From Synagogue To Church The Traditional Design
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| Author | : John Wilkinson |
| Publisher | : Routledge |
| Total Pages | : 312 |
| Release | : 2014-04-04 |
| Genre | : Architecture |
| ISBN | : 1317832426 |
The designs of synagogues and churches are acknowledged to be very alike. But the designers' procedure was confidential, and so far standard explanations have been unsatisfactory. A synagogue should express heavenly values with earthly materials. This combination was in fact expressed in numbers, for, as Plato said, they linked heaven and earth. Scripture described both the Jewish Tabernacle and Temple with a wealth of numbers. Proportions based on these numbers were used to design synagogues. Only a few Jewish documents survive, but they reveal a symbolism, which Christians sometimes repeat. The synagogue sanctuary was designed to contain the 'Holy Ark', and the mosaic floors reveal the point 'Before the Ark' for the prayers and readings. These places faced each other, with the idea that God was facing his people. The synagogue was seen as facing heaven and in church buildings Christians repeated the same proportions. This was a joint tradition among Jews and Christians. It was easy to design, was carried out secretly and accurately, and - without a computer - was extremely hard to unravel. This book, for the first time, does just that.
| Author | : John Wilkinson |
| Publisher | : Psychology Press |
| Total Pages | : 312 |
| Release | : 2002 |
| Genre | : Architecture |
| ISBN | : 9780700713202 |
There is evidence of a joint tradition among designers of synagogues and churches, in which Christians repeat earlier Jewish symbolism. Using rare Jewish documents, this book unravels those sacred dimensions.
| Author | : Ross Anderson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 262 |
| Release | : 2020-11-26 |
| Genre | : Architecture |
| ISBN | : 1350098728 |
This edited volume, Modern Architecture and the Sacred, presents a timely reappraisal of the manifold engagements that modern architecture has had with 'the sacred'. It comprises fourteen individual chapters arranged in three thematic sections – Beginnings and Transformations of the Modern Sacred; Buildings for Modern Worship; and Semi-Sacred Settings in the Cultural Topography of Modernity. The first interprets the intellectual and artistic roots of modern ideas of the sacred in the post-Enlightenment period and tracks the transformation of these in architecture over time. The second studies the ways in which organized religion responded to the challenges of the new modern self-understanding, and then the third investigates the ways that abstract modern notions of the sacred have been embodied in the ersatz sacred contexts of theatres, galleries, memorials and museums. While centring on Western architecture during the decisive period of the first half of the 20th century – a time that takes in the early musings on spirituality by some of the avant-garde in defiance of Sachlichkeit and the machine aesthetic – the volume also considers the many-varied appropriations of sacrality that architects have made up to the present day, and also in social and cultural contexts beyond the West.
| Author | : Anat Geva |
| Publisher | : Texas A&M University Press |
| Total Pages | : 463 |
| Release | : 2023-12-14 |
| Genre | : Architecture |
| ISBN | : 1648431364 |
In the aftermath of World War II, the United States experienced a rapid expansion of church and synagogue construction as part of a larger “religious boom.” The synagogues built in that era illustrate how their designs pushed the envelope in aesthetics and construction. The design of the synagogues departed from traditional concepts, embraced modernism and innovations in building technology, and evolved beyond the formal/rational style of early 1950s modern architecture to more of an expressionistic design. The latter resulted in abstraction of architectural forms and details, and the inclusion of Jewish art in the new synagogues. The Architecture of Modern American Synagogues, 1950s–1960s introduces an architectural analysis of selected modern American synagogues and reveals how they express American Jewry’s resilience in continuing their physical and spiritual identity, while embracing modernism, American values, and landscape. In addition, the book contributes to the discourse on preserving the recent past (e.g., mid 20th century architecture). While most of the investigations on that topic deal with the “brick & mortar” challenges, this book introduces preservation issues as a function of changes in demographics, in faith rituals, in building codes, and in energy conservation. As an introduction or a reexamination, The Architecture of Modern American Synagogues, 1950s–1960s offers a fresh perspective on an important moment in American Jewish society and culture as reflected in their houses of worship and adds to the literature on modern American sacred architecture. The book may appeal to Jewish congregations, architects, preservationists, scholars, and students in fields of studies such as architectural design, sacred architecture, American modern architecture and building technology, Post WWII religious and Jewish studies, and preservation and conservation.
| Author | : Frederick Roden |
| Publisher | : Routledge |
| Total Pages | : 268 |
| Release | : 2016-05-06 |
| Genre | : Social Science |
| ISBN | : 1317110986 |
At a time when major branches of Judaism and most Christian denominations are addressing the relationship between religion and homosexuality, Jewish/Christian/Queer offers a unique examination of the similarities between the queer intersections of Judaism and Christianity, and the queer intersections of the homosexual and the religious. This volume investigates three forms of queerness; the rhetorical, theological and the discursive dissonance at the meeting points between Christianity and Judaism; the crossroads of the religious and the homosexual; and the intersections of these two forms of queerness, namely where the religiously queer of Jewish and Christian speech intersects with the sexually queer of religiously identified homosexual discourse. Including essays on literature and literary theory, Christian theology, Biblical, Rabbinic, and Jewish studies, queer theory, architecture, Freud, gay and lesbian studies and history, Jewish/Christian/Queer will have a truly interdisciplinary appeal.
| Author | : Paul Magdalino |
| Publisher | : Harvard University Press |
| Total Pages | : 354 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780884023487 |
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
| Author | : Alexander Nagel |
| Publisher | : MIT Press |
| Total Pages | : 457 |
| Release | : 2020-03-20 |
| Genre | : Art |
| ISBN | : 1942130430 |
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
| Author | : Nicholas N. Patricios |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 506 |
| Release | : 2014-04-24 |
| Genre | : Architecture |
| ISBN | : 075569399X |
The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building plans, will have considerable appeal to Byzantinists, lay and scholarly. Beyond categorizing and describing the churches themselves, which are richly illustrated with photographs, plans and diagrams, the author interprets the sacred liturgy that took place within these holy buildings, tracing the development of the worship in conjunction with architectural advances made up to the 15th century. Focusing on buildings located in twenty-two different locations, this sumptuous book is an essential guide to individual features such as the synthronon, templon and ambo and also to the wider significance of Byzantine art and architecture.
| Author | : Yigal Levin |
| Publisher | : Routledge |
| Total Pages | : 336 |
| Release | : 2012-03-15 |
| Genre | : History |
| ISBN | : 1136625127 |
The transition between the reality of war and a hope for peace has accompanied the Jewish people since biblical times. However, the ways in which both concepts are understood have changed many times over the ages, and both have different implications for an independent nation in its own land than they do for a community of exiles living as a minority in foreign countries. This book explores the concepts of war and peace throughout the history of Judaism. Combining three branches of learning - classical Jewish sources, from the Bible to modern times; related academic disciplines of Jewish studies, humanities, social and political sciences; and public discussion of these issues on political, military, ideological and moral levels - contributors from Israel and the USA open new vistas of investigation for the future as well as an awareness of the past. Chapters touch on personal and collective morality in warfare, survival though a long and often violent history, and creation of some of the world’s great cultural assets, in literature, philosophy and religion, as well as in the fields of community life and social autonomy. An important addition to the current literature on Jewish thought and philosophy, this book will be of considerable interest to scholars working in the areas of Jewish Studies, theology, modern politics, the Middle East and biblical studies.
| Author | : Stephen Mark Holmes |
| Publisher | : OUP Oxford |
| Total Pages | : 257 |
| Release | : 2015-10-01 |
| Genre | : Religion |
| ISBN | : 019106503X |
Sacred Signs in Reformation Scotland is the first study of how public worship was interpreted in Renaissance Scotland and offers a radically new way of understanding the Scottish Reformation. It first defines the history and method of 'liturgical interpretation' (using the methods of medieval Biblical exegesis to explain worship), then shows why it was central to medieval and early modern Western European religious culture. The rest of the book uses Scotland as a case study for a multidisciplinary investigation of the place of liturgical interpretation in this culture. Stephen Mark Holmes uses the methods of 'book history' to discover the place of liturgical interpretation in education, sermons and pastoral practice and also investigates its impact on material culture, especially church buildings and furnishings. A study of books and their owners reveals networks of clergy in Scotland committed to the liturgy and Catholic reform, especially the 'Aberdeen liturgists'. Holmes corrects current scholarship by showing that their influence lasted beyond 1560 and suggests that they created the distinctive religious culture of North-East Scotland (later a centre of Catholic recusancy, Episcopalianism and Jacobitism). The final two chapters investigate what happened to liturgical interpretation in Scottish religious culture after the Protestant Reformation of 1559-60, showing that while it declined in importance in Catholic circles, a Reformed Protestant version of liturgical interpretation was created and flourished which used exactly the same method to produce both an interpretation of the Reformed sacramental rites and an 'anti-commentary' on Catholic liturgy. The book demonstrates an important continuity across the Reformation divide arguing that the 'Scottish Reformation' is best seen as both Catholic and Protestant, with the reformers on both sides having more in common than they or subsequent historians have allowed.
