Download French Art Of The Eighteenth Century At The Huntington full books in PDF, epub, and Kindle. Read online free French Art Of The Eighteenth Century At The Huntington ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Shelley M. Bennett |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9780300135947 |
The themes that emerge from the study of The Huntington collection contribute to a nuanced understanding of French eighteenth-century domestic and cultural life and of the changing interpretations and continued popularity of French art among later collectors in America."--BOOK JACKET.
| Author | : Ronit Milano |
| Publisher | : BRILL |
| Total Pages | : 242 |
| Release | : 2015-02-24 |
| Genre | : Art |
| ISBN | : 9004276254 |
In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.
| Author | : Anca I. Lasc |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 272 |
| Release | : 2015-10-22 |
| Genre | : Design |
| ISBN | : 0857857835 |
Designing the French Interior traces France's central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 274 |
| Release | : 2010 |
| Genre | : Decoration and ornament |
| ISBN | : 1588393666 |
The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
| Author | : Sylvain Cordier |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 321 |
| Release | : 2022-02-24 |
| Genre | : Design |
| ISBN | : 1350280100 |
The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
| Author | : Emily A. Beeny |
| Publisher | : Getty Publications |
| Total Pages | : 92 |
| Release | : 2021-11-23 |
| Genre | : Art |
| ISBN | : 1606067354 |
Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau's day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau's death, this book considers La Surprise within the context of the artist's oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.
| Author | : Beatrijs Vanacker |
| Publisher | : Leuven University Press |
| Total Pages | : 387 |
| Release | : 2022-04-28 |
| Genre | : Social Science |
| ISBN | : 9462703302 |
Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
| Author | : Katharine Baetjer |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 413 |
| Release | : 2019-04-15 |
| Genre | : Art |
| ISBN | : 1588396614 |
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste Greuze (Broken Eggs), Hubert Robert (the Bagatelle decorations), Jacques Louis David (The Death of Socrates), the Van Blarenberghes (The Outer Port of Brest), and François Gérard (Charles Maurice de Talleyrand-Périgord). In the book’s introduction, author Katharine Baetjer provides a history of the Académie, its establishment, principles, and regulations, along with a discussion of the beginnings of public art discourse in France, taking us through the reforms unleashed by the Revolution. The consequent democratizing of the Salon, brought about by radicals under the leadership of Jacques Louis David, encouraged the formation of new publics with new tastes in subject matter and genres. The catalogue features 126 paintings by 50 artists. Each section includes a short biography of the artist and in-depth discussions of individual paintings incorporating the most up-to-date scholarship.
| Author | : Joan M. Marter |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 3140 |
| Release | : 2011 |
| Genre | : Architecture |
| ISBN | : 0195335791 |
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
