From Pushkin To Popular Culture
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| Author | : Catharine Theimer Nepomnyashchy |
| Publisher | : Academic Studies PRess |
| Total Pages | : 407 |
| Release | : 2024-04-16 |
| Genre | : Literary Criticism |
| ISBN | : |
This volume includes many of the best essays by Catharine Theimer Nepomnyashchy (1951-2015), one of the most original scholars of Russian culture of her generation. Nepomnyashchy’s broad interests ranged from Pushkin to contemporary Russian popular culture. Her work speaks to issues that remain central to Slavic studies today, including imperialist impulses and rhetoric in Russian culture; the resiliency and post-Soviet afterlife of Stalinist mythic and cultic formulas; and problems connected with dissent, censorship, and displacement. In addition to some of Nepomnyashchy’s best previously published scholarly work, this volume includes excerpts from The Politics of Tradition: Rerooting Russian Literature After Stalin, the book manuscript that Nepomnyashchy was working on in the last years of her life.
| Author | : Jonathan Brooks Platt |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 341 |
| Release | : 2016-09-02 |
| Genre | : History |
| ISBN | : 0822981424 |
In 1937, the Soviet Union mounted a national celebration commemorating the centenary of poet Alexander Pushkin's death. Though already a beloved national literary figure, the scale and feverish pitch of the Pushkin festival was unprecedented. Greetings, Pushkin! presents the first in-depth study of this historic event and follows its manifestations in art, literature, popular culture, education, and politics, while also examining its philosophical underpinnings. Jonathan Brooks Platt looks deeply into the motivations behind the Soviet glorification of a long-dead poet—seemingly at odds with the October revolution's radical break with the past. He views the Pushkin celebration as a conjunction of two opposing approaches to time and modernity: monumentalism and eschatology. Monumentalism—in pointing to specific moments and individuals as the origin point for cultural narratives, and eschatology—which glorifies ruptures in the chain of art or thought, and the destruction of canons. In the midst of the Great Purge, the Pushkin jubilee was a critical element in the drive toward a nationalist discourse that attempted to unify and subsume the disparate elements of the Soviet Union, supporting the move to "socialism in one country".
| Author | : William Mills Todd |
| Publisher | : Harvard University Press |
| Total Pages | : 290 |
| Release | : 1986 |
| Genre | : Education |
| ISBN | : 9780674299450 |
Todd describes the ideology of the educated westernized gentry, then charts the possibilities for literary life: first patronage, the salons, popular literature; then rapid emergence of an incipient literary profession. He explores the interactions of literature and society as writers "discovered" their own milieu and were discovered by it.
| Author | : Svetlana Evdokimova |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 412 |
| Release | : 2003 |
| Genre | : Drama |
| ISBN | : 9780299190248 |
Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays-"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."
| Author | : Dmitri N Shalin |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2018-02-12 |
| Genre | : Social Science |
| ISBN | : 0429966059 |
The reexamination of values that began during the USSRs last years continues today in the search for a new Russian culture, one rooted in the pre-Soviet past but dynamic and evolving. Multi-textual, polyphonic, and contradictory, the current Russian cultural discourse is richly reflected in these essays by a diverse group of authors from Russian and American academic and cultural circles. The chapters explore specific cultural domains, surveying Russian and Soviet beliefs and behaviors, and highlighting the range of choices that Russians are facing at this critical juncture. }During the waning years of Soviet power, glasnost laid bare the distress of people trapped in a system they despised but felt powerless to change. The reexamination of values that began then continues today in the search for a new Russian culture, one rooted in the pre-Soviet past but dynamic and evolving, enabling Russians to meet the challenges they face in the contemporary world. Multi-textual, polyphonic, and contradictory, the current Russian cultural discourse is richly reflected in these essays by a diverse group of authors from Russian and American academic and cultural circles. Each chapter focuses on a particular cultural domain, surveying the historical origins of Russian beliefs and behaviors, exploring their Soviet and post-Soviet permutations, and highlighting the range of choices that Russians are facing at this critical juncture. The decisions they make will shape their society and culture for generations to come.Illuminating the universal significance of the Soviet experience, this volume raises provocative questions about the social, political, and economic sources of cultural change.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 221 |
| Release | : 2021-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 9004484043 |
Pushkin’s status as the founding father of Russian literature owes much to his stylistic and linguistic innovations across a wide range of literary genres. But equally important is the influence he exerted on his successors via his exploitation of myth in its widest sense. His poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture – grand narratives such as the Don Juan legend and Dante’s Inferno – as well as uniquely Russian myths, particularly those associated with St Petersburg and its founder Peter the Great. It was through the elaboration of such myths that Russia attained to a sense of both its cultural uniqueness and its inscription in the broader context of European culture. The contributors to Alexander Pushkin: Myth and Monument explore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth – among these his recurrent emphasis on the symbolism of monuments and statuary, famously referred to by Roman Jakobson as Pushkin’s ‘sculptural myth’. Alexander Pushkin: Myth and Monument is the second volume devoted to Pushkin published in the SSLP series, the first being Pushkin’s Secret: Russian Writers Reread and Rewrite Pushkin. A third volume – Pushkin’s Legacy will follow.
| Author | : Evgeny Dobrenko |
| Publisher | : University of Pittsburgh Pre |
| Total Pages | : 425 |
| Release | : 2011-11-27 |
| Genre | : Literary Criticism |
| ISBN | : 0822977443 |
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in emigre literary theory and criticism.
| Author | : Joe Andrew |
| Publisher | : Rodopi |
| Total Pages | : 228 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9789042011359 |
Puskin's poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture - grand narratives such as the Don Juan legend and Dante's Inferno - as well as uniquely Russian myths. The contributors to this volume explore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth - among these his recurrent emphasis on the symbolism of monuments and statuary.
| Author | : Catriona Kelly |
| Publisher | : OUP Oxford |
| Total Pages | : 208 |
| Release | : 2001-08-23 |
| Genre | : Literary Criticism |
| ISBN | : 0191577502 |
This book is intended to capture the interest of anyone who has been attracted to Russian culture through the greats of Russian literature, either through the texts themselves, or encountering them in the cinema, or opera. Rather than a conventional chronology of Russian literature, the book will explore the place and importance of literature of all sorts in Russian culture. How and when did a Russian national literature come into being? What shaped its creation? How have the Russians regarded their literary language? The book will uses the figure of Pushkin, 'the Russian Shakespeare' as a recurring example as his work influenced every Russian writer who came after hime, whether poets or novelists. It will look at such questions as why Russian writers are venerated, how they've been interpreted inside Russia and beyond, and the influences of such things as the folk tale tradition, orthodox religion, and the West ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
| Author | : Inna Naroditskaya |
| Publisher | : Oxford University Press |
| Total Pages | : 419 |
| Release | : 2018-11-01 |
| Genre | : Music |
| ISBN | : 0190931876 |
In Bewitching Russian Opera: The Tsarina from State to Stage, author Inna Naroditskaya investigates the musical lives of four female monarchs who ruled Russia for most of the eighteenth century: Catherine I, Anna, Elizabeth, and Catherine the Great. Engaging with ethnomusicological, historical, and philological approaches, her study traces the tsarinas' deeply invested interest in musical drama, as each built theaters, established drama schools, commissioned operas and ballets, and themselves wrote and produced musical plays. Naroditskaya examines the creative output of the tsarinas across the contexts in which they worked and lived, revealing significant connections between their personal creative aspirations and contemporary musical-theatrical practices, and the political and state affairs conducted during their reigns. Through contemporary performance theory, she demonstrates how the opportunity for role-playing and costume-changing in performative spaces allowed individuals to cross otherwise rigid boundaries of class and gender. A close look at a series of operas and musical theater productions--from Catherine the Great's fairy tale operas to Tchaikovsky's Pique Dame--illuminates the transition of these royal women from powerful political and cultural figures during their own reigns, to a marginalized and unreal Other under the patriarchal dominance of the subsequent period. These tsarinas successfully fostered the concept of a modern nation and collective national identity, only to then have their power and influence undone in Russian cultural consciousness through the fairy-tales operas of the 19th century that positioned tsarinas as "magical" and dangerous figures rightfully displaced and conquered--by triumphant heroes on the stage, and by the new patriarchal rulers in the state. Ultimately, this book demonstrates that the theater served as an experimental space for these imperial women, in which they rehearsed, probed, and formulated gender and class roles, and performed on the musical stage political ambitions and international conquests which they would later enact on the world stage itself.
