From Hanoi To Hollywood
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| Author | : Linda Dittmar |
| Publisher | : Rutgers University Press |
| Total Pages | : 410 |
| Release | : 1990 |
| Genre | : Performing Arts |
| ISBN | : 9780813515878 |
Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films.
| Author | : Tom Wilber |
| Publisher | : NYU Press |
| Total Pages | : 182 |
| Release | : 2021-04-22 |
| Genre | : History |
| ISBN | : 1583679103 |
A fresh look at the how US troops played a part in the resistance of US troops to the American war in Vietnam Even if you don't know much about the war in Vietnam, you've probably heard of "The Hanoi Hilton," or Hoa Lo Prison, where captured U.S. soldiers were held. What they did there and whether they were treated well or badly by the Vietnamese became lasting controversies. As military personnel returned from captivity in 1973, Americans became riveted by POW coming-home stories. What had gone on behind these prison walls? Along with legends of lionized heroes who endured torture rather than reveal sensitive military information, there were news leaks suggesting that others had denounced the war in return for favorable treatment. What wasn't acknowledged, however, is that U.S. troop opposition to the war was vast and reached well into Hoa Loa Prison. Half a century after the fact, Dissenting POWs emerges to recover this history, and to discover what drove the factionalism in Hoa Lo. Looking into the underlying factional divide between pro-war “hardliners” and anti-war “dissidents” among the POWs, authors Wilber and Lembcke delve into the postwar American culture that created the myths of the Hero-POW and the dissidents blamed for the loss of the war. What they found was surprising: It wasn’t simply that some POWs were for the war and others against it, nor was it an officers-versus-enlisted-men standoff. Rather, it was the class backgrounds of the captives and their pre-captive experience that drew the lines. After the war, the hardcore hero-holdouts—like John McCain—moved on to careers in politics and business, while the dissidents faded from view as the antiwar movement, that might otherwise have championed them, disbanded. Today, Dissenting POWs is a necessary myth-buster, disabusing us of the revisionism that has replaced actual GI resistance with images of suffering POWs—ennobled victims that serve to suppress the fundamental questions of America’s drift to endless war.
| Author | : Jaap Kooijman |
| Publisher | : Amsterdam University Press |
| Total Pages | : 182 |
| Release | : 2008 |
| Genre | : Social Science |
| ISBN | : 9053564926 |
A fascinating exploration of how global cultures struggle to create their own "America" within a post-9/11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American pop culture.
| Author | : Hal Buell |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 2021-03-16 |
| Genre | : |
| ISBN | : 9780999035993 |
An Illustrated biography about AP photographer Nick Ut, best-known for his iconic "Napalm Girl" image, whose career at The Associated Press spanned more than 51 years. Written by a former head of AP's photography department who was present when Ut's riveting photograph was first transmitted from Vietnam to New York City and recalls that historic moment in great detail. Featuring more than 100 photos from the AP archives and Ut's personal collection, "From Hell to Hollywood" covers Ut's incredible life from his humble beginnings until his celebrated retirement. Included is a Foreword by CBS' Bob Schieffer and an Afterword by former AP War Correspondent Peter Arnett.
| Author | : David A. Gerber |
| Publisher | : University of Michigan Press |
| Total Pages | : 411 |
| Release | : 2012-06-06 |
| Genre | : Social Science |
| ISBN | : 047202888X |
Disabled Veterans in History explores the long-neglected history of those who have sustained lasting injuries or chronic illnesses while serving in uniform. The contributors to this volume cover an impressive range of countries in Europe and North America as well as a wide sweep of chronology from the Ancient World to the present. The essays address the emergence of "veteran" as a political category with unique privileges and entitlements and of disabled veterans as a special project--and indeed one of the original projects--of the modern welfare state. The introductory essay, "Finding Disabled Veterans in History," offers perhaps the first attempt at synthesizing knowledge about disabled veterans in Western societies. The other essays examine the representation of disabled veterans from Sophocles' Philoctetes to American feature films; the relations of disabled veterans to the state and society in such public policy issues as pensions, medical care, physical rehabilitation, and job retraining; and the disabled veteran's agency and experience in reentering the peacetime world. Other topics include the place of disabled veterans in societies defeated in war; the fate of disabled veterans in societies experiencing frequent changes of political regimes; the emergence of pensions and vocational rehabilitation for disabled veterans; and the abiding problem of alcohol abuse among disabled veterans. The contributors come from a variety of disciplines, including history, physical rehabilitation, Slavic studies, sociology, communication and media, and museum studies. The book will be of interest especially to researchers in the fields of war and society, the welfare state, and disability studies, as well as those in the medical, rehabilitation, and counseling fields. David A. Gerber is Professor of History, State University at Buffalo. He is the author or editor of five previous books.
| Author | : Brenda M. Boyle |
| Publisher | : McFarland |
| Total Pages | : 212 |
| Release | : 2014-01-10 |
| Genre | : History |
| ISBN | : 0786454393 |
Occurring alongside the Women's Rights, Gay Rights, Civil Rights, and other identity movements of the 1960s, the Vietnam War was part of an era that rescripted gender and other social identity roles for many, if not most, Americans. This book examines the ways in which the war and its accompanying movements greatly altered traditional American conceptions of masculinity, as reflected in discourses ranging from fictional narratives to memoirs, films, and military recruiting advertisements. Analysis of two canonical fiction texts--John Del Vecchio's The 13th Valley and Bobbie Ann Mason's In Country--illustrates the interrelatedness of race, sexuality, disability and masculinity, an approach appearing in no other book-length study. The text illustrates how, decades later, the masculine anxieties of the Vietnam era persist.
| Author | : Douglas A. Cunningham |
| Publisher | : John Wiley & Sons |
| Total Pages | : 569 |
| Release | : 2016-03-28 |
| Genre | : Performing Arts |
| ISBN | : 1118337611 |
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship
| Author | : Gordon Arnold |
| Publisher | : McFarland |
| Total Pages | : 239 |
| Release | : 2006-07-19 |
| Genre | : History |
| ISBN | : 0786427612 |
The fall of Saigon in 1975 signaled the end of America's longest war. Yet in many ways the conflict was far from over. Although the actual fighting ended, the struggle to find political justification and historical vindication for the Vietnam War still lingered in American consciousness. A plethora of images from America's first "televised war" has kept the conflict all too fresh in the memories of those who lived through it, while creating a confusing picture for a younger generation. The political process of attaching meaning to historical events has ultimately failed due to the lack of consensus--then and now--regarding events surrounding the Vietnam War. Reviewing the record of American politics, film, and television, this volume provides a brief overview of the war's appearance in American popular culture. It examines the ways in which this conflict has consistently resurfaced in social and political life, especially in the arena of contemporary world events such as the Soviet incursion into Afghanistan, the Gulf War and the 2004 presidential campaign. To this end, the work explores the contexts and uses of the Vietnam War as a recurring subject. The circumstances and symbolism used in the rhetoric of the political elite and the news media, including the New York Times, the Washington Post, Time, and Newsweek, are discussed. Emphasis is also placed on the role of film and television as the book examines movies such as The Deer Hunter and Apocalypse Now and TV series such as M*A*S*H. In weaving together the political and screen appearances of the Vietnam War, the book reexamines the influence of a major episode in American history.
| Author | : Peter C. Rollins |
| Publisher | : University Press of Kentucky |
| Total Pages | : 624 |
| Release | : 2008-07-25 |
| Genre | : History |
| ISBN | : 0813172977 |
Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.
| Author | : Robert D. Schulzinger |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2006-08-15 |
| Genre | : History |
| ISBN | : 0199879370 |
The Vietnam War left wounds that have taken three decades to heal--indeed some scars remain even today. In A Time for Peace, prominent American historian Robert D. Schulzinger sheds light on how deeply etched memories of this devastating conflict have altered America's political, social, and cultural landscape. Schulzinger examines the impact of the war from many angles. He traces the long, twisted, and painful path of reconciliation with Vietnam, the heated controversy over soldiers who were missing in action, the influx of over a million Vietnam refugees into the US, and the plight of Vietnam veterans, many of whom returned home alienated, unhappy, and unappreciated. Schulzinger looks at how the controversies of the war have continued to be fought in books and films and, perhaps most important, he explores the power of the Vietnam metaphor on foreign policy, particularly in Central America, Somalia, the Gulf War, and the war in Iraq. Using a vast array of sources, A Time for Peace provides an illuminating account of a war that still looms large in the American imagination.
