBN | : 9780226471983 |
This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one. Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.
| Author | : Vincent B. Leitch |
| Publisher | : Columbia University Press |
| Total Pages | : 308 |
| Release | : 1983 |
| Genre | : Education |
| ISBN | : 9780231054737 |
The ideal prelude to the study of deconstructive theory for the as-yet-uninitiated reader. Leitch uses in-depth analyses, surveys of historical background, and helpful overviews to address the questions posed by the major figures -- Saussure, Lacan, Levi-Strauss, Heidegger, Derrida, Barthes Foucault -- then penetrates and displays the subtle intricacies of their answers.
