Friends Of The Museum Museum Of Art University Of Oregon
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Author | : Vicki Halper |
Publisher | : University of Washington Press |
Total Pages | : 325 |
Release | : 2016-06-01 |
Genre | : Literary Collections |
ISBN | : 0295806877 |
Morris Graves is a major American painter with roots in the Pacific Northwest. Morris Graves: Selected Letters draws on a vast cache of the his unpublished correspondence, dating from his teenage years until his death in 2001. Few visual artists of any era have left such a rich and wide-ranging collections of letters, which makes this body of work an unusual and valuable document in American art. The Graves correspondence is remarkable for its scope, variety, and depth. Written to many correspondents over long periods of time, the letters include the artist's reflections on his art, the art world, philosophy (Zen Buddhism and Vedanta in particular), architecture (Graves designed his homes and gardens), and relationships with family, friends, and lovers. Graves himself preserved most of the letters, or copies of them, and put no restrictions on their use. Other letters come from a wide range of private and institutional sources. Among the correspondents are Graves's family; Marian Willard, his art dealer; Richard Svare, his companion in the 1950s; and Nancy Wilson Ross, novelist and Buddhist scholar. Other notable figures with whom Graves corresponded are poet Carolyn Kizer, art critic Theodore Wolff, curator Peter Selz, choreographer Merce Cunningham (for whom Graves created a set design), and painter Mark Tobey. Recurrent themes in the Graves letters are the tensions between sociability and solitude; the desire to be free of the material world versus the need for material comfort; the dismissal of commerce and the desperate need for money; the pleasures and pitfalls of love; and the difficulties of the creative life. The letters are organized topically under the broad categories of people (family, friends, intimates), places (homes and travels), and art (finances and philosophy).
Author | : Wolfgang M. Freitag |
Publisher | : Routledge |
Total Pages | : 572 |
Release | : 2013-10-28 |
Genre | : Literary Criticism |
ISBN | : 1134830416 |
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
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Total Pages | : 744 |
Release | : 1968 |
Genre | : Union catalogs |
ISBN | : |
Includes entries for maps and atlases.
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Total Pages | : 744 |
Release | : 1973 |
Genre | : Union catalogs |
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Total Pages | : 750 |
Release | : 1964 |
Genre | : American literature |
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Total Pages | : 508 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Robert Cozzolino |
Publisher | : Chazen Museum of Art |
Total Pages | : 190 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9780932900005 |
This exhibition catalogue focuses on the art and friendships of the American artists Gertrude Abercrombie (1909-1977), Sylvia Fein (b. 1919), Marshall Glasier (1902-1988), Dudley Huppler (1917-1988), Karl Priebe (1914-1976), and John Wilde (b. 1919). The first intensive study of this close-knit group explores the artistic and personal relationships they shared. Cozzolino provides insight into a figurative branch of postwar American modernism that has been often neglected in favor of abstract expressionism. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Author | : Leah Nanako Winkler |
Publisher | : Dramatists Play Service, Inc. |
Total Pages | : 71 |
Release | : 2021 |
Genre | : Performing Arts |
ISBN | : 082223954X |
When Masako is diagnosed with a rare and aggressive form of uterine cancer, her dispersed family is brought back to their Kentucky hometown to care for her. Hiro, the older daughter and a New York City transplant, struggles to make peace with the demons she inherited; the younger daughter, Sophie, negotiates her faith in the face of her mother’s illness and her own broken dreams; their father, James, is a recovering alcoholic seeking forgiveness and redemption; and a friend, John, worries about the legacy he’ll be able to leave his only son. Forced together in a time of need, five estranged people come face to face with their own mortality.
Author | : Charles L. Chavis Jr. |
Publisher | : JHU Press |
Total Pages | : 305 |
Release | : 2022-01-11 |
Genre | : History |
ISBN | : 1421442930 |
The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."
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Total Pages | : 836 |
Release | : 1923 |
Genre | : Art |
ISBN | : |
The biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-