From Tartan To Tartanry
Download From Tartan To Tartanry full books in PDF, epub, and Kindle. Read online free From Tartan To Tartanry ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Ian Brown |
| Publisher | : Edinburgh University Press |
| Total Pages | : 288 |
| Release | : 2010-11-26 |
| Genre | : History |
| ISBN | : 0748644490 |
An historically and critically sound - and contemporary - evaluation of tartan and tartanry based on proper contextualisation and coherent analysis. This critical re-evaluation of one of the more controversial aspects of recent debates on Scottish culture draws together contributions from leading researchers in a wide variety of disciplines, resulting in a highly accessible yet authoritative volume. This book, like tartan, weaves together two strands. The first, like a warp, considers the significance of tartan in Scottish history and culture during the last four centuries, including tartan's role in the development of diaspora identities in North America. The second, like a weft, considers the place of tartan and rise of tartanry in the national and international representations of Scottishness, including heritage, historical myth-making, popular culture, music hall, literature, film, comedy, rock and pop music, sport and 'high' culture. From Tartan to Tartanry offers fresh insight into and new perspectives on key cultural phenomena, from the iconic role of the Scottish regiments to the role of tartan in rock music. It argues that tartan may be fun, but it also plays a wide range of fascinating, important and valuable roles in Scottish and international culture.
| Author | : Ian Brown |
| Publisher | : Edinburgh University Press |
| Total Pages | : 288 |
| Release | : 2012-09-12 |
| Genre | : History |
| ISBN | : 0748664653 |
Draws together contributions from the leading researchers to provide a contemporary evaluation of tartan and tartanry.
| Author | : Bob Nowlan |
| Publisher | : Intellect Books |
| Total Pages | : 372 |
| Release | : 2015-05-29 |
| Genre | : Performing Arts |
| ISBN | : 1783203951 |
Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.
| Author | : Ian Brown |
| Publisher | : Springer Nature |
| Total Pages | : 283 |
| Release | : 2020-02-13 |
| Genre | : Performing Arts |
| ISBN | : 3030394077 |
This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
| Author | : Andy Bennett |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 246 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 9780754668053 |
The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English.
| Author | : Marguérite Corporaal |
| Publisher | : Oxford University Press |
| Total Pages | : 248 |
| Release | : 2021 |
| Genre | : History |
| ISBN | : 1800859511 |
As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Mich�al mac Liamm�ir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Margu�rite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan
| Author | : Bryan Glass |
| Publisher | : Manchester University Press |
| Total Pages | : 238 |
| Release | : 2017-03-01 |
| Genre | : History |
| ISBN | : 1784992259 |
This volume represents one of the first attempts to examine the connection between Scotland and the British empire throughout the entire twentieth century. As the century dawned, the Scottish economy was still strongly connected with imperial infrastructures (like railways, engineering, construction and shipping), and colonial trade and investment. By the end of the century, however, the Scottish economy, its politics, and its society had been through major upheavals which many connected with decolonisation. The end of empire played a defining role in shaping modern-day Scotland and the identity of its people. Written by scholars of distinction, these chapters represent ground-breaking research in the field of Scotland’s complex and often-changing relationship with the British empire in the period. The introduction that opens the collection will be viewed for years to come as the single most important historiographical statement on Scotland and empire during the tumultuous years of the twentieth century. A final chapter from Stuart Ward and Jimmi Østergaard Nielsen covers the 2014 referendum.
| Author | : Silke Stroh |
| Publisher | : Northwestern University Press |
| Total Pages | : 551 |
| Release | : 2016-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810134047 |
Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than patriotic victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in recent years, especially in the run-up to the 2014 referendum on independence, and remain topical amid continuing campaigns for more autonomy and calls for a post-Brexit “indyref2.” Gaelic Scotland in the Colonial Imagination offers a general introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations in order to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. The main focus is on internal divisions between the anglophone Lowlands and traditionally Gaelic Highlands, which also play a crucial role in Scottish–English relations. Silke Stroh shows how the image of Scotland’s Gaelic margins changed under the influence of two simultaneous developments: the emergence of the modern nation-state and the rise of overseas colonialism.
| Author | : Marco Sievers |
| Publisher | : GRIN Verlag |
| Total Pages | : 64 |
| Release | : 2007-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3638816516 |
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2, University of Hannover, course: Peripheries in British 19th-Century History: Scotland and Ireland, 12 entries in the bibliography, language: English, abstract: If people around the globe are asked what they associate with Scotland or the Scots, tartan kilts, bagpipes, clans and the Highlands are the most common answers. Especially tourist interest concentrates on these landmarks of Scotland, which are said to be insignias of Scottish tradition, glory and identity, and which dominate the image of Scotland. But are these landmarks really linked to a tradition from times immemorial? Do they really represent a link to Scotland's Gaelic roots? This paper will investigate this question by introducing Eric Hobsbawm s term of "invented tradition" to denote and to outline the process of creation of these Scottish symbols. The following portrait of the historical background will show the social, political and economic developments in the 18th and 19th century which led to the invention of tradition as part of the creation of a Highland myth as a result of and as reaction to Scotland's union with England in 1707. Furthermore, the worldwide spreading of the Highland myth, which has determined the image of whole Scotland ever since, will be described. The paper will finish by showing contemporary parallels to the historic developments and trends, and suggesting further topics of investigation.
| Author | : David McCrone |
| Publisher | : SAGE |
| Total Pages | : 737 |
| Release | : 2017-03-20 |
| Genre | : Social Science |
| ISBN | : 1473987059 |
Written by a leading sociologist of Scotland, this ground-breaking new introduction is a comprehensive account of the social, political, economic and cultural processes at work in contemporary Scottish society. At a time of major uncertainty and transformation The New Sociology of Scotland explores every aspect of Scottish life. Placed firmly in the context of globalisation, the text: examines a broad range of topics including race and ethnicity, social inequality, national identity, health, class, education, sport, media and culture, among many others. looks at the ramifications of recent political events such as British General Election of 2015, the Scottish parliament election of May 2016, and the Brexit referendum of June 2016. uses learning features such as further reading and discussion questions to stimulate students to engage critically with issues raised. Written in a lucid and accessible style, The New Sociology of Scotland is an indispensable guide for students of sociology and politics.
