From Battersea To The Tower
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Author | : John Costella |
Publisher | : AuthorHouse |
Total Pages | : 309 |
Release | : 2010-03 |
Genre | : Art |
ISBN | : 1438997019 |
'From Battersea to the Tower' provides the reader with an interesting and artistic picture of the history, beauty and occasion that is associated with an area of the Thames Path on both the North and South banks of the river. This book is a perfect accompaniment for both the walker and armchair reader, and focuses on the passage between Battersea Bridge and Tower Bridge, identifying numerous buildings of historical significance as well as the bridges themselves that cross the Thames. Each chapter includes a brief, but detailed history, of the relevant boroughs and districts which border the path, identifying the origins of many street names together with plenty of ghostly tales from the past.
Author | : Great Britain. Parliament. House of Commons. Select Committee on the Metropolis Water Bill |
Publisher | : |
Total Pages | : 948 |
Release | : 1851 |
Genre | : London (England) |
ISBN | : |
Author | : James Johnson |
Publisher | : |
Total Pages | : 262 |
Release | : 1834 |
Genre | : |
ISBN | : |
Author | : James Johnson |
Publisher | : |
Total Pages | : 264 |
Release | : 1834 |
Genre | : |
ISBN | : |
Author | : James Johnson |
Publisher | : |
Total Pages | : 272 |
Release | : 1834 |
Genre | : Scotland |
ISBN | : |
Author | : Frederick FAG (pseud. [i.e. James Johnson]) |
Publisher | : |
Total Pages | : 270 |
Release | : 1834 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1382 |
Release | : 1884 |
Genre | : Architecture |
ISBN | : |
Author | : Henry Elliot Malden |
Publisher | : |
Total Pages | : 640 |
Release | : 1912 |
Genre | : Natural history |
ISBN | : |
Author | : Henry Elliot Malden |
Publisher | : |
Total Pages | : 644 |
Release | : 1912 |
Genre | : Natural history |
ISBN | : |
Author | : Daniel Rubinstein |
Publisher | : Routledge |
Total Pages | : 247 |
Release | : 2019-10-08 |
Genre | : Art |
ISBN | : 100069920X |
Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.