From Hopper To Rothko
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Author | : Ortrud Westheider |
Publisher | : Prestel Publishing |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Modernism (Art) |
ISBN | : 9783791356938 |
This book explores the development of modern American art through the works of its signature artists. This collection of rarely seen masterpieces from The Phillips Collection traces the development of American art from Impressionism to Abstract Expressionism. During the Gilded Age, American artists like Julian Alden Weir, John Henry Twachtman, Ernest Lawson, and others developed landscape paintings which set the course for modern art in America. Revelations such as these are common within the pages of this book, which examines Duncan Phillips's interest in collecting and his promotion of living artists. Including essays by European and American experts, this publication of 68 works by 50 artists presents paintings by Maurice Prendergast, Arthur Dove, John Marin, Georgia O'Keeffe, Helen Frankenthaler, Robert Motherwell, Jackson Pollock, Charles Sheeler, Winslow Homer, Marsden Hartley, and Richard Diebenkorn. Together these magnificent works tell the tale of a nation and artistic expression growing in confidence and diversity.
Author | : Francesco Matteuzzi |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-11-09 |
Genre | : Comics & Graphic Novels |
ISBN | : 379138791X |
This unique portrait of Mark Rothko captures his astonishing use of color as it illustrates the story of his life, career, struggles, and philosophy. Mark Rothko's work is among the most recognizable in modern art history. His huge color-field works enjoy enormous popularity for their luminosity, moodiness, and immersive qualities. But he didn't always paint in bold, simple swaths of color. This graphic biography traces Rothko's entire life, from his boyhood emigration from Russia to America, to his suicide in 1970. It touches on his schooling and early work for the WPA in the 1930s; the evolution of his art from representational to purely abstract; and the dawning of his artistic philosophy, which took him farther and farther away from the material world and toward a universally emotional and expressionist modality. The book's finely detailed drawings are Rothko's signature colors and draw readers into his fascinating creative journey. While Rothko the artist was largely misunderstood during his lifetime, this unique graphic biography offers a way of making sense of his life and of decoding the visual language he invented.
Author | : Fondation Beyeler (Riehen) |
Publisher | : |
Total Pages | : 145 |
Release | : 2020 |
Genre | : |
ISBN | : 9783906053585 |
Edward Hopper's world-famous, instantly recognizable paintings articulate an idiosyncratic view of modern life, unfolding in a world of lonely lighthouses, gas stations, movie theaters, bars and hotel rooms. With his impressive subjects, independent pictorial vocabulary and virtuoso play of colors, Hopper's work continues to this day to color our memory and imaginary of the United States in the first half of the 20th century. Hopper began his career as an illustrator and became famous around the globe for his oil paintings. These paintings testify to the artist's great interest in the effects of color and his mastery in depicting light and shadow, at work whether the artist was painting alienated figures in dreamlike interiors or desolate American landscapes. Edward Hopper: A Fresh Look on Landscape is published to accompany a major exhibition at the Fondation Beyeler of Hopper's iconic images of the vast American landscape. The catalog gathers together paintings, watercolors and drawings made by the artist between the 1910s and the 1960s, and supplements them with essays by Erika Doss, David Lubin and Katharina Rüppell, focused on the subject of depicting the landscape.
Author | : James E. B. Breslin |
Publisher | : University of Chicago Press |
Total Pages | : 774 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9780226074061 |
A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth century—a man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, ’40s, and ’50s—the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come. "In Breslin, Rothko has the ideal biographer—thorough but never tedious, a good storyteller with an ear for the spoken word, fond but not fawning, and possessed of a most rare ability to comment on non-representational art without sounding preposterous."—Robert Kiely, Boston Book Review "Breslin impressively recreates Mark Rothko's troubled nature, his tormented life, and his disturbing canvases. . . . The artist's paintings become almost tangible within Breslin's pages, and Rothko himself emerges as an alarming physical force."—Robert Warde, Hungry Mind Review "This remains beyond question the finest biography so far devoted to an artist of the New York School."-Arthur C. Danto, Boston Sunday Globe "Clearly written, full of intelligent insights, and thorough."—Hayden Herrera, Art in America "Breslin spent seven years working on this book, and he has definitely done his homework."-Nancy M. Barnes, Boston Phoenix "He's made the tragedy of his subject's life the more poignant."—Eric Gibson, The New Criterion "Mr. Breslin's book is, in my opinion, the best life of an American painter that has yet been written . . . a biographical classic. It is painstakingly researched, fluently written and unfailingly intelligent in tracing the tragic course of its subject's tormented character."—Hilton Kramer, New York Times Book Review, front page review James E. B. Breslin (1936-1996) was professor of English at the University of California, Berkeley, and author of From Modern to Contemporary: American Poetry, 1945-1965 and William Carlos Williams: An American Artist.
Author | : Adam Vines |
Publisher | : LSU Press |
Total Pages | : 74 |
Release | : 2018-03-21 |
Genre | : Poetry |
ISBN | : 0807167673 |
Grounded in technical mastery, the poems in Out of Speech address issues both universal and timely. In this series of ekphrastic works, Adam Vines explores themes as varied as exile, family, disease, desire, and isolation through an array of twentieth- and twenty-first century painters, including Picasso, Hopper, Rothko, de Kooning, Warhol, Lichtenstein, and Artschwager. He also goes within and beyond these works of art to explore characters set in the present-day museums, from a bored docent to a misinformed “explainer” of an artwork’s meaning. Combining these two views—one that looks at the painting and another that looks around it—his poems affirm the artist’s insights into the complexity of being human.
Author | : James Elkins |
Publisher | : Routledge |
Total Pages | : 218 |
Release | : 2005-08-02 |
Genre | : Art |
ISBN | : 113595013X |
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Author | : David Anfam |
Publisher | : Yale University Press |
Total Pages | : 719 |
Release | : 1998-09-10 |
Genre | : Art |
ISBN | : 0300074891 |
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
Author | : Katharine Kuh |
Publisher | : Skyhorse Publishing Inc. |
Total Pages | : 347 |
Release | : 2012-07 |
Genre | : Art |
ISBN | : 1611455065 |
One of America’s leading curators, “a woman of resilience and vision, a writer of clarity and ardor” (Chicago Tribune), takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.
Author | : Jane Jelley |
Publisher | : Oxford University Press |
Total Pages | : 369 |
Release | : 2017-07-14 |
Genre | : Art |
ISBN | : 0192506900 |
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Author | : Stephen Coppel |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 280 |
Release | : 2008 |
Genre | : Prints, American |
ISBN | : |
Outside the United States, the British Museum has the most comprehensive collection of American prints of the first half of the twentieth century. American Prints from Hopper to Pollock reproduces 147 outstanding prints by 74 leading American artists, including George Bellows, Edward Hopper, Grant Wood, Josef Albers, Alexander Calder, Louise Bourgeois and Jackson Pollock.