From Text To Performance
Download From Text To Performance full books in PDF, epub, and Kindle. Read online free From Text To Performance ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Julie Stone Peters |
Publisher | : Oxford University Press, USA |
Total Pages | : 516 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780199262168 |
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Author | : Elaine Aston |
Publisher | : Routledge |
Total Pages | : 216 |
Release | : 2013-12-16 |
Genre | : Performing Arts |
ISBN | : 1136112286 |
This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance.
Author | : D. Radosavljevic |
Publisher | : Springer |
Total Pages | : 195 |
Release | : 2013-06-24 |
Genre | : Performing Arts |
ISBN | : 1137367881 |
Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world.
Author | : Jennifer Buckley |
Publisher | : University of Michigan Press |
Total Pages | : 293 |
Release | : 2019-10-09 |
Genre | : Performing Arts |
ISBN | : 0472074253 |
Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.
Author | : Christopher B. Balme |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2008-09-18 |
Genre | : Drama |
ISBN | : 9780521856225 |
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
Author | : Richard Taruskin |
Publisher | : Oxford University Press |
Total Pages | : 391 |
Release | : 1995-09-07 |
Genre | : Music |
ISBN | : 0195357434 |
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.
Author | : William Robert |
Publisher | : University of Chicago Press |
Total Pages | : 175 |
Release | : 2022-02-14 |
Genre | : Literary Criticism |
ISBN | : 0226816907 |
"In Unbridled, scholar of religion William Robert uses Peter Shaffer's enigmatic 1973 play Equus, about a boy passionately devoted to horses, to think about and teach religion. For Robert, a play like Equus tangles together text, performance, practice, embodiment, and reception. Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion. By approaching Equus with the reader, Robert transforms standard approaches to the study of religion, engaging with key themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as major thinkers such as Marx, Freud, Nietzsche, and contemporary theorists such as J. Z. Smith and Judith Butler. As Robert shows, the way themes and theories play out in Equus challenges us to imagine the study of religion anew through open questioning, contrasting perspectives, and alternative modes of interpretation and appreciation"--
Author | : Tracy C. Davis |
Publisher | : Cambridge University Press |
Total Pages | : 361 |
Release | : 2008-11-13 |
Genre | : Drama |
ISBN | : 1139828185 |
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
Author | : Scott Magelssen |
Publisher | : University of Michigan Press |
Total Pages | : 265 |
Release | : 2014-05-12 |
Genre | : Art |
ISBN | : 0472052144 |
How simulated experiences—from living history to emergency preparedness drills—create meaning in performance
Author | : Joyce Piven |
Publisher | : A&C Black |
Total Pages | : 237 |
Release | : 2012-11-22 |
Genre | : Performing Arts |
ISBN | : 1408174553 |
In the Studio with Joyce Piven takes you directly inside the creative process of the renowned Piven Workshop led by Joyce and Byrne Piven. The Piven Theatre Workshop in Chicago has nurtured theatre artists celebrated in the US, Ireland and Britain including Joan Cusack, John Cusack, Jeremy Piven, Aidan Quinn, Sarah Ruhl, Lili Taylor and Kate Walsh. Co-authors Joyce Piven and Susan Applebaum describe the Workshop techniques (developed and refined over forty years of theatrical training) as a virtual fly-on-the-wall experience, taking the reader inside the director's studio, classroom, and green room. Part One introduces the central principles of game work and the concept of 'encounter' - finding the emotional experience at the heart of a set of given circumstances - and ends with a chapter on the role of story theatre as a bridge between games and play text. Part Two takes you into the classroom with Joyce Piven through fully-detailed transcripts of physical and vocal workshops on play, agreement, specificity, transformation and story theatre, accompanied by explanations and tips for teaching. The book ends with an alphabetical appendix of games taught by Byrne and Joyce Piven based on their work with Paul Sills and Viola Spolin, Etienne Decroux, Uta Hagen and Mira Rostova. A highly regarded guide and resource for actors, teachers, and directors, for anyone interested in the creative process of acting and actor training.