Freuds Drive Psychoanalysis Literature And Film
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| Author | : Teresa De Lauretis |
| Publisher | : Palgrave MacMillan |
| Total Pages | : 216 |
| Release | : 2008-04-04 |
| Genre | : History |
| ISBN | : |
When Freud revised his view of the drives, he was living under the shadow of death and the threat of biological and cultural genocide. Like the early twentieth century, our times are marked by massive geopolitical trauma and shifts in technological, epistemic and sexual-representational practices. This book argues for the renewed relevance of the Freudian theory of drives through a variety of works ranging from cinema and literature to metapsychology and cultural theory. After presenting Freud's successive configurations of the drive in the form of a guide, 'illustrated' with reference to popular films, Teresa De Lauretis discusses two instances of philosophical-political contestation: Foucault's critique of Freud's 'stubborn drive', which served as foundation for the notion of social construction, and Laplanche's critique of Freud's biologism. The last two chapters trace the figural inscription of the death drive through close readings of Djuna Barnes's high-modernist novel Nightwood (1936) and David Cronenberg's postmodern film eXistenZ (1999). -- Back cover.
| Author | : Teresa De Lauretis |
| Publisher | : Springer |
| Total Pages | : 201 |
| Release | : 2008-04-04 |
| Genre | : Literary Criticism |
| ISBN | : 0230583040 |
Teresa De Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.
| Author | : Rossella Valdrè |
| Publisher | : Routledge |
| Total Pages | : 338 |
| Release | : 2018-12-07 |
| Genre | : Psychology |
| ISBN | : 0429756240 |
Psychoanalytic Reflections on The Freudian Death Drive is a highly accessible book that investigates the relevance, complexity and originality of a hugely controversial Freudian concept which, the author argues, continues to exert enormous influence on modernity and plays an often-imperceptible role in the violence and so-called "sad passions" of contemporary society. With examples from cinema, literature and the consulting room, the book’s four chapters – theory, the clinic, art and contemporaneity – investigate every angle, usually little explored, of the death drive: its "positive" functions, such as its contribution to subjectification; its ambiguous relationship with sublimation; the clues it provides about transgenerational matters; and its effects on the feminine. This is not a book about aggression, a type of extroflection of the death drive made visible, studied and striking; rather, it is about the derivatives of the pulsion that changes in the clinic, in life, in society, in artistic forms. With bold and innovative concepts and by making connections to film and books, Rossella Valdrè unequivocally argues that the contemporary clinic is a clinic of the death drive. Psychoanalytic Reflections on The Freudian Death Drive seeks to relaunch the debate on a controversial and neglected concept and will appeal to psychoanalysts and psychoanalytic psychotherapists. Today’s renewed interest in the Freudian death drive attests to its extraordinary ability to explain both "new" pathologies and socio-economic phenomena.
| Author | : Vicky Lebeau |
| Publisher | : Wallflower Press |
| Total Pages | : 148 |
| Release | : 2001 |
| Genre | : Performing Arts |
| ISBN | : 9781903364192 |
Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory.
| Author | : Alessia Ricciardi |
| Publisher | : Stanford University Press |
| Total Pages | : 284 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780804747776 |
The Ends of Mourning explores from an interdisciplinary perspective the contemporary crisis of mourning. In an age skeptical of history and memory, we relate to the past only as a spectacle, a product to be consumed in the cultural marketplace. The book charts the emergence and development of the problem of mourning in the writings of Freud, Proust, and Freud's successor Lacan. Freud's idea of "sorrow work" and Proust's concept of involuntary memory defined the terms of the classic modernist account of mourning in the fields of psychoanalysis and literature. Yet their insistence on the egotistical aspects of loss to the exclusion of all ethical and political considerations threatens the dissolution of the question of mourning.
| Author | : Jeremy Tambling |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 561 |
| Release | : 2023-03-09 |
| Genre | : Literary Criticism |
| ISBN | : 1350184179 |
Providing the most comprehensive examination of the two-way traffic between literature and psychoanalysis to date, this handbook looks at how each defines the other as well as addressing the key thinkers in psychoanalytic theory (Freud, Klein, Lacan, and the schools of thought each of these has generated). It examines the debts that these psychoanalytic traditions have to literature, and offers plentiful case-studies of literature's influence from psychoanalysis. Engaging with critical issues such as madness, memory, and colonialism, with reference to texts from authors as diverse as Shakespeare, Goethe, and Virginia Woolf, this collection is admirably broad in its scope and wide-ranging in its geographical coverage. It thinks about the impact of psychoanalysis in a wide variety of literatures as well as in film, and critical and cultural theory.
| Author | : Amy Allen |
| Publisher | : Columbia University Press |
| Total Pages | : 175 |
| Release | : 2020-12-01 |
| Genre | : Philosophy |
| ISBN | : 0231552718 |
Does critical theory still need psychoanalysis? In Critique on the Couch, Amy Allen offers a cogent and convincing defense of its ongoing relevance. Countering the overly rationalist and progressivist interpretations of psychoanalysis put forward by contemporary critical theorists such as Jürgen Habermas and Axel Honneth, Allen argues that the work of Melanie Klein offers an underutilized resource. She draws on Freud, Klein, and Lacan to develop a more realistic strand of psychoanalytic thinking that centers on notions of loss, negativity, ambivalence, and mourning. Far from leading to despair, such an understanding of human subjectivity functions as a foundation of creativity, productive self-transformation, and progressive social change. At a time when critical theorists are increasingly returning to psychoanalytic thought to diagnose the dysfunctions of our politics, this book opens up new ways of understanding the political implications of psychoanalysis while preserving the progressive, emancipatory aims of critique.
| Author | : Benjamin Y. Fong |
| Publisher | : Columbia University Press |
| Total Pages | : 239 |
| Release | : 2016-11-08 |
| Genre | : Philosophy |
| ISBN | : 0231542615 |
The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.
| Author | : Vera J. Camden |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2021-12-16 |
| Genre | : Literary Criticism |
| ISBN | : 1108802893 |
The Cambridge Companion to Literature and Psychoanalysis explains the link between literature and psychoanalysis for students, critics and teachers. It offers a twenty-first century resource for defining and analyzing the psychoanalytic dimensions of human creativity in contemporary society. Essays provide critical perspectives on selected canonical authors, such as William Shakespeare, Jane Austen, Virginia Woolf, Toni Morrison, and James Baldwin It also offers analysis of contemporary literature of social, sexual and political turmoil, as well as newer forms such as film, graphic narrative, and autofiction. Divided into five sections, each offering the reader different subject areas to explore, this volume shows how psychoanalytic approaches to literature can provide valuable methods of interpretation. It will be a key resource for students, teachers and researchers in the field of literature and psychoanalysis as well as literary theory.
| Author | : Laura Stephenson |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 233 |
| Release | : 2023-12-14 |
| Genre | : Psychology |
| ISBN | : |
Cinema, Suffering and Psychoanalysis explores psychological disorder as common to the human condition using a unique three-angled approach: psychoanalysis recognises the inherent suffering encountered by each subject due to developmental phases; psychology applies specific categorisation to how this suffering manifests; cinema depicts suffering through a combination of video and aural elements. Functioning as a culturally reflexive medium, the six feature films analysed, including Black Swan (2010) and The Machinist (2004), represent some of the most common psychological disorders and lived experiences of the contemporary era. This book enters unchartered terrain in cinema scholarship by combining clinical psychology's Diagnostic and Statistical Manual Five (DSM-V) to organise and diagnose each character, and psychoanalysis to track the origin, mechanism and affect of the psychological disorder within the narrative trajectory of each film. Lacan's theories on the infantile mirror phase, the Imaginary, and the Symbolic, Žižek's theories on the Real, the big Other and the Event, and Kristeva's theories on abjection and melancholia work in combination with the DSM's classification of symptoms to interpret six contemporary pieces of cinema. By taking into consideration that origin, mechanism, affect and symptomatology are part of an interconnected group, this book explores psychological disorder as part of the human condition, something which contributes to and informs personal identity. More specifically, this research refutes the notion that psychological disorder and psychological health exist as a binary, instead recognising that what has traditionally been pathologised, may instead be viewed as variations on human identity.
